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(1541-1542. – Compte de la fabrique de la cathédrale, de la Saint-Michel 1541 à la Saint-Michel 1542. –  Guillaume Montcuyt, organiste\nApparemment pas ds le précédent (G. 2539 (1540-1541)), il est ensuite dans:\nG. 2541. (Registre.) – In-folio, 64 feuillets, papier. 1542-1543. – Compte du même, de la Saint-Michel 1542 à la Saint-Michel 1543. – Simon \nVitecoq, maître maçon ; – Guillaume Montcuyt, organiste. \nG. 2542. (Registre.) – In-folio, 13 feuillets, papier. 1545-1546. – Compte de Léger Le Veneur, procureur de la fabrique, de la Saint-Michel \n1545 à la Saint-Michel 1546. – Guillaume Montcuyt, organiste ; – \nG. 2543. (Registre.) – In-folio, 72 feuillets, papier. 1549-1548. – Compte du même, de la Saint-Michel 1547 à la Saint-Michel 1548. – Simon \nVitecoq, maître maçon ; – Guillaume Montcuyt, organiste; –\nG 2544. (Registre.) – In-folio, 82 feuillets, papier. 1548-1549. – Compte du même, de la Saint-Michel 1548 à la Saint-Michel 1549. – Guillaume Montcuyt, organiste \nG. 2545. (Registre.) – In-folio, 54 feuillets, papier. 1549-1550. – Compte du même, de la Saint-Michel 1549 à la Saint-Michel 1550. – Guillaume Montcuyt, organiste\nG. 2546. (Registre.) – In-folio, 54 feuillets, papier. 1550-1551. – Compte du même, de la Saint-Michel 1550 à la Saint-Michel 1551. – Guillaume Montcuyt, organiste.\n G. 2547. (Registre.) – In-folio, 86 feuillets, papier. 1551-1552. – Compte de Guillaume Montcuyt, procureur de la fabrique, de la Saint-Michel 1551 à la Saint-Michel 1552. – Montcuyt, organiste. \nG. 2548. (Registre.) – In-folio, 73 feuillets, papier. 1552-1553. – Compte du même, de la Saint-Michel 1552 à la Saint-Michel 1553. – Montcuyt, organiste. \nG. 2549. (Registre.) – In-folio, 60 feuillets, papier. 1554-1555. – Compte du même, de la Saint-Michel 1554 à la Saint-Michel 1555. – Montcuyt, organiste. –\nG. 2550. (Registre.) – In-folio, 53 feuillets, papier. 1554-1555. – Compte du même, de la Saint-Michel 1554 à la Saint-Michel 1555. – \nMontcuyt, organiste.\nG. 2551. (Registre.) – In-folio, 68 feuillets, papier.  1555-1556. – Compte du même, de la Saint-Michel 1555 à la Saint-Michel 1556. – Montcuyt, organiste aux gages de 40 livres\nG. 2555. (Registre.) – In-folio, 69 feuillets, papier. 1559-1560. – Compte de Michel Mallet, procureur de la fabrique, de la Saint-Michel 1559 à la Saint-Michel 1560. – Guillaume Montcuyt, organiste, aux gages de 40 livres. –\n\nG. 2816. (Liasse.) – 27 pièces, papier. \n1515-1599. – Pièces justificatives du compte de la fabrique. – Inventaire des biens trouvés chez Guillaume Montenyt, organiste, après le décès de sa femme, mai 1557 : « Instruments de musique, unes regallez avec l’estuy, les soufflez et contrepoids, une espinette double ; une espinette simple ; un manycordion double ; 3 ou 4 simples ; 8 vyolles ; ung lut avec l’estuy ; 2 flustes d’allemant avec les estuis ; une espinette organisée. » – Quelques pièces relatives à la famille Montcuyt. – "]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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L :\n\n    Ut ipsa Psalleta statutis et ordinationibus regetur, statuimus quod sub communi vocabulo Psalletæ una sit societas octo puerorum et unius magistri,.... ac ipse magister sit receptor et gubernator emolumentorum ipsius Psalletæ."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41596"},["text","Olivier, Sanson (…-…). 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François Lesure affirme qu’un certain Guichard aurait été maître des enfants de la cathédrale en 1506, mais aucune source ne permet de corroborer cette information, citée sans référence (Lesure 1999, art. « Noyon », p. 237)."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41433"},["text","Lesure 1999"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41415"},["text","—, Guichard (…-…). 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En 1633, l’imprimeur Pierre Ballard publie quatre messes à quatre voix, dont aucun exemplaire de subsiste, de ce compositeur qualifié de maître de musique de la cathédrale de Noyon (« authore M. Florentio Des François, insignis ecclesiae cathedralis Noviodunensis simphonaeta simphoniarca » ; Guillo 2003, notices 1633-B à 1633-D et Guillo 2005, p. 207)."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41412"},["text","Guillo 2003 "]],["elementText",{"elementTextId":"41413"},["text"," Guillo 2005"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41394"},["text","Des François, Florent (…-…). Compose; Master of Music; Musician"]]]]]]]],["item",{"itemId":"2594","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Qualifié de “ténoriste du duc de Brabant“, il reçoit une petite prébende de la collégiale Sainte-Gudule de Bruxelles en février 1407, vacante par la mort de Theodore de Os (Huybens 1971, p. 40 : “1407 fev. 19. Petite prebente a Johanni Plattelet tenoriste domini ducis Brab.”, d'après B-AGR, A.E.SG. - reg. 772, f. 6)."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41392"},["text","Huybens 1971"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41371"},["text","Plattelet, Jean (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2593","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41340"},["text","CESR_person_03593"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41342"},["text","Outreau (d’)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41343"},["text","Guillaume"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41344"},["text","Guillaume d’Outreau [de Ultraaquam]"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41345"},["text","Ultra Aquam "]],["elementText",{"elementTextId":"41346"},["text"," Ultraaquam (de)"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41347"},["text","Male"]]]],["element",{"elementId":"63"},["name","Place of birth"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41348"},["text","Norwich ?"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41349"},["text","Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41350"},["text","Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41351"},["text","1382"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41352"},["text","1409"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41353"},["text","Cities_Standardized_0404  "]],["elementText",{"elementTextId":"41354"},["text"," Cities_Standardized_1591 "]],["elementText",{"elementTextId":"41355"},["text"," Cities_Standardized_0569"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41356"},["text","Avignon "]],["elementText",{"elementTextId":"41357"},["text"," Roma "]],["elementText",{"elementTextId":"41358"},["text"," Saint-Quentin"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41359"},["text","Institution_0101 "]],["elementText",{"elementTextId":"41360"},["text"," Institution_0032 "]],["elementText",{"elementTextId":"41361"},["text"," Institution_0153"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41362"},["text","Chapelle ducale d'Anjou "]],["elementText",{"elementTextId":"41363"},["text"," Capella pontificalis "]],["elementText",{"elementTextId":"41364"},["text"," Collégiale Saint-Quentin de Saint-Quentin"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41365"},["text","chapelle pontif\nDocuments relatifs au grand schisme: textes et analyses: Volume 13\n \nClement VII (Antipope), Benedict XIII (Antipope), Karl Hanquet - 1976 - Extraits\nGuillelmo de Ultra Aquam pape famil., ...\n\np. 764, n° 2348\n14 mai 1393\nGuillelmo de Ultra Aquam, pape famil, providetur de can et praeb eccl cameracensis vac per ob extr romanam curiam Mathei de Longariga, pape famil et capell\n\nGünther 1964:\nAux côtés de Denis de Couleurs et Evrard de Conti, respectivement aumônier et médecin du roi, Hémeré cite en outre parmi les chanoines illustres des années 1380 un certain Guillaume d’Outreau (« Willel. de Ultraaquam »), qu’il qualifie de chapelain du pape et chanoine de Villeneuve-lès-Avignon (Hémeré 1643, p. 298). Ce chanteur figure effectivement dans les listes de la chapelle pontificale d’Avignon conservées pour ces années, sous le pape Clément VII, en octobre et décembre 1382 et en novembre 1393 (Günther 1964, p. 180 et 185) ; il ne figure cependant plus dans la liste suivante, celle des chanteurs retenus par Benoît XIII, dressée le 5 octobre 1394 (Haberl Bst.,/ Il ne figure pas ds la liste suivante, du 5.10.1394: Liste de la chap. pontificale Avignon, Benoît XIII des 14 noms “isti fuerunt recepti et juraverunt 5. mensis Oct. 1394 et sunt recepti cum stipendiis consuetis” (Haberl Bst. III, p. 25, n. 2)\n\nNadas 2003\np. \nvII Lenfant was documented as a singer by Ursula Gunther; Lenfant and Ultraaquam together presented a supplication in the early years of the schism, and the Duke of Anjou was the authority who settled a permutation of benefices for ...\n\nqui servit ensuite la curie du pape d’obédience pisane Alexandre V, élu en 1409 (Nadas 2007, p. 264) \n\n\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41366"},["text","Günther 1964 "]],["elementText",{"elementTextId":"41367"},["text"," Héméré 1643 "]],["elementText",{"elementTextId":"41368"},["text"," Nadas 2003 "]],["elementText",{"elementTextId":"41369"},["text"," Nadas 2007"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41341"},["text","Outreau (d’), Guillaume (…-…). Musician"]]]]]]]],["item",{"itemId":"2592","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41331"},["text","CESR_person_03592"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41333"},["text","Wavrechin (de)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41334"},["text","Nicaise"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41335"},["text","Nicaise de Wavrechin"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41336"},["text","Male"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41337"},["text","1317"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41338"},["text","1349"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41339"},["text","Wavrechin, v Wavrechain. / Vavrecinum, Wavrechain. Wavrin, Francia. Soit Wavrechain-sous-Denain, soit Wavrechin-sous-Faulx, ts deux dans l’arrondissement de Valenciennes.\nLettres de Jean XXII (1316-1334): textes et analyses: Volume 2 (sur arch.org). Index, p. 618 et 698 (renvois à) p. 751.\np. 173, n° 462: 21.12.1317, chapelain de la comtesse Béatrice de  Luxembourg, expect  St-Bart de Liège, déjà curé de Harchie (Hachy/Herzi, Belg. prov Lux), dioc Treves, et de Blaravila (Blairville), dioc Arras.\np. 594, n° 1619, 20.7.1325 : expectative pour St-Servais de Maastricht, sachant qu’il est déjà chanoine de StBart de Liège.\nLettres de Jean XXII (1316-1334): textes et analyses: Volume 3. n°3210 et 3374\np. 567, 3210, 17 avr 1332 : Nic de W, cap Joh regis Boe confertur canonicatus eccl cameracen sub expectatione prebende, non obstante quod in SQ et SM de Condeto et Sbart Leodiensisw…\nDu meme genre p. 646-7, n° 3374, 4 jan 1333\nArnold R. Fayen - 1909 - Reg. Av. 41, f. 573 : Vat. 103, n. «27. 3210. 1332. l7 avril. Nicasio de Wavrechin ... prebende ас dignitatis eidem Nicasio provisum est ; que ultima gratia ...\n\nLettres de Clément VI (1342-1352).: Textes et analyses, Philippe Van Isacker, Ursmer Berlière - 1924 - Extraits\nt.I, p. 87, n° 253, 1 juill 1342: Nicasio de Wavrechin, capellano Johannis, Boemie regis, confertur canonicatus sub expectatione prebende in ecclesia Cameracensi, consideratione dicti regis, non obstante quod in S. Bartholomei Leodiensi, Sancti Quintini in Viromandia, S. Quintini Meldobensis et B. Marie de Condeto ecclesiis, Noviomensis et Cameracensis diocesum, canonicatus et prebendas obtinet…\nAussi p. 324 et 804 (index)\nSuppliques de Clément VI: (1342-1352), p. 92 Ursmer Berlière - 1906 - 952 pages - Extraits\nNicasius de Maing. Nicasius de Preusies. Nicasius de Stapulis. Nicasius de Wavrechain. Nicasius Machart. ... Nicasius. Nicholaus, v. Nicolaus. ...\n\nApparemment cité dans : Les comptes du receveur de Hainaut pour 1359-1360, édition ... Nicolas Choin - 2007 - 424 pages\n\nFamilia Archiepiscopi: Studien zu den geistlichen Funktionsträgern Erzbischof Balduins von Luxemburg (1307-1354)\nNikasius v. Wavrechain 226-228, 267, 350, 376.\n> 226 et suiv. “Une demi-douzaine de sources sur ce chapelain de l’archevêque, qui permettent de très bein reconstituer le parcours de ce clerc. En 1317, expectative au titre de chapelain de Béatrice de Lux (Fayen AVB, p. 173 n° 462, 21 XII 1317). Indication intéressante, car la cette comtesse Béatrice d’Avesnes-Beaumont n’est autre que la mère de l’archevêque Baudouin. Elle avait précisément des possession dans le valenciennois.\nBénéfices concentrés dans le Nord de la France, puis au comté de Luxembourg. SBart de Liège, (avec cures d’HAchy près d’Arlon, et Blairville, dioc Arras). Le 20 VII 1325, St-Servais de Maastricht (Fayen, AVB 2, p. 594, n° 1619). Les suppliques du début des trente années pendant lesquelles il sera qualifié de chapelain de Jean de Bohême signalent des bénéfices à SQ, Condé, SB Liège et SV Maastricht, et un canonicat de la cathédrale de Cambrai (Fayen, AVB 3, p. 567, n° 3210, 17 IV 1332 et p. 646 et suiv., n° 3374, 4 I 1333). L’expectative, aussi d’avril 1332, pour le canonicat et dignité de Trêves, est annulée en janvier 1333, et il ne mit pas les pieds à Trêves et il n’est plus question de ce béénfice ensuite. Mentionné comme chapelain de l’archevêque Bauduin en 1343, bénéfice à l’abbaye du Bec, dioc Rouen (Berlière, AVB 1, p. 92 et suiv.). Autres chartes de JdB pour Nicaise: Van Isacker, AVB 6, p. 87 n°253, et Klicman Acta p. 24 n° 42, 1 VII 1342). Puis SQ de Maubeuge. Quand entra-t-il en contact avec Baudouin ?\nD’un acte du 16 VI 1334, on apprend que Nicaise appartenait, au moins temporairement, à l’administration financière (Finanzverwaltung) de JdB (Vannerus, ChartesLux, 180 et suiv., n° 63) . Mort avant le 8 XI 1349 (Berlière, AVB 1, 479, n° 1844 et suiv., puis 533. Dernière mention en vie, 16 XII 1343 (Van Isacker AVB 6, p. 324 et suiv., n° 929). Sans doute passé au service de l’archev par connexion dynastique.”\n>267 (table des chapelains, RAS) >350 (mention en passant Cmabria) > 376 Dico prosopo Pas de notice. RAS.\nAutre chanoine de SQ mentionné: Jean de Bruay, haut dignitaire de l’archev, chan SQ 1308 puis doyen de la cath de Trier.\n\nI canonici al servizio dello Stato in Europa secoli XIII-XVI. Hélène Millet, Elizabeth Mornet, Istituto di studi rinascimentali (Ferrara, Italy) - 1992 - 290 pages - Extraits. p. 141 : Bei Nicasius von Wavrechin, Kaplan Johanns und ...\nArticle: “Kanoniker im Dienste von Herrschaft. Beobachtungen am Beispiel des Trierer Domkapitels” Holbach, Rudolf. • p. 119-148\nI canonici al servizio dello stato in Europa, secoli XIII - XVI = Les chanoines au service de l'état en Europe du XIIIe au XVIe siècle, recueil d'études sous la direction\nMillet, Hélène [Publ.]. - Modena (1992) \n\nSuppliques d'Innocent VI (1352-1362): textes et analyses\nUrsmer Berlière - 1911 - 993 pages - Extraits ... Wavrechain. - Monasteria OSB , Anchin , Béthune, Denain, ... Johannes Tonnelle, Nicasius Lamant, ... 655; — ejus cler., Nicasius Lamant. ...\n\nExekutoren: Die außerordentliche Kollatur von Benefizien im ... - Page 627. Kerstin Hitzbleck - 2009 - 653 pages - Aperçu\n... Archidiakon von Reims 383, 458 Nevers Dekan 474 - Saint-Martin, Kloster Abt 474 Nicasius de Wavrechin, Kaplan des Königs Johann von Böhmen, verschiedene Stellen in Utrecht, Lüttich, Trier, Kanoniker in Cambrai 403 f. ...\n\nMort signalée Berlière 1906 (AnaVatBelg I), p. 479, n° 1844, 8 nov. 1349 et p. 533, n° 2018, 17 aout 1350, \n \n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41332"},["text","Wavrechin (de), Nicaise (…-…)"]]]]]]]],["item",{"itemId":"2591","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41308"},["text","CESR_person_03591"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41310"},["text","Le Bouc"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41311"},["text","Israël"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41312"},["text","Israël Le Bouc"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41313"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41314"},["text","Role_002 "]],["elementText",{"elementTextId":"41315"},["text"," Role_001 "]],["elementText",{"elementTextId":"41316"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41317"},["text","Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"41318"},["text"," Musician "]],["elementText",{"elementTextId":"41319"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41320"},["text","1586"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41321"},["text","1599"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41322"},["text","Cities_Standardized_0569"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41323"},["text","Saint-Quentin"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41324"},["text","Institution_0115 "]],["elementText",{"elementTextId":"41325"},["text"," Institution_0153"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41326"},["text","Chapelle royale de France "]],["elementText",{"elementTextId":"41327"},["text"," Collégiale Saint-Quentin de Saint-Quentin"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41328"},["text","Chapelle royale, c. 1586. Il figure sur une liste des chantres de la chapelle d'Henri III dressée vers 1586 (BrooksJ 2000, p. 490).\n• Collégiale de Saint-Quentin, 1587-1599. Son monument funéraire et épitaphe, décrits par l'historien Quentin de La Fons montrent qu'il était chanoine de cette église, où il fit en 1599 une fondation d'oraisons à chanter en polyphonie le jour de Pâques, inlcuant le legs d'un grand tableau représentant la Passion, la Résurrection et l'Ascension : “De là [5e pilier du côté droit] tirant à gauche, contre le gros pilier de la croisée devant le Crucifix, se trouve l'épitaphe de Me Israël Le Boucq , Chanoine, en un grand tableau où est peinte l'histoire de la passion de N.-S., de sa résurrection et ascension, avec cette inscription : In honorem Dei suaeque domûs dilectionem, venerabilis et discretus vir, Magisler Israël Le Boucq, hujus Ecclesiae Canonicus, Regiusque Capellanus, imaginem crucifixi et adjunctas depingendas atque historiam hâc tabellâ expressam hic statuendam curavit, necnon preces pietatis plenas sub dies Paschae, horam sextam vespertinam, hâc in Ecclesià decantandas instituit et fundavit, anno Domini 1599. Requiescat in pace.” (éd. Gomart 1856, I, p. 116). Il avait également contribué à la décoration du chœur : “Le Crucifix élevé au milieu de l'Eglise est très-bien fait avec les figures de la Vierge et de saint Jean, qui sont posées sur une grande poutre revêtue de part et d'autre d'une belle menuiserie de trois pieds de hauteur. En la face qui regarde la nef, il y a 25 figures en bosse , au milieu desquelles sont les pieds de la croix et la figure de saint Quentin, qui a, à son côté droit, les douze Apôtres, et à gauche les douze Prophètes. De l'autre face, qui regarde le chœur, sont dépeints, en plate peinture encore les douze Apôtres d'un côté, et saint Quentin avec tous ses compagnons de l'autre, et tout au milieu , sous le pied de la croix, est dépeint à genoux Me Israël Le Boucq, Chanoine de cette Eglise, qui a fait peindre et dorer toute la croix, le Crucifix et toutes les images, de côté et d'autre, l'an 1587” (id., p. 75)."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41329"},["text","BrooksJ 2000 "]],["elementText",{"elementTextId":"41330"},["text"," Gomart 1856"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41309"},["text","Le Bouc, Israël (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2590","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41279"},["text","CESR_person_03590"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41281"},["text","Fouquet"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41282"},["text","Nicolas"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41283"},["text","Nicolas Fouquet"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41284"},["text","Foucquet"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41285"},["text","Male"]]]],["element",{"elementId":"59"},["name","Date of birth Qualif Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41286"},["text","1573"]]]],["element",{"elementId":"65"},["name","Date of death Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41287"},["text","1617-5-8"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41288"},["text","Role_018 "]],["elementText",{"elementTextId":"41289"},["text"," Role_001 "]],["elementText",{"elementTextId":"41290"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41291"},["text","Choirboy "]],["elementText",{"elementTextId":"41292"},["text"," Musician "]],["elementText",{"elementTextId":"41293"},["text"," Singer"]]]],["element",{"elementId":"71"},["name","Period of activity (beginning) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41294"},["text","circa"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41295"},["text","1580"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41296"},["text","1617 "]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41297"},["text","Cities_Standardized_0537 "]],["elementText",{"elementTextId":"41298"},["text"," Cities_Standardized_0569"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41299"},["text","Paris "]],["elementText",{"elementTextId":"41300"},["text"," Saint-Quentin"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41301"},["text","Institution_0153 "]],["elementText",{"elementTextId":"41302"},["text"," Institution_0269"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41303"},["text","Collégiale Saint-Quentin de Saint-Quentin "]],["elementText",{"elementTextId":"41304"},["text"," Sainte-Chapelle de Paris"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41305"},["text","Collégiale de Saint-Quentin, vers 1580-1617. Son épitaphe indique qu'il mourut en 1617 à l'âge de 44 ans, après avoir été ancien enfant de chœur,  prêtre, chapelain et maître de musique (“symphonistae” ?) de l'église ; il semble donc y avoir fait toute sa carrière (épitaphe publiée  par Gomart 1856, I, p. 123 : “Magistri Nicolai Fouquet, dum vixit pueri chorialis, Presbyteri, Capellani hujus Ecclesie ac symphonitae epitaphium.\nQuos Augusta dedit cineres, haec terra recondit.\nQui locus enutriit corpus, hic ossa tenet.\nHarmoniae bis dux veni, totidemque vocatus,\nPost obii; precibus, lector, adesto mini.\nObiit 8 maii anno reparais salutis 1617, aetatis 44”)\n\nParis : Sainte-Chapelle. 1605-1607 : Clerc, prêtre du diocèse de Noyon, reçu le 1 octobre 1605 et cité comme chapelain le 27 janvier 1607, pour une attribution de chambre (Brenet 1910 p. 152, 153 d’après Arch. Nat. LL 601, fol. 14 r° et 31 v°). \n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41306"},["text","Brenet 1910 "]],["elementText",{"elementTextId":"41307"},["text"," Gomart 1856"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41280"},["text","Fouquet, Nicolas (1573-8 May 1617). Musician; Singer"]]]]]]]],["item",{"itemId":"2589","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41261"},["text","CESR_person_03589"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41263"},["text","Goulin"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41264"},["text","Pierre"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41265"},["text","Pierre Goulin"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41266"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41267"},["text","Role_037 "]],["elementText",{"elementTextId":"41268"},["text"," Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41269"},["text","Master of choirboys "]],["elementText",{"elementTextId":"41270"},["text"," Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41271"},["text","1412"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41272"},["text","1412"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41273"},["text","Cities_Standardized_0569"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41274"},["text","Saint-Quentin"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41275"},["text","Institution_0153"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41276"},["text","Collégiale Saint-Quentin de Saint-Quentin"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41277"},["text","Collégiale de Saint-Quentin, 1412. Par une charte du chapitre de Saint-Quentin en date du 16.2.1412, maître Pierre Goulin, choriste ou maître des enfants de chœur de l’église, obtient l’autorisation d’être inhumé en la chapelle “de saint Pierre et de saint Paul, la plus rapprochée du portail, près de la maison des Enflés” (extrait de l'histoire de l'église rédigée par Quentin de La Fons vers 1640, qui discute ici la localisation de l’Hôpital des Enflés, bâtiment qui avait déjà disparu à son époque ; éd. Gomart 1856, t. I, p. 302)."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41278"},["text","Gomart 1856"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41262"},["text","Goulin, Pierre (…-…). Musician"]]]]]]]],["item",{"itemId":"2588","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41247"},["text","CESR_person_03588"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41249"},["text","Planchon"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41250"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41251"},["text","Jean Planchon"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41252"},["text","Male"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41253"},["text","1510"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41254"},["text","1510 "]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41255"},["text","Cities_Standardized_0461"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41256"},["text","Douai"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41257"},["text","Institution_0129"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41258"},["text","Collégiale Saint-Amé de Douai"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41259"},["text","Collégiale Saint-Amé de Douai, 1473. L'inventaire des biens de ce doyen est conservé (Deshaines 1866, p. 47). On y trouve plusieurs livres de musique et de théorie musicale, et un volume commençant peut-être par le Lay de Bonne Esperance (Longuement me sui tenus)\nEn 1510. Maistre Jehan Planchon, prestres chanone de Saint-Amé, quitrespassale 8 juillet 1510, alaissé :\nUne heure en papier à lusage de Saint-Amé. III s.\nUng psaultier IV s.\nUng demy temps, escript à la main à lusage de Tournay V s.\nTrois aultres demy temps, id. id.\nUng livre noiné : manipulus curatorum. . X s.\nUng livre de canchons VI d.\n\nUne heure à dévotion, a braye de chamois. X s.\n\nUne légende dorée en latin, escripteàlamain. IIIs.\n\nUneaultre, id. id."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41260"},["text","Deshaines 1866"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41248"},["text","Planchon, Jean (…-…)"]]]]]]]],["item",{"itemId":"2587","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41233"},["text","CESR_person_03587"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41235"},["text","Lesculier"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41236"},["text","Simon"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41237"},["text","Simon Lesculier"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41238"},["text","Male"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41239"},["text","1473"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41240"},["text","1473 "]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41241"},["text","Cities_Standardized_0461"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41242"},["text","Douai"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41243"},["text","Institution_0129"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41244"},["text","Collégiale Saint-Amé de Douai"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41245"},["text","Collégiale Saint-Amé de Douai, 1473. L'inventaire des biens de ce doyen est conservé (Deshaines 1866, p. 45-46). On y trouve plusieurs livres de musique et de théorie musicale,\nEn 1473, maistre Simon Lesculier, doyen du chapitte de Saint-Amè, donne à Jehan Laloux, un de ses bréviaires, et à Jehan Carie, un journet et unes synodales. Dans le curieux inventaire des biens de ce doyen du chapitre, nous trouverons les indications suivantes :\nLibraries.\nPluiseurs livres en papier, en ung commenchant pœniteas VI s.\nUng demy temps d'y ver, couvert de bos. . XX s.\nUng rommant en wallecq (wallon?) commenchant le prologhe du rommant de le rose, couvert de bos XXXII s.\nUng aultre, livre en parchemin, nommé l'apocalipse ymagiée, convert en bos de blancq. XXXII s.\nUng rommant en franchois nommé Gutite Dorenges, couvert de bos et cuir XXXIII s.\nUng aultre rommant en parchemin couvert de bos commenchant qui bien seet dire le doibt.\n\nUng aultre livre en papier contenant l'art de musique, couvert de cuir vermeile III s.\nUne viese glose de dyalecticha XII d.\nUng livret en parchemin commenchant : Capitulum noviomense Ils.\nUng Flores grammatice en papier. ... VI s.\nUng livret en parchemin commenchant Trop longuement me sui tenu.\nUng aultre livret en parchemin, de musique.\nUng aultre livret en parchemin, nommé Guido, inventor musice XII d.\nUng aultre livret en parchemin, nommé Ysidonts, de musica XII d.\nUng aultre livret de parchemin, commenchant : Incipit micrologue de musica XII d.\n\n1 livret commenchant : Passio de N. S. J. C. secundum nichodemvm X s.\nUng rommand de Marguerite, contesse de Flandre • II s.\nUng petit livret commenchant De virtutibus et viciis et pluribus aliis XII d.\nUng petit livre en parchemin, nommé summula de summa XII d.\n\nUng bréviaire a l'usaige Saint-Amé. . . VIII 1.\nUng rommand en papier de Mandeville . . X s."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41246"},["text","Deshaines 1866"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Le mathématicien et théologien humaniste Jacques Lefèvre d’Étaples insère une épître dédicatoire à “Jacques Labin et Jacques Turbelin, musiciens, ses chers précepteurs” (“Jacobo Labinio et Jacobo Turbelino musicis, suis charissimis praeceptoribus”) au début de son traité de théorie musicale intitulé Musica libris quatuor demonstrata, publié à Paris en 1496 avec son traité d’arithmétique."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41222"},["text","Labin, Jacques  (…-…). Musician"]]]]]]]],["item",{"itemId":"2585","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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En 1476, Jacques Turbelin reçoit 22 s. “comme courtoisie aux vicaires et compaignons, qui l'aidèrent à chanter le jour des innocens”. Il avait déjà reçu 33 s. en 1473 “pour faire faire le ju des innocens”. Au sujet de ces festivités, on sait qu'en 1479 y “estaient la plupart de messieurs”, et que, l'année précédente, 12 s. avaient été accordés “pour le louage des chevaulx des compaignons qui chantèrent avec les enffans, le jour des innocens” (La Fons-Mélicocq 1855, p. 174). Un “Turbelin” (sans prénom) figure en effet parmi les vicaires dans les quatre comptes des vicaires de Saint-Amé conservés entre 1462 et 1479 (Bouckaert PCR, d'après F-AD 59, 1G 2223 à 1 G 2226, comptes des années 1462-1463, 1466-1467, 1468-1469 et 1478-1479). Il devint chanoine de l'église, et son testament en date du 21 juillet 1496, indique qu'il donna à l'église “pour mettre au coer, ung livre nomé Rationale divinorum officiorum” et à “Mathieu Turbelin, son frère, ung livre en franchois sur les Propriétés des choses” (Deshaisnes 1866, p. 47). Un inventaire des livres de l'église dressé en 1496 confirme qu'elle était bien en possession d'“Ung livre maulé [imprimé] nomé rationale divinorum oficiorum, enchaîné que donna Jaquin Turbelin, chanoine” (Id., p. 44).\n• Maître de Jacques Lefèvre d'Étaples ? Le mathématicien et théologien humaniste Jacques Lefèvre d’Étaples insère une épître dédicatoire à “Jacques Labin et Jacques Turbelin, musiciens, ses chers précepteurs” (“Jacobo Labinio et Jacobo Turbelino musicis, suis charissimis praeceptoribus”) au début de son traité de théorie musicale intitulé Musica libris quatuor demonstrata, publié à Paris en 1496 avec son traité d’arithmétique."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41219"},["text","Deshaines 1866 "]],["elementText",{"elementTextId":"41220"},["text"," La Fons-Mélicocq 1855"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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(La Fons Mélicocq 1855, p. 180). Il n’est pas impossible que ce chanteur au patronyme inconnu soit le chanteur de la chapelle pontificale Bon Raoul*, qui demanda une autorisation d’absence de la chapelle en mars 1506."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41201"},["text","La Fons-Mélicocq 1855"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41183"},["text","—, Bon (…-…). Musician; Singer (…-…). 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41100"},["text","Beaulieu (de), Eustorg (1495-1552). Composer; Musician; Organist"]]]]]]]],["item",{"itemId":"2580","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41080"},["text","CESR_person_03580"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41082"},["text","Vassadel"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41083"},["text","Bertrand"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41084"},["text","Bertrand Vassadel alias (de) Vaqueras"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41085"},["text","Vaqueras (de)"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41086"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41087"},["text","Role_024 "]],["elementText",{"elementTextId":"41088"},["text"," Role_002 "]],["elementText",{"elementTextId":"41089"},["text"," Role_001 "]],["elementText",{"elementTextId":"41090"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41091"},["text","Composer "]],["elementText",{"elementTextId":"41092"},["text"," Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"41093"},["text"," Musician "]],["elementText",{"elementTextId":"41094"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41095"},["text","1481"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41096"},["text","1507 "]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41097"},["text","Rome, Basilique de Saint Pierre: chapelle\nPape, cour du (curie ; Rome, Vatican) : chapelle pontificale / papale (Sixte IV à Jules II)\n• Onomastic. Although his name in Vatican documents and music sources is generally given as “Bertrandus de Vaqueras” or “Vaqueras”, several supplications also refer to him as “de Vaquerassio alias Vassadelli”, “Vassadelli alias de Vacqueyras”, or “de Vacqueras alias de Bassea”, and his autograph signature recording his entry, along with the other papal singers, into the Confraternità of the Ospedale di Santo Spirto in Sassia on 14 June 1484 reads: “Ego Bertrandus de Bassea alias Vaqueras” (Rome, Biblioteca Lancisiana, MS m328, fol. 98r; Egidi 1914),. This means that his real name was Bertrand Vassadel and that he was a member of the family that had been lords of the town of Vacqueyras in the comtat Venaissin near Orange since the 14th century (“de Bassea” must be a Latin rendering of Vassadel and not a place name as earlier scholars have thought).  However, he must have moved away from Vacqueyras, which is in the diocese of Orange, at a young age, since he consistently identifies himself as a cleric of the diocese of Cavaillon in supplications.\n• Chapelle d’église, 1481–1483.  A “Bertrandus de Bassea” is listed as a contra in the chapel of St. Peter’s from December 1481-April 1483 (Reynolds 1982). \n • Chapelle pontificale, 1483- 1507. Vaqueras joined the papal chapel in November 1483 as one of nine new members and remained in the chapel until his death: he is in all extant chapel lists until April 1507, and beneficial documents attest to his membership during the period when there are no lists. As might be expected, he concentrated his quest for benefices in dioceses neighboring Cavaillon, particularly Vaison, Arles, and Avignon, but he also was able to retain benefices in the cathedral of Liège and in the collegiate church of Notre Dame de Tongres (Tongeren)  in the diocese of Liège. These had become vacant in 1494 on the death of Petrus Holy, a former papal singer (1483-1484) who had then moved to the chapel of the Duke of Milan, and had been provided to the Bishop of Segorbe, the magister capelle, by virtue of the Indult of Innocent VIII (on the Indult, see Sherr 1998), but the bishop resigned them in favor of Vaqueras on 28 August 1494 (RS 996, fols. 83r-83v). Vaqueras held these benefices at the time of his death, this being one of the rare occasions when a papal singer was actually able to take possession of a benefice far from his home diocese. Vaqueras also requested other benefices in the dioceses of Liège and Tournai but it is not known if these were successful. At the time of his death, his accumulated benefices brought in an estimated annual income of 192 gold cameral ducats, twice his chapel salary of 96 ducats a year. In 1498, he purchased a vineyard from the chapter of St. Peter’s in an area behind the basilica, curously called “Egitto” (Reynolds 1982).\nDécès, avril 1507: 21 April 1507 is the date of the first of a number of supplications requesting benefices made vacant by the death of Vaqueras in Rome. The supplicants included the papal singers Tomasso de Fazanis (RS 1257, fol. 205r: supplication dated 21 April 1507), Filippo de Primis (RS 1254, fol. 277r: supplication dated 21 Apriol 1507),  Remi de Mastaing (RS 1254, fol. 8v: supplication dated 10 May 1507), Jan Gruter (RS 1254, fols. 57v-58v: supplication dated 10 May 1507), Jakob Walpot (RS 1254, fols. 182r-182v: supplication dated 10 May 1507), and Michel Touppe (RS 1256, fols.26v-27r: supplication dated 4 June 1507) who activated the Indult of Innocent VIII, as well as Vaqueras’s nephew, Jean Vassadel alias Vaqueyras, who describes himself as a cleric of the diocese of Orange and was a member of the papal household  (the magister capelle specifically waived the Indult in this case because of the familial connection- RS 1259, fols. 202r-202v: supplication dated 2 July 1507). At the time of his death, Vaqueras was in possession of an archdeaconry  and priory of Sanbelet in the cathedral of Vaison, a chaplaincy in the cathedral of Arles, two other chaplaincies in churches in the diocese of Avignon, the parish church of St Genèse the diocese of Avignon; the canonries and prebends in the cathedral of Liège and the collegiate church of Notre Dame de Tongres, the parish churches of Ste Eulalie and Dempuelon [?] in the diocese of Lausanne (another non-French diocese, but not as far away as Liège) and, most curiously a benefice described as the “chapel of St Pierre in the ruined chateau of Montmurat” in either the unlikely diocese of Bayonne (“Baionensis”  in one document: RS 1167, fol.78r: supplication dated 26 June 1503)  or the even more unlikely Bayeux (“Baiocensis” in another document: RS 1259, fols. 202r-202v).\nOeuvres: Vaqueras is the composer of a small number of sacred works (two masses, three motets, two Credos) all preserved in Vatican sources, and one secular work is attributed to him (NG2, art. Vaqueras). The manuscript Vatican City, Biblioteca Apostolica Vaticana, Vat. Lat, 2836, fols. 94Ar-103v contains several poems in humanistic Latin with corrections that indicate that they are autographs that are ascribed to “Bertrandus de Vaqueirassio” (Reynolds 1982; one of the poems, addressed to Antonio Flaminio, is transcribed in Vatasso 1900). This would seem to show that Vaqueras was also a Humanist and member of the circle of Flaminio and the University of Rome. The only problem is that the handwriting in Vat. Lat. 2836 is manifestly different from the handwriting of the autograph signature in the book of the Confraternità di Santo Spirto in Sassia. It is true that the poems can be dated about 10 years after the signature, and it might be possible that Vaqueras radically changed his handwriting in the interim. Whether this is more unlikely than the presence of two people named Bertrandus de Vaqueras in Rome at the same time is an open question.\n\n\nBibliographie :  Haberl 1888; Egidi 1914; Sherr 1975; Reynolds 1982; Reynolds 1995; Sherr 1995;  Sherr 1998; Sherr à paraitre\n\nEGIDI, Pietro, Necrologi e lib. Affini della provincia romana  II (Rome, 1914), p. 162.\n\nHABERL, Franz Xaver, Die römische “Schola Cantorum” und die päpstlichen Kapellsänger bis zur Mitte des 16. Jahrhunderts, Bausteine für Musikgeschichte, 3 (Leipzig, 1888), p. 54.\n\nSHERR, Richard, The Papal Chapel ca. 1492–1513 and its Polyphonic Sources, Ph.D. diss., Princeton University, 1975.\nSHERR, Richard, “Notes on the Biography of Music of Bertrandus Vaqueras (ca. 1450-1507),” in Annegrit Laubenthal, ed.,  Studien zur Musikgeschichte: Eine Festschrift für Ludwig Finscher (Kassel, 1995), pp. 111-122.\nSHERR, Richard, “A Curious Incident in the History of the Papal Choir,” in Papal Music and Musicians in Late Medieval and Renaissance Rome, ed. Richard Sherr (Oxford, 1998), 187–212.\nSHERR, Richard, The Papal Choir during the Pontificates of Julius II to Sixtus V (1503-1590): An institutional History and Biographical Dictionary (à paraitre).\nREYNOLDS, Christopher A. , The Music Chapel at San Pietro in Vaticano in the Later Fifteenth Century, Ph.D. dissertation, Princeton University 1982, pp. 138-142.\n\nREYNOLDS, Christopher A., Papal Patronage and the Music of St. Peter’s 1380–1513 (Berkeley, 1995).\n\nVATASSO, Marco, Antonio Flaminio e le principali poesie dell’autografo Vaticano 2870, Studi e Testi 1 (Rome, 1900), pp. 60-64.\n\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41098"},["text","Haberl 1887"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41062"},["text","CESR_person_03579"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41064"},["text","La Chapelle (de)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41065"},["text","Hugues"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41066"},["text","Hugues de La Chapelle"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41067"},["text","Capella (de)"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41068"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41069"},["text","Role_024 "]],["elementText",{"elementTextId":"41070"},["text"," Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41071"},["text","Composer "]],["elementText",{"elementTextId":"41072"},["text"," Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41073"},["text","1539"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41074"},["text","1543"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41075"},["text","Cities_Standardized_0416"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41076"},["text","Besançon"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41077"},["text","Institution_0081"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41078"},["text","Cathédrale Saint-Jean de Besançon"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41079"},["text","F-AD 25, G inventaire t. I. G. 193. Délibérations capitulaires 1526-1540. 622 ff.\n1539 :  Hugues de La Chapelle, prêtre et musicien, nommé recleur des choriaux de Sainl~Élienne, 1cr septembre;\n\nOn lui confie les livres de musique de Guillaume Belot :\nnventaire sommaire des Archives départementales anérieures à ...Archives départementales du Doubs, Jules Gauthier, Catholic Church. Archdiocese of Besançon (France) - 1900 - Extraits ... 7 février; — inhumation des restes de Ferry Carondelet, 10 tévrier; — on remetà Hugues de La Chapelle, recteur des choriaux de Saint-Jean, les livres de musique d* feu Guillaume Belot, 28 février; —\n\nL'Enseignement à Besançon jusqu'à la fin du XVIe siècle\nUlysse Robert - 1900 - 107 pages - Extraits\n... Hugues de la Chapelle, 3 janvier 1543 ; — Richard Rennoisy, 11 mars 1545. Ecolâtres : Charles Bercin, 1515 ; — Antoine Berein, docteur es droits, curé de Saint-Maurice de Besancon, de 1526 à 1537 au moins ; — François de Poitiers, ...\nbooks.google.fr - Autres éditions - Ajouter à Ma bibliothèque▼\n\n2 motets publiés sous son nom en 1539 et 1542 à Lyon par J. Moderne (cf. Dobbins 1992, p. 227 + Pogue pour les titres)\n1539: Tribularer si nescirem / Hugo de la Chapelle (Motteti del fiore: tertius liber cum quatuor vocibus (Lyon: Moderne, 1539).\n1542: Ave regina caelorum ; Gaude gloriosa / Hugo de la Chapelle\nFive- and more-voice motets from the Motteti del fiore series, Part II, and Motets from the Harmonidos Ariston. Tricolon, Ogdoameron /\nedited by Richard Sherr. Moderne motet anthologies, Sixteenth-century motet, New York : Garland, 2000 [i.e. 1999]\n\nHaraszti 1929, p. 175, indique qu'Hugo de Capella jouait du luth et que ses motets sont connus par les codex de Vienne et Munich (renvoi à Eitner)\n\nHandy 2008, p. 136 : harpiste et violiste de la chambre du roi, Jacques Anthoine de la Chappelle [Cappelle], 80 écus de gages annuels et 1584. Précise, p. 174, Jacques Anthoine dict la Chappelle, p. 358, \"joueur de harpe ou violle\". Brooks 2000, p. 485-486, le signale entre 1580 et 1587 (date à laquelle il demande à se rendre à Vienne pour recevoir un héritage - refusé)\n\nDecapella 7. [fl. Ca 1550] About a dozen chansons are credited to him in prints of Du Chemin and Attaingnant from around the year 1550. He might tentatively be identified with the the Hugo de Lachapelle, composer of a pair of motets published in Lyons. Frank Dobbins, “Decapella,” New Grove 2, VII, 119.\n\nHOMONYMIE. RIEN A VOIR AVEC CE PRÉLAT † 1538\nRecherches historiques sur la ville de Renaix - Page 134 books.google.frG.L.B. - 1856 - Afficher la publication entière\n(Hugues de la Chapelle) chanoine et Trésorier de la collégiale de S. Hermès, devint évéque de Calcédoine, suffrayant de Robert de Croy. Nous lisons dans l'histoire ecclésiastique du diocèse de Cambrai (1) (ij MA Le Glay. ...\nRevue bénédictine: Volume 21\nbooks.google.frAbbaye de Maredsous - 1904 - Extraits\nIl fut enterré dans l'église de son ordre, devant le maître-autel (')• HUGUES DE LA CHAPELLE, év. de Chalcédoine. 1535-1538. Hugues de la Chapelle était chanoine et trésorier de la cathédrale de Cambrai (2). ..."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41063"},["text","La Chapelle (de), Hugues (…-…). Composer; Musician"]]]]]]]],["item",{"itemId":"2578","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41049"},["text","CESR_person_03578"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41051"},["text","Capella (de)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41052"},["text","—"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41053"},["text","de Capella [attr.] = Hugues de La Chapelle"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41054"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41055"},["text","Role_024 "]],["elementText",{"elementTextId":"41056"},["text"," Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41057"},["text","Composer "]],["elementText",{"elementTextId":"41058"},["text"," Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41059"},["text","1549"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41060"},["text","1550"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41061"},["text","Freedman Du CHemin\nDecapella 7. [fl. Ca 1550] About a dozen chansons are credited to him in prints of Du Chemin and Attaingnant from around the year 1550. He might tentatively be identified with the the Hugo de Lachapelle, composer of a pair of motets published in Lyons. Frank Dobbins, “Decapella,” New Grove 2, VII, 119. h"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41050"},["text","Capella (de), — (…-…). Composer; Musician"]]]]]]]],["item",{"itemId":"2577","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41034"},["text","CESR_person_03577"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41036"},["text","Touppe"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41037"},["text","Michel"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41038"},["text","Michel Touppe"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41039"},["text","Male"]]]],["element",{"elementId":"64"},["name","Date of death Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41040"},["text","before"]]]],["element",{"elementId":"65"},["name","Date of death Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41041"},["text","1511-11-16"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41042"},["text","Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41043"},["text","Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41044"},["text","1492"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41045"},["text","1511"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41046"},["text","Cities_Standardized_0441"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41047"},["text","Chartres"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41048"},["text","Papal chapel, 1504-1510. Touppe, a cleric of the diocese of Chartres may be the “Michael Toppe” who requested a benefice in the diocese of Chartres in 1492 (RS 964, fol. 127r: supplication dated 14 November 1492). In 1504, he is identified as a member of the papal chapel in a supplication requesting a canonry and prebend in the cathedral of Chartres (RS 1191, fols. 103r-103v: supplication dated 4 October 1504) and in a supplication requesting another benefice in the diocese of Chartres in 1505 (RS 1216, fols. 67v-68r: supplication dated 16 October 1505). He appears in all the extant chapel lists from 1506-1509 (there are many gaps in these lists, but beneficial documents testify to his membership in the chapel during those years) and was still a member of the chapel in 1510. He had died outside of Rome by 16 November 1511 (the earliest date of a supplication requesting benefices vacant because of his death - RS 1381, fols. 21r-21v). Touppe was also a member of the household of Cardinal Giovanni de’ Medici (the future Leo X) as were the papal singers Jean Pocquetoy* and Lambertus Martini de Rummersvallis*. In common with his colleagues, he used the Indult of Innocent VIII to claim benefices made vacant by the deaths of papal singers and former papal singers (see Sherr 1998 on the Indult): in 1505, he claimed a canonry and prebend in the church of St Pierre in Lille, vacant on the death of former singer Valentin de Bersée*, a member of the chapel from 1474-1479 (Haberl 1888; RS 1197, fol. 22v: supplication dated 18 February 1505); in 1507, he claimed benefices in Avignon, vacant on the recent death of Bertrand Vaqueras (before 21 April 1507; RS 1256, fols.26v-27r: supplication dated 4 June 1507); in 1510, he claimed  the church of Ste Hélène in Froberville, vacant on the recent death of Jean Pocquetoy (before 10 September 1510; RS 1356, fol. 69r: supplication dated 10 September 1510). At the time of his own death, Touppe was in litigation about a canonry and prebend in the church of St Omer in Saint-Omer, vacant on the death of the former singer Guillaume Caut,  a member of the chapel from 1461-1476 (Starr 1987; RS 1381, fols. 21r-21v: supplication dated 16 November 1511). He seems also to have been interested in benefices in the cathedral of Metz, which he claimed by virtue of an expectative (many supplications, the first of which is dated 10 July 1508- RS 1297, fols. 114r-114v), and even tried to get a benefice in Arezzo (Annate 50, fol. 137r: entry dated 2 July 1506). There is, however, no confirmation that he actually took possession of any of the benefices he pursued.\n\nBibliographie: Haberl 1888; Sherr 1975; Starr 1987; Sherr 1998; Sherr à paraitre. \nHABERL, Franz Xaver, Die römische “Schola Cantorum” und die päpstlichen Kapellsänger bis zur Mitte des 16. Jahrhunderts, Bausteine für Musikgeschichte, 3 (Leipzig, 1888).\nSHERR, Richard, The Papal Chapel ca. 1492–1513 and its Polyphonic Sources, Ph.D. diss., Princeton University, 1975.\nSHERR, Richard, “A Curious Incident in the History of the Papal Choir,” in Papal Music and Musicians in Late Medieval and Renaissance Rome, ed. Richard Sherr (Oxford, 1998), 187–212.\nSHERR, Richard, The Papal Choir during the Pontificates of Julius II to Sixtus V (1503-1590): An institutional History and Biographical Dictionary (à paraitre).\nSTARR, Pamela, Music and Music Patronage at the Papal Court, 1447-1464, unpublished Ph.D. thesis (Yale University, 1987).\n\nRichard Sherr\n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41035"},["text","Touppe, Michel (…-before 16 Nov. 1511). Musician"]]]]]]]],["item",{"itemId":"2576","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41025"},["text","CESR_person_03576"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41027"},["text","Souman"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41028"},["text","Antoine"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41029"},["text","Antoine Souman"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41030"},["text","Male"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41031"},["text","1529"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41032"},["text","1529"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41033"},["text","SHERR\n\nAntonius [Antoine]  Souman \n\nSpecial payment on 10 January  1529  [ HABERL , p. 73].\n\nSouman was one of six new singers recruited by Conseil in France in  1528 ."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41026"},["text","Souman, Antoine (…-…)"]]]]]]]],["item",{"itemId":"2575","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41016"},["text","CESR_person_03575"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41018"},["text","Monceau"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41019"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41020"},["text","Jean Monceau"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41021"},["text","Male"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41022"},["text","1538"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41023"},["text","1539"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41024"},["text","SHERR\n\nJohannes [Jean]  Monceau {Paul III}\n\nAdmitted by unanimous vote on 15 November  1538 ;  mandati : November  1538 -July  1539 .\n\nMonceau seems to have suddenly disappeared in May 1539, and in June, he was removed from the chapel lists.\n\nDOCUMENTS\n\nDS 1\n\n81r: entry dated 15 November 1538 [CASIMIRI (1926), p. 176]\n\nEodem Joannes Moncheau fuit admissus de voto et consensu omnium et juravit in forma.\n\n81v: entry dated 16 November 1538 [CASIMIRI (1926), p. 176]\n\nEodem die Jo. Moncheau soluit scuta duodecim pro regalibus suis in forma.\n\n102v: entry dated 30 June 1539 [CASIMIRI (1926), p. 191]\n\nHoc mense preterito cassatur Joannes Monceau, eoquod abiit invitis cantoribus et vivus non reperitur nec de morte constat.\n\nBIBLIOGRAPHY: CELANI, p. 100; CASIMIRI "]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41017"},["text","Monceau, Jean (…-…)"]]]]]]]],["item",{"itemId":"2574","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40994"},["text","CESR_person_03574"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40996"},["text","Longinque"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40997"},["text","Lucas"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40998"},["text","Lucas Longinque"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40999"},["text","Longinquis"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41000"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41001"},["text","Role_015 "]],["elementText",{"elementTextId":"41002"},["text"," Role_002 "]],["elementText",{"elementTextId":"41003"},["text"," Role_013 "]],["elementText",{"elementTextId":"41004"},["text"," Role_001 "]],["elementText",{"elementTextId":"41005"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41006"},["text","Altus "]],["elementText",{"elementTextId":"41007"},["text"," Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"41008"},["text"," Known voice range "]],["elementText",{"elementTextId":"41009"},["text"," Musician "]],["elementText",{"elementTextId":"41010"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41011"},["text","1546"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41012"},["text","1570 "]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41013"},["text","Cities_Standardized_0391"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41014"},["text","Amiens"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41015"},["text","SHERR\n\nLuca [Luc]  Longinquis [Longinque]{Pius IV-Pius V}\n\nAlto; Amiens; formerly in the Cappella Giulia (October 1546-February 1550); admitted 10 February 1561 by a vote of 23-3;  mandati : March 1561-April 1570;  died  in Rome on 26 March 1570, was buried in Santa Cecilia in Monte Giordano on 27 March, and a funeral Mass was celebrated on 6 April.\n\nDOCUMENTS\n\nDS 6\n\n8v: entry dated 10 February 1561 [FREY, p. 106]\n\nFuit congregatio coram magistro capelle super amisionem d. Luce et obtinuit vota 23 in favorem et tres contra.\n\nDS 9\n\n60v: entry dated 27 March 1570\n\nDie dominica 26 martii 1570 proxima elapsa obiit d. Lucas de Longinquis hora 17a et fuit sepultus in ecclesia Sancte Cecelie apud montem Jordanum, requiescat in pace; die lune 27a ut supra fuit sepultus dico.\n\n61v: entry dated 6 April 1570\n\nFuerunt exequie quondam dni Luce in ecclesia Sancte Ceclia in monte Jordano; fuit cantata missa cum libera me domine ut moris est omnes presentes 21.\n\n \n\nBIBLIOGRAPHY: CELANI, 754;  FREY, Die Diarien."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40995"},["text","Longinque, Lucas (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2573","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40967"},["text","CESR_person_03573"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40969"},["text","Le Conte"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40970"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40971"},["text","Jean Le Conte"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40972"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40973"},["text","Role_002 "]],["elementText",{"elementTextId":"40974"},["text"," Role_013 "]],["elementText",{"elementTextId":"40975"},["text"," Role_001 "]],["elementText",{"elementTextId":"40976"},["text"," Role_012 "]],["elementText",{"elementTextId":"40977"},["text"," Role_014"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40978"},["text","Dessus "]],["elementText",{"elementTextId":"40979"},["text"," Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"40980"},["text"," Known voice range "]],["elementText",{"elementTextId":"40981"},["text"," Musician "]],["elementText",{"elementTextId":"40982"},["text"," Singer "]],["elementText",{"elementTextId":"40983"},["text"," Soprano "]],["elementText",{"elementTextId":"40984"},["text"," Superius"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40985"},["text","1528"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40986"},["text","1548"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40987"},["text","Cities_Standardized_0397 "]],["elementText",{"elementTextId":"40988"},["text"," Cities_Standardized_1591"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40989"},["text","Arras "]],["elementText",{"elementTextId":"40990"},["text"," Roma"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40991"},["text","Institution_0032"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40992"},["text","Capella pontificalis"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40993"},["text","SHERR\nJohannes [Jean]  le Conte  {Clement VII-Paul III}\n\nSoprano; Arras; admitted 24 December  1528 along with Pierre Lambert and Yves Barry  [according to the list in DS 2, fol. 94v]; mandati: July-September 1529, April 1530- June  1549; punctator in 1536 .\n\nIt seems likely that Le Conte was one of the singers recruited for the chapel by Jean Conseil in 1528. Although Le Conte�s name does not appear among the six singers in the special payment of 10 January 1529 that seems to refer to this recruiting trip, the date of his entry into the chapel given in the list in DS 2 is the same as that of Lambert and Barry, two of the singers in the 1529 list. In 1546, Le Conte was sent to the Council of Trent and followed the Council to Bologna in 1547.\n\nDOCUMENTS\n\nDS 3\n\n3r: entry dated 21 January 1546 [CASIMIRI (1933), p. 335]\n\nSee Barry.\n\n38r: entry dated 9 January 1548 [CASIMIRI (1934), p. 310]\n\nSee Barry.\n\nBIBLIOGRAPHY: CELANI, p. 95; HABERL, pp. 72-73; VANDER   STRAETEN, Edmond. La Musique aux Pays Bas , vol. VI (Brussells, 1882), pp. 410-418."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40968"},["text","Le Conte, Jean (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2572","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40948"},["text","CESR_person_03572"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40950"},["text","Doulcet"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40951"},["text","Robert"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40952"},["text","Robert Doulcet"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40953"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40954"},["text","Role_002 "]],["elementText",{"elementTextId":"40955"},["text"," Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40956"},["text","Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"40957"},["text"," Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40958"},["text","1519"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40959"},["text","1519"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40960"},["text","Cities_Standardized_0391 "]],["elementText",{"elementTextId":"40961"},["text"," Cities_Standardized_1591"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40962"},["text","Amiens "]],["elementText",{"elementTextId":"40963"},["text"," Roma"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40964"},["text","Institution_0032"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40965"},["text","Capella pontificalis"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40966"},["text","SHERR\n\nRobertus [Robert]  Doulcet [Dulcet] {Leo X}\n\nAmiens; earliest reference, beneficial document of 1 October  1519 ; unpublished  beneficial documents : LR 21, fol. 89r: entry dated 1 October  1519 , LR 21, fol.: entry dated 24 December  1519 ."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40949"},["text","Doulcet, Robert (…-…). Musician"]]]]]]]],["item",{"itemId":"2571","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40934"},["text","CESR_person_03571"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40936"},["text","Corniere"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40937"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40938"},["text","Jean Corniere alias Jacquinot"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40939"},["text","Jacquinot "]],["elementText",{"elementTextId":"40940"},["text"," Cornier"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40941"},["text","Male"]]]],["element",{"elementId":"65"},["name","Date of death Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40942"},["text","1532"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40943"},["text","1525"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40944"},["text","1532 "]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40945"},["text","Cities_Standardized_0391"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40946"},["text","Amiens"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40947"},["text","Johannes [Jean]  Corniere [Jacquinot] {Clement VII}\n\nAmiens; earliest reference, supplication list of [1525 - 1526]; receipt lists of [1525 - 1526] and December  1526 ;  mandati : July-September  1529 , April  1530 -July  1532 ;  unpublished beneficial documents : RAS, Camerale I, 1089, bull dated 30 September  1525 , RAS Camerale I, 1109, fols. 324r-325v: bull dated 31 August  1526 , RL 1503, fols. 125v-127v: bull dated 28 April  1528 ; in the Cathedral of Cambrai as of 6 May  1532 ;  died  in Cambrai on 30 August  1532 \n\nBIBLIOGRAPHY: CELANI, p. 93; WRIGHT, Craig. \" Musiciens à la Cathédrale de Cambrai 1475-1550.\"  Revue de Musicologie  62 (1976): 204-228.\n\nVOIR F-AD 59, compte de la fabrique\n4 G 4725*. — Idem. — 1538-1539. Rendu comme le suivant par Henri Sauvage, chanoine.\nLa couverture parchemin est la publication par Jean-Baptiste, évêque de Caserte, de bulles de Clément VH pourvoyant Jean Cornière, chapelain et chantre de la chapelle papale, d'une prébende de St-Géry de Cambrai vacante par le décès de Jean Becka (Rome, Château St-Ange, 1527, 5 décembre).\nCERTAINEMENT LE MÊME :\n4 G 4737*. — Idem. — 1549-1550.\nLa couverture parchemin est la publication par Pierre Flores, évêque de Castellamare et correcteur des archives de la curie, de bulles de Clément VII pourvoyant François Castelain, chapelain et chantre de la chapelle papale, de la prébende du chapitre de Cambrai vacante par le décès de Jean Cornier, qui était titulaire des mêmes offices (Bologne, 1533, 5 mars)."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40935"},["text","Corniere, Jean (…-1532)"]]]]]]]],["item",{"itemId":"2570","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40904"},["text","CESR_person_03570"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40906"},["text","Lambert"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40907"},["text","Pierre"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40908"},["text","Pierre Lambert (2)"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40909"},["text","Male"]]]],["element",{"elementId":"58"},["name","Date of birth Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40910"},["text","circa"]]]],["element",{"elementId":"59"},["name","Date of birth Qualif Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40911"},["text","1492"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40912"},["text","Role_017 "]],["elementText",{"elementTextId":"40913"},["text"," Role_002 "]],["elementText",{"elementTextId":"40914"},["text"," Role_013 "]],["elementText",{"elementTextId":"40915"},["text"," Role_001 "]],["elementText",{"elementTextId":"40916"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40917"},["text","Basse contre "]],["elementText",{"elementTextId":"40918"},["text"," Bassus "]],["elementText",{"elementTextId":"40919"},["text"," Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"40920"},["text"," Known voice range "]],["elementText",{"elementTextId":"40921"},["text"," Musician "]],["elementText",{"elementTextId":"40922"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40923"},["text","1528"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40924"},["text","1563"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40925"},["text","Cities_Standardized_0535 "]],["elementText",{"elementTextId":"40926"},["text"," Cities_Standardized_1591"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40927"},["text","Noyon "]],["elementText",{"elementTextId":"40928"},["text"," Roma"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40929"},["text","Institution_0032"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40930"},["text","Capella pontificalis"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40931"},["text","LAMBERT, Pierre. DF \nEn l’église Sant’Agostino de Rome se trouve une épitaphe de ce chanteur qui indique qu’il était originaire de Noyon, servit le pape et mourut à Rome en 1563 à l’âge de 70 ans (Celani 1907, p. 94). Il est un des six chanteurs (dont deux de Noyon) engagés par la chapelle pontificale le 24 décembre 1528 suite à une mission de recrutement du compositeur Jean Conseil en France (Haberl 1887, p. 73).\n\nSHERR\nPetrus [Pierre]  Lambert  {Clement VII-Pius IV}\n\nBass; Noyon;  born  1492 or 93; admitted 24 December  1528  along with Yves Barry and Jean Le Conte [according to the list in  DS  2, fol. 94v]; special payment on 10 January  1529;  mandati : July-September  1529 , April  1530 -August  1563 ; unblished beneficial documents : RV 1452, fols. 180r-183v: bull dated 20 February  1528 , RV 1448, fols. 95r-96v: bull dated 23 February  1529 , RV 1448, fols. 274r-277v: bull dated 1 January  1530 ;  died  in Rome on 15 August  1563 at the age of 80 and was buried in Sant'Agostino;  abbas  in  1538 ;  punctator  in  1544 ,  1553 .\n\nLambert was one of six new singers recruited by  Conseil  in France in  1528 .  CELANI  gives his epitaph:\n\nPETRO LAMBERT BELG./NERVIO NOVIODUNENSI/SUMMO PONTIF. SYMPHONIACO/GRAVI VIR INNOCENTIA/ET ERGA INOPES ADMIRABILI MIA NICOLAUS POLCETIUS CLIENS ET TESTAMENTI EXECUTOR/MUNICIPI ET PATRONO/DE SE BENEMERENTI/P./VIXIT ANNOS LXX/OBIIT I KAL. SEPT. [Sic?]/ANN. SAL. MDLXIII.\n\nDOCUMENTS\nDS 7\n61v: entry dated 15 August 1563\nBIBLIOGRAPHY: CELANI, p. 94; HABERL, p. 73;  FREY, Die Diarien, pp. 129-130.\n\nFétis\nLAMBERT (Pierre), musicien français, né à Noyon, en 1493, fut attaché à la chapelle pontificale, ainsi qu'on le voit par son épitaphe, qui est dans l'église Sain-Augustin à Rome. Cette même épitaphe fait voir qu'il mourut à Rome, le I\" des calendes de septembre 1563, à l'âge de soixante-dix ans, et que Nicolas Polietius, son élève, fut son exécuteur testamentaire. Enfin, le même document nous apprend que, Lambert était né à Noyon. Voici celte épitaphe :\n\nPetro. Lambcrto Belg. ncrvlo\nNoviodunensi\nSummor. Pontif. Symphoniaco\n\nGraTl vlro Inocentia\nEt erga Inopes admlriiblli rata\n\nNlcolaun Pollettus\nCllcm et tcstamcntl executor\nMunlclpl et patrono de se bi ncmercnll\nP.\n\nVlxlt annos I.XX\nObilt 1 lai. sept. un. Sal. MDLXIII.\n\nIl est vraisemblable que c'est le même artiste (fui est désigné par plusieurs écrivains italiens du seizième siècle sous les noms de Lambcrto il caldarino (Lambert le petit chaudron ) et de Lumberto il caldarajo ( Lambert le chaudronnier), peut-être parce qu'il avait exercé d'abord cette profession. Quelques madrigaux de Lambert ont été imprimés avec ceux d'Antoine Barré, dans la collection qui a pour litre : Primo libro délie Musc a quattro voci, Mudrigali ariosi di Antonio Barré, et altri di■versi autori; Rome, Ant. Barré, 1555, in-4\".\n\nVAN DER STRAETEN\nLambert (pierre), attaché à la musique pontificale, décéda le 1\" septembre 1563, à l'âge de soixante-dix ans. Nicolas polletius, son élève, fut aussi son exécuteur testamentaire.\nSon épitaphe, qui se voit dans l'église de Saint-Augustin, est de la teneur suivante :\n\npETRO LAMBERTO Belg. Nervio\n\nNOVIODCNENSI\nSU.MOR. pONTIF. SYMpIIONIACO\nGRAVI VIRO INOCENTIA\nET ERGA INOpES ADMIRABILI MIA\n\nNICOLAUS pOLLET1US\n\nCLIENS ET TESTAMENT! EXECUTOR\n\nMUNICIpI ET pATRONO DE SE BENEMERENTI\n\nP.\n\nY1X1T ANNOS LXX.\n\nOnilT 1 KL. SEpT. ANN. SU.. MDLXttl (t).\n\nLes mots symphoniacus, symphonarius, symphonista, nous paraissent identiques. Ils s'appliquent à tous les musiciens concertants, soit chantres soit instrumentistes. Ducange cite, à ce sujet, divers exemples curieux et instructifs. Leur chef était nommé archisymphoniacus."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40932"},["text","Celani 1907 "]],["elementText",{"elementTextId":"40933"},["text"," Haberl 1887"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40905"},["text","Lambert, Pierre (circa 1492-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2569","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40885"},["text","CESR_person_03569"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40887"},["text","Chastelain"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40888"},["text","François"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40889"},["text","François Chastelain"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40890"},["text","Castelain"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40891"},["text","Male"]]]],["element",{"elementId":"65"},["name","Date of death Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40892"},["text","1540-9-9"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40893"},["text","Role_002 "]],["elementText",{"elementTextId":"40894"},["text"," Role_001 "]],["elementText",{"elementTextId":"40895"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40896"},["text","Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"40897"},["text"," Musician "]],["elementText",{"elementTextId":"40898"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40899"},["text","1529"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40900"},["text","1540"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40901"},["text","Cities_Standardized_0430"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40902"},["text","Cambrai"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40903"},["text","SHERR\nFranciscus [François]  Castellanus  [Chastelain] {Clement VII}\nCambrai; earliest reference,  mandati  list of May  1530 ;  mandati : May  1530 -May  1534 ; returned to Cambrai on 26 December  1533 ;  died  in Cambrai on 9 September  1540 .\nBIBLIOGRAPHY: Craig  WRIGHT , \" Musiciens à la Cathédrale de Cambrai 1475-1550 ,\"  Revue de Musicologie  62 (1976): 204-228.\np. 226\nA Rome, Conseil fit fonction de procurateur de la cathedrale a la cour papale et jouit de tous les avantages de sa prebende & Cambrai 90. Il est de nouveau ' Cambrai au printemps de 1531, mais des le 22 novembre il se rend une nouvelle fois a Rome 91. En partant, il avait essay6 d'emmener avec lui un jeune chanteur de la cath6drale, mais le chapitre ne le lui permit pas 92. Il eut cependant pour compagnon le compositeur Jean de Cambray alias Cocu, petit vicaire de 1'6glise qui servit ensuite a la chapelle papale jusqu'au mois de novembre 1535 93 De meme Jean de Monte, petit vicaire h Cambrai de 1520 t 1538, entra dans la chapelle de Paul III en aofit 1539 et, en janvier 1546, 6tait parmi les chanteurs envoyds par le pape au Concile (227) de Trente…  alias Bausseron (mort le 23 mai 1542) qui avait un canonicat h la cath6drale en 1530-31 et 1540-42 et qui r6sida a Cambrai pendant le printemps et l'6te de 1531 95; Jean Cornier (mort le 30 aofit 1532) qui partit pour Rome le 24 janvier 1530 et revint h Cambrai le 6 mai 1532 96 ; et Francois Castellain (mort le 9 septembre 1540) quCi, edttee Rrooumtee ,s ia rfrreivqau en\"Ct ea emnbtrrea Ci lea m26b rda6i ecte mRbormee 1 5co3n3 s9t\n\nVOIR F-AD 59, compte de la fabrique\n4 G 4725*. — Idem. — 1538-1539. Rendu comme le suivant par Henri Sauvage, chanoine.\nLa couverture parchemin est la publication par Jean-Baptiste, évêque de Caserte, de bulles de Clément VII pourvoyant Jean Cornière, chapelain et chantre de la chapelle papale, d'une prébende de St-Géry de Cambrai vacante par le décès de Jean Becka (Rome, Château St-Ange, 1527, 5 décembre).\n\n4 G 4737*. — Idem. — 1549-1550.\nLa couverture parchemin est la publication par Pierre Flores, évêque de Castellamare et correcteur des archives de la curie, de bulles de Clément VII pourvoyant François Castelain, chapelain et chantre de la chapelle papale, de la prébende du chapitre de Cambrai vacante par le décès de Jean Cornier, qui était titulaire des mêmes offices (Bologne, 1533, 5 mars).\n\nLA FONS-MELICOCQ, Alexandre de, “La collégiale de St.-Amé à Douai aux XIVe, XVe et XVIe siècles”, Archives historiques et littéraire du Nord de la France, et de Midi de la Belgique, 3e série, tome 5 (1855), p. 161-195.\n\nParmi les habiles calligraphes qui, au xvi« siècle, enrichirent la bibliothèque de Saint-Amé , nous trouvons François Castelain (1529), qui reçoit XIII1. VIII'. pour ung livre de chant en papier lombard, en chose faute, où sont escript XXIIII magnificat, en ce non compris XII'. pour une main de papier réglé, "]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40886"},["text","Chastelain, François (…-9 Sep. 1540). Musician; Singer"]]]]]]]],["item",{"itemId":"2568","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40866"},["text","CESR_person_03568"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40868"},["text","Cambrai (de)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40869"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40870"},["text","Jean de Cambrai alias Cocu"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40871"},["text","Cocu"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40872"},["text","Male"]]]],["element",{"elementId":"65"},["name","Date of death Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40873"},["text","1535-11-8"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40874"},["text","Role_002 "]],["elementText",{"elementTextId":"40875"},["text"," Role_001 "]],["elementText",{"elementTextId":"40876"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40877"},["text","Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"40878"},["text"," Musician "]],["elementText",{"elementTextId":"40879"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40880"},["text","1531"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40881"},["text","1535"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40882"},["text","Cities_Standardized_0430"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40883"},["text","Cambrai"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40884"},["text","SHERR\nJohannes [Jean]  de Cambrai [Cocu] {Clement VII-Paul III}\nCambrai; in the Cathedral of Cambrai,  1531 ; earliest reference, special payment for March 1532 [ mandati  866, fol. 10r];  mandati : May  1532 -December  1535 ;  died  in Rome on 8 November  1535  and was buried in St. Peter's; a funeral Mass was celebrated in that church on 17 November 1535 and an obit on 13 January 1536.\nIn special payments on March, April, and May  1532 , Cocu is called \"cantor extraordinarius,\" although it is not clear what that means (see  mandati  866, fol.10r, 863, fols. 7v, 18v).\n\nDOCUMENTS\n\nDS 1 [CASIMIRI\nentry dated 8 November 1535\nEodem die dominus Joannes de Cambrai alias Coccu diem clausit extremum, sepultus in ecclesia Sancti Petri cuius anima requiescat in pace.\n\nentry dated 17 November 1535\nCantavimus missam in ecclesia Sancti Petri pro anima Joannis de Cambrai alias Coccu.\n\nentry dated 13 January 1536\nIn ecclesia Sancti Spiritus Petri obitus pro anima domini Joannis Coccu defuncti cuius anima requiescat in pace.\n\nBIBLIOGRAPHY:   Craig  WRIGHT , \" Musiciens à la Cathédrale de Cambrai 1475-1550,\"  Revue de Musicologie  62 (1976): 204-228.\np. 226\nA Rome, Conseil fit fonction de procurateur de la cathedrale a la cour papale et jouit de tous les avantages de sa prebende & Cambrai 90. Il est de nouveau ' Cambrai au printemps de 1531, mais des le 22 novembre il se rend une nouvelle fois a Rome 91. En partant, il avait essay6 d'emmener avec lui un jeune chanteur de la cath6drale, mais le chapitre ne le lui permit pas 92. Il eut cependant pour compagnon le compositeur Jean de Cambray alias Cocu, petit vicaire de 1'6glise qui servit ensuite a la chapelle papale jusqu'au mois de novembre 1535 93 De meme Jean de Monte, petit vicaire h Cambrai de 1520 t 1538, entra dans la chapelle de Paul III en aofit 1539 et, en janvier 1546, 6tait parmi les chanteurs envoyds par le pape au Concile (227) de Trente…  alias Bausseron (mort le 23 mai 1542) qui avait un canonicat h la cath6drale en 1530-31 et 1540-42 et qui r6sida a Cambrai pendant le printemps et l'6te de 1531 95; Jean Cornier (mort le 30 aofit 1532) qui partit pour Rome le 24 janvier 1530 et revint h Cambrai le 6 mai 1532 96 ; et Francois Castellain (mort le 9 septembre 1540) quCi, edttee Rrooumtee ,s ia rfrreivqau en\"Ct ea emnbtrrea Ci lea m26b rda6i ecte mRbormee 1 5co3n3 s9t"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40867"},["text","Cambrai (de), Jean (…-8 Nov. 1535). Musician; Singer"]]]]]]]],["item",{"itemId":"2567","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40838"},["text","CESR_person_03567"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40840"},["text","Le Conte"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40841"},["text","Bartholomeus"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40842"},["text","Bartholomeus Le Conte"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40843"},["text","Bartholomeo "]],["elementText",{"elementTextId":"40844"},["text"," Comes "]],["elementText",{"elementTextId":"40845"},["text"," Cont "]],["elementText",{"elementTextId":"40846"},["text"," Conti "]],["elementText",{"elementTextId":"40847"},["text"," Conte (del) "]],["elementText",{"elementTextId":"40848"},["text"," El Conte "]],["elementText",{"elementTextId":"40849"},["text"," Il Conte"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40850"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40851"},["text","Role_024 "]],["elementText",{"elementTextId":"40852"},["text"," Role_002 "]],["elementText",{"elementTextId":"40853"},["text"," Role_013 "]],["elementText",{"elementTextId":"40854"},["text"," Role_001 "]],["elementText",{"elementTextId":"40855"},["text"," Role_012 "]],["elementText",{"elementTextId":"40856"},["text"," Role_016"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40857"},["text","Composer "]],["elementText",{"elementTextId":"40858"},["text"," Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"40859"},["text"," Known voice range "]],["elementText",{"elementTextId":"40860"},["text"," Musician "]],["elementText",{"elementTextId":"40861"},["text"," Singer "]],["elementText",{"elementTextId":"40862"},["text"," Tenor"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40863"},["text","1547"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40864"},["text","1565"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40865"},["text","Dictionnaire\n\nNG2\nLe Conte [Comes, Cont, Conti, del Conte, El Conte, Il Conte], Bartholomeus [Bartolomeo]\n(fl 1547–65). French singer and composer, active in Italy. His home diocese was Limoges or Noyon. He first appears in the historical record with El Conte: Bartholomei Comitis gallici … motetta … suavissime sonantia for five voices (Venice, 1547). From November 1550 to January 1554 he was a tenor in the choir of Siena Cathedral. He proceeded to Rome, where he briefly sang in the Capella Giulia (21 March – 31 May 1554). He entered the choir of the papal chapel on 9 September 1555, and was among the papal singers deputed to the Council of Trent in February 1561. He received permission to go abroad on 24 September 1564, and wrote the following spring to say he had accepted employment from ‘a lord of his own country’; his resignation was accepted on 13 April 1565. In documents connected with a shake-up of the papal chapel later that year, Le Conte’s voice was disparaged and he was described as ‘a terrible heretic’ (hereticus pessimus); he was expelled from the chapel on 1 October.\nBesides Le Conte’s 20 five-voice motets of 1547, we have a four-voice madrigal, Di ciò, cor mio, ascribed to ‘Il Conte’ in Il vero terzo libro di madrigali … a note negre (154931; ed. in CMM, lxxiii/4, 1980), and a four-voice motet, Agnus Christus in cruce, printed without ascription in Susato’s second book of motets (15539). This was reprinted, along with five of the 1547 motets, under the name of ‘Comes’ in Berg & Neuber’s Evangelia (155511-12, 15568). There is also a five-voice madrigal, Mordi, mordi, ben mio, ascribed to ‘Bartolomeo Il Conte’ in the first book of madrigals of Francesco Usper (160420). Le Conte was a capable if conventional composer. He chose particularly weighty texts and was the first to set each of his madrigal poems. His vocal lines express the verbal rhythms fluently and the scoring is varied, though his harmonic range is limited and the pacing of the motets is rather uniform.\nBIBLIOGRAPHY\nVanderStraetenMPB, vi\nA. Ducrot: ‘Histoire de la Cappella Giulia au XVIe siècle depuis sa Fondation par Jules II (1513) jusqu’à sa restauration par Grégoire XIII (1578)’, Mélanges d’archéologie et d’histoire, lxxv (1963), 179–240, 467–559, esp. 217 \nR. Sherr: ‘Competence and Incompetence in the Papal Choir in the Age of Palestrina’, EMc, xxii (1994), 607–29 \nF.A. D’Accone: The Civic Muse: Music and Musicians in Siena during the Middle Ages and the Renaissance (Chicago, 1997), 318–29 \nJEFFREY DEAN\n\n\nSHERR\nBartholomeus [Bartholomé]  Le Conte {Paul IV-Pius IV}\n\nTenor; France (Limoges [according to the motu proprio admitting him to the choir] Noyon [according to Document...]); formerly in the Cappella Giulia (March-May 1554); admitted 2 September 1555 by a two-thirds plus three vote at the same time as Francisco Talavera;   mandati  September 1555-April 1565; on 24 December 1564, he asked for a leave of absence [ DS ] and on 13 April 1565, it was reported to the singers that he had entered the service of the King of France. In spite of already having left it, Le Conte was expelled from the chapel on 31 August 1565 by the commission of cardinals; it was reported that he was: \"fuor di Roma, ne so rendere conte di lui, ma si dice che ha molto bona voce\" [Document...], but perhaps the real reason for his departure and his decision to remain in France is contained in the second remark about him, that he was: \"hereticus pessimus\" [Document...]. He may very well be the composer Bartholomeus Comes Gallicus (El Conte), whose book of motets for five voices was printed by Gardane in 1547 ( LEWIS , No. 107).\n\nDOCUMENTS\n\nDS 4\n\n94r: entry dated 2 September 1555 [CASIMIRI (1937), p. 27]\n\nNon cantavimus missam quia examinavimus novos cantores in capella in palatio videlicet d. Bartholomeum Cont et d. Franciscum de Talavera et fuerunt inventi idonei quia facto escutrino ut moris est per fabas seu balotas unuquisque habuit duas partes et tria vota in suum favorem et ideo acetati fuerunt in nostro comertio.\n\n94v: entry dated 9 September 1555 [CASIMIRI (1937), p. 28]\n\nEodem die fuerunt admissi in novi cantores d Franciscus de Talavera et d. Bartholomeus Cont per R. p. d. episcopus Castrensis magistrum capelle, justa statuta collegii et motum prorpium pape. Deinde eodem die Bartholomeus Cont soluit ducatos duodecim pro jocundo introitu suo ut moris est.\n\nVatS 679, fol. 13r [transcribed in  FREY , pp. 138-139]: Undated original motu proprio ordering the admission of Le Conte and Francisco  Talavera .\n\nPaulus Papa IIII\n\nMotu proprio etc. dilectos filios Franciscum Talavera clericum Seguntine ac Bartolomeum Campte [sic] clericum Lemovicensisi diocesium, quos sonora voce et musices scientia preditos ac probe et honeste vite esse fidedigna relatione accepimus, specialis gratie favore prosequi volentes dilectis filiis magistro ac cantoribus cappellanis cappelle nostre, quatenus ipsos Franciscum et Bartolomeum, si eos previo examine iuxta dicte cappelle statuta et constitutiones ad hoc habiles et idoneos esse repererint in dicte cappelle cantores cappellanos ad vitam, ut moris est, recipiant et admittant ac eorum numero et consortio favorabiliter aggregent, committimus et mandamus ac eis desuper licentiam et facultatem concedimus, volentes ac motu simil eisdem Francisco et Bartolomeo concedentes ac etiam decernentes, quod, postquam, ut prefertur, recepti et admissi fuerint, omnibus et singulis privilegiis, immunitatibus, exemptionibus, favoribus gratiis et indultis, quibus alii eiusdem cappelle cantores cappellani de iure et consuetudine ac per privilegia et indulta illis et eidem cappelle pro tempore concessa utuntur, potiuntur et gaudent ac uti, potiri et gaudere poterunt quomodolibet in futurum, uti, potiri et gaudere ac salaria iura et emolumenta eisdem cantoribus competentia et eis dari solita consequi et habere possint et valeant sibique de salariis, iuribus et emolumentis predictis responderi debeant. Non obstantibus constitutionibus et ordinationibus apostolicis ac quibusvis presertim per feleicis recordationis Iulium papam 3.m predecessorem nostrum de non recipiendis aliquibus in dicta cappella cantoribus, donec illorum numerus ad vigintiquatuor dumtaxat reductus existeret, ac alias quomodolibet et cum quibuscunque etiam dereogatoriarum derogatoriis clausulis irritantibusque et aliis decretis etiam motu proprio etc. factis, inhibitionibus ac statutis, decretis et ordinationibus quibuscunq ue latissime extendentibus, etiam si de illis etc. tenores illorum etc. hac vice latissime derogamus, ceterisque contrariis quibuscunque, presentis motus proprii solam signatura sufficere et ubique fidem facere regula contraria non obstante decernentes.\n\nPlacte D. N. pape Jo. Mi. Car.lis Saracenus\n\n13v\n\nDie 9 Settembris 1555 retroscripti Bartolomeus et Franciscus prius per cantores examinati et approbati iuxta formam constitutionem fuerunt admissi et recepti in cantores cappellanos iuxta formam retroscripti motus proprii etc. iuarunt etc. presentibus ibidem omnibus cantoribus etc.\n\nHieronimus Episcopus Castrensis\n\nMagister Cappelle\n\n \n\nDS 7\n\n133v: entry dated 13 April 1565\n\nEadem die d, Antonius calasans decanus ostendit dominis cantoribus in capella congregatis quasque literas Bartholomei Conti in quibus illum faciebat versiorem se receptum fuisse in cantorum per dominum patrie sue et ita nullius servitio volle insistere et permanere idioque constaret collegio dominorum cantorum locum suum esse vacuum et ut talis per donari alio cantori, quibus intellectis habitas fuit per excluso a prefato collegio per omnes cantores.\n\n \n\nBIBLIOGRAPHY:  VANDER STRAETEN , pp. 408-411;  FREY,Die Diairen, pp. 138-141;  ROSTIROLLA , p. 157;  LEWIS , pp. 571-574, SHERR, \"Competence and Incompetence.\"\n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40839"},["text","Le Conte, Bartholomeus (…-…). Composer; Musician; Singer"]]]]]]]],["item",{"itemId":"2566","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40821"},["text","CESR_person_03566"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40823"},["text","Rener"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40824"},["text","Adam"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40825"},["text","Adam Rener"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40826"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40827"},["text","Role_025 "]],["elementText",{"elementTextId":"40828"},["text"," Role_002 "]],["elementText",{"elementTextId":"40829"},["text"," Role_001 "]],["elementText",{"elementTextId":"40830"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40831"},["text","Composer (no known polyphonic works preserved) "]],["elementText",{"elementTextId":"40832"},["text"," Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"40833"},["text"," Musician "]],["elementText",{"elementTextId":"40834"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40835"},["text","1498"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40836"},["text","1520"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40837"},["text","Originally from Liège. He appears as one of the “Mutanten-Knaben” (boys whose voices had changed) in the foundation document of Maximilian’s chapel at Vienna (20.7.1498). He went to “Burgundy” to study in 1500. He appears for the first time as court composer of Friedrich the Wise of Saxony in 1507. He appears as “clericus Leodensis diocesis” in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 82 (nº 298), but without the indication “capella” (he is not the only musician to lack this designation), petitioning for a benefice at the cathedral of Liège. He left the service of Friedrich in 1517, and died at Altenburg in 1520.\nReichert 1954, 115; Gerken 1982, vii-viii.\n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40822"},["text","Rener, Adam (…-…). Composer; Musician; Singer"]]]]]]]],["item",{"itemId":"2565","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40805"},["text","CESR_person_03565"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40807"},["text","Weyss"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40808"},["text","Mathias"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40809"},["text","Mathias Weyss"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40810"},["text","Weiss"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40811"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40812"},["text","Role_002 "]],["elementText",{"elementTextId":"40813"},["text"," Role_001 "]],["elementText",{"elementTextId":"40814"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40815"},["text","Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"40816"},["text"," Musician "]],["elementText",{"elementTextId":"40817"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40818"},["text","1508"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40819"},["text","1508"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"40820"},["text","Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 188 (Nº 69), petitioning for a benefice in the cathedral of Breslau. 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See Reichert 1954, p. 113."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40781"},["text","Weichselberger, Valentinus (…-…)"]]]]]]]],["item",{"itemId":"2562","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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See Reichert 1954, p. 113."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40766"},["text","Warischlachner, Johannes (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2561","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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A “Hanns Waldiner” appears in the 1519 “Hofstaatsverzeichnis” among the “Ainspennigen.” Perhaps a relative of the singer Wilhelm Waldner*, also in the Imperial chapel. Fellner and Kretschmayer 1907, p. 140; Reichert 1954, p. 112."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40753"},["text","Waldner, Johannes (…-…). 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Reichert 1954, p. 112."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40737"},["text","Vogel, Johannes (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2559","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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See Reichert 1954, p. 112."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"40721"},["text","Vischer, Cunibert (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2558","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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