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Aucun autre élément de sa biographie n’est connu, mais le fait qu’il n’ait été repéré au service d’aucune autre institution, et la proximité du gros bourg de Marle, au nord de Laon, rendent probable l’hypothèse qu’il naquit dans la région et y passa une bonne partie, et peut-être l’intégralité de sa carrière. Le nom de Marle était celui d’une grande dynastie de serviteurs de l’État royal du XIVe à la fin du XVIe siècle, mais il semble très improbable que le musicien de Noyon ait eu un lien avec cette famille. En revanche, les quelques mentions d’une famille de Marle à Noyon même (Mathieu et Pierre, respectivement maire de Noyon de 1487 à 1491 et abbé de Saint-Éloi de 1471 à 1507) indiquent qu’une branche de la dynastie s’était installée dans la ville. En l’absence de toute trace documentaire du compositeur, il y a tout lieu de penser qu’il est issu de cette famille noyonnaise.\nLes œuvres de Marle furent publiées en deux périodes distinctes. Entre 1544 et 1554, douze chansons attribuées à « Marle » ou « de Marle » parurent dans des anthologies des éditeurs parisiens Pierre Attaingnant et Nicolas Du Chemin. La première, parue en 1544, met en musique une des épigrammes de Marot sur la beauté de Diane de Poitiers, maîtresse du futur roi Henri II, alors duc d’Orléans. Mais c’est en 1550 que Marle semble avoir accédé à une certaine notoriété, puisqu’Attaingnant inséra six de ses chansons dans son trente-cinquième livre de chansons, tandis que Nicolas Du Chemin en publiait deux autres, dans ses premier et huitième livres de chansons. Après cette décennie de publications profanes parurent trois messes, deux en 1557 et 1559 chez Le Roy et Ballard, et la dernière près de dix ans plus tard, en 1568 chez Du Chemin. La musique de Nicolas de Marle révèle un compositeur accompli, parfois inspiré. Au départ de sa production figurent trois chansons qui relèvent du genre narratif grivois brillamment illustré par Clément Janequin. Une bergiere ung jour, publiée en 1545, connut un certain succès, probablement grâce à la verve de son texte et à son illustration musicale imaginative de la « cornemuse », particulièrement réussie, et du « tambourin joly ». Entre autres réminiscences janequiniennes, l’exubérance finale, aux mots « frappe dessus ! », rappelle les imitations sur « Serre Martin ! » que Janequin avait imaginées à la fin de sa version de Martin menoit son pourceau au marché (parue en 1535).\nLa première messe publiée par Marle s’inscrit dans une série de quatre messes parodies publiées à Paris entre 1556 et 1558, qui s’inspirent toutes, dans un climat de vive concurrence éditoriale entre les firmes Du Chemin et Le Roy & Ballard, de la célèbre chanson Je suis deshéritée. Le modèle de sa deuxième messe, ad imitationem moduli Panis quem ego dabo, est inconnu. Sa troisième messe, sur la chanson O gente brunette, est la plus séduisante et la plus singulière (fig. 2 et CD plages 4-8). Elle fait partie d’un nombre limité de messes polyphoniques prenant pour modèles des chansons profanes, une pratique qui, à la date de sa parution en 1568, n’était vraiment plus en odeur de sainteté puisque les théologiens contre-réformateurs du Concile de Trente venaient, en 1562, de réaffirmer l’interdiction de mêler tout élément profane à la polyphonie liturgique. En outre, la chanson de Mithou, parue en 1548, que Marle choisit comme modèle, n’est pas seulement profane, mais franchement leste car la « gente brunette » du titre est décrite « Toute nue en la couchette,/ Blanche et nette,/ Tant doulcette,/ Pour jouer au jeu d’amours » (CD plage 3). On n’ose imaginer ce que le sévère doyen Le Vasseur aurait pu penser d’une telle œuvre ! Au-delà de cette pratique qui, si elle n’était pas la norme, n’avait rien d’exceptionnel (Lassus composa une vingtaine de messes sur des chansons, dont une petite moitié licencieuses), Marle imagine pour cette messe un discours homorythmique simple et clair, concis et équilibré, qui exploite pleinement les belles qualités mélodiques de son modèle, en lui ajoutant même quelques couleurs harmoniques originales.\n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"44195"},["text","Marle (de), Nicolas (between 1500 and 1599-before 1599). Composer; Musician"]]]]]]]],["item",{"itemId":"3218","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Il se voit signifié les deux ordonnance du 21 mars 1562 (n. st.) et 12 septembre 1563 sur la gestion des absences. Il est dénommé clerc prêtre dans le procès-verbal d’installation de Guillaume Belin comme Chantre le 20 février 1566 (n.st.). Il est mentionné à nouveau dans un procès-verbal de délibération le 10 mai 1567 (Brenet 1910 p. 105, 108, 109, 111 d’après F-AN, LL 626, f. 141, 158, 178v, 179 et LL 599, f. 12).\n1570-1581 : Le 22 mars 1570, Baptiste Marlot est reçu chapelain ordinaire. Le 27 mai 1573, il est payé pour « une semaine sous la prébende de M. de Bangy, lequel n'a point de chapelain ». Il meurt le 17 février 1581. Le 22 février 1581, sa chambre est donnée à Antoine Morin (Brenet 1910 p. 116, 125, 131 d’après F-AN, LL 599, f. 58, f. 110-110v et LL 600, f. 3). \n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55194"},["text","Brenet 1910"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"55177"},["text","Marlot, Baptiste (…-17 Feb. 1581). Musician; Singer"]]]]]]]],["item",{"itemId":"976","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Guillaume Marnay, est maître des enfants de chœur de l’église collégiale Saint-Gervais et Saint-Protais de Gisors (Lefebvre 1886, p. 58)."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"15486"},["text","Lefebvre 1886"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"15470"},["text","Marnay, Guillaume (…-…). Musician"]]]]]]]],["item",{"itemId":"1819","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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NaplesRC\nAtlaN 94.\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"28109"},["text","Atlas 1985"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"28099"},["text","Marot, Jordi (…-…). Musician"]]]]]]]],["item",{"itemId":"1821","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Capp. NaplesRC\nAtlaN 46, 94.\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"28133"},["text","Atlas 1985"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"28123"},["text","Marotta, Giorgio (…-…). Musician"]]]]]]]],["item",{"itemId":"998","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Capp. NaplesRC\nAtlaN 48-9, 94.\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"28121"},["text","Atlas 1985"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"28111"},["text","Marra (de), Alexander (…-…). 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RomeP\nHaut 221, 224, 227-8."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"28135"},["text","Marsille, Johannes (…-…). Musician"]]]]]]]],["item",{"itemId":"432","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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His last name is known only from the acts. It is possible that he left under a cloud, since the last reference to him, on 12 June 1465, is an injunction to pay a debt he owed to the office of the grand métier by St. Rémy (01 October) or risk suspension [CBM 1060, 216r].\n"]],["elementText",{"elementTextId":"6891"},["text"," Atlas1985, p. 91: Egidio di Martello, à la chapelle royale de Naples, fl. 1470."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Isambert Martel est chapelain du roi.\n• Sainte-Chapelle de Paris, 1406-1408. Il est nommé Chanoine-Trésorier de la Sainte-Chapelle de Paris de 1406, succédant à Hugues Blanchet, jusqu’à sa mort en 1408, où il est remplacé par Jacques de Bourbon. Il est inhumé dans la Sainte-Chapelle (Morand 1790, p. 306 et Stein 1912, p. 131).\nDans le Trésor de la Sainte-Chapelle, Isambert Martel est cité deux fois comme trésorier en Septembre 1406, pour une enquête au sujet d'un vol de lampiers d'argent commis à la Sainte-Chapelle en 1400. et dans une lettre de 1407 où Charles VI ordonne à ses trésoriers de payer à Isambert Martel, trésorier de la Sainte-Chapelle, la somme de 1,000 fr. d'or pour être employée à faire des ornements à l'usage de la Sainte-Chapelle (Vidier 1910 p. 314, 315, 318 d’après F-BnF, ms. lat. 17107, f. 38 et 39, F-AN, LL 630, p. 33, F-AN, S* 976, f. 6v et L 620, f. 55).\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55210"},["text","Morand 1790 "]],["elementText",{"elementTextId":"55211"},["text"," Stein 1912 "]],["elementText",{"elementTextId":"55212"},["text"," Vidier 1910"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Pierre Martheau, vicaire apparaît au terme de pâques 1407 dans les comptes de 1406-1407, comme Jehan de Paris, Jehan Cesaris et Pierre Regnon. Pierre Martel est ensuite mentionné comme vicaire avec des distributions normales de 1407 à 1415. Au milieu du terme de noël 1415, il devient chapelain avec des distributions normales jusqu’en 1421. Il a disparu des comptes suivants 1439-1440 (Pilleboue PCR d’après F-AD 18, 8G 1633-1645).\nPlus précisément, le 25 juin 1410 ou 1411, il est nommé receveur et procureur général. Il est témoin le 11 février 1411. En 1413-1414, il est mentionné au titre des dépenses pour les officiers de la chapelle pour des gages de 20 livres par an en 3 termes à cause dudit office de marrillerie et avoir livré le pain et vin à chanter en icelle et baillé charbon et encens. Il est receveur le 3 mai 1415. En mai 1419, on entend ses comptes. Pierre Baudry le remplace. En juin 1420, il reçoit des mereaulx en guise de distribution, comme marguiller. En 1420-1421, dans les autres dépenses nouvellement faictes pour la messe de Clamecy qui se dit chacun jour : A messire Pierre Martel, Jehan Dabert, Estienne Bernier, Aymery Cholet, prebstres pour leur salaire d’avoir chanté chacun jour une messe de Nostre-Dame a l’autier de Nostre-Dame de Pitié depuis l’apparition nostre seigneur jusques a la feste Saint-Jean Baptiste 7 livres 15 sous (Pilleboue PCR d’après F-AD 18, 8G 1509, 8G 1639, 8G 1643).\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"69162"},["text","Pilleboue PCR"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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En juin 1376, qualifié de scriptor de la curie, il disposait d’une semi-prébende à Saint-Omer, et reçu le personnat d’Erignies (dioc. Amiens). Toujours recensé parmi les chapelains payés le 19.9.1379, il prit possession d’un personnat de Wautier-Braine en mai 1380, abandonnant alors son canonicat de Noyon. Encore cité dans les listes de la chapelle à l’automne 1382 et en 1384, il perçut ses gages de chapelain le 22.1.1385. En octobre de cette année, toujours qualifié de scriptor apostolique, il résigna la chantrerie de Noyon. Il mourut avant le 11.9.1387, toujours familier du pape, qu’il semble avoir servi en continu de 1366 à sa mort, soit comme chapelain, soit comme scribe."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Le 24 décembre 1554, messire Claude Martin a collation de prebende a la place de feu messire Charles Chevallier datée du 13 décembre 1554 à Saint-Germain en Laye. Il est placé chaise basse du côté droit « actendu que ledit Martin n’est constitué es sacrées ordres ». Le 23 novembre 1557, sont transcrites des lettres de la duchesse sur l’office de chantrerie, signées à Saint-Germain le 4 octobre 1557. Elle veut savoir si monsieur Gaillard accepte l’office de chantre. Il refuse et suggère Crenequin, de Fougieres ou Martin. « Il ne s’est trouvé nul des chanoines a present resident qui ait voulu accepter ladite charge et office de chantre tant a cause de leurs empeschemens, aiges que infirmitez. Messieurs supplient la duchesse d’en pourvoir messire Pierre Lemarye, sinon messire Loys de La Roche ou Jehan Grangier prestres chappelains, lesquels ont moien faire ladite permutation et ont scavoir suffisant pour exercer ledit office ». \nLe 9 juillet 1558, monsieur Martin a presenté messire Ursin Brunet vicaire a l’office de chappelain. Le 15 octobre 1558, monsieur « Gaillard a remonstré que cy davant il a esté commis a la charge des enffans de cueur aux reparations de l’eglise, aux moulins Le Roy et messire Jaques et reparations d’iceulx… Veu laquelle remonstrance et descharge dudit Gaillard, messieurs ont commis pour la charges desdits enffans de cueur et reparations de l’eglise lesdits Dumayne et Monthey, et pour la charge des molins lesdits Martin et Burgat. \nClaude Martin est impliqué comme tous les chanoines dans l’affaire Jehan Testard, vicaire marrellier, qui veut se faire recevoir vicaire ordinaire sans repasser un examen de ses capacités de chantre. Le 19 novembre 1558, « apres lecture des conclusions du chapitre precedent monsieur Burgat pour et au nom de monsieur Martin et se soy disant avoir de lui charge a declaré qu’il s’oppose a la deliberation faicte par messieurs de recevoir maistre JehanTestard a l’office de vicaire ». Le 29 novembre 1558, on présente le rapport sur Jehan Testard : « messires de Fougieres, Martin et Burgat ont oy ledit Testard tant lecons que evangilles et congneu comme chacun a peu le faire notoirement quil deffault grandement en la lecture qui est chose fort indescente en ladite eglise et contre le statut d’icelle ; et n’est capable quant a ladite lecture d’estre receu audit office de vicaire ; et partant n’estoit advis quil soit examiné quant a ladite lecture veu son insuffisance notoire comme dit est potestant que ou il sera peisé outre du rapport de l’examen dudit Testard et reception d’icellui de nullité et eulx pouvoir ainsi qu’ils veront estre a faire par raison ». \nLe 21 mars 1559, « messieurs… actendu les lettres que leur a escriptes madame la Duchesse ont commis messieurs Martin et Burgat pour dresser le cahier des antiquitez et choses dignes de memoire qui seront trouvées en la librairie de ceans » (Pilleboue PCR d’après F-AD 18, 8G 1522, 8G 1525, 8G 1526, f. 108v-109, f. 109-110 et autres).\nLe 28 octobre 1559, « sur la requeste de monsieur Martin, chanoine, messieurs luy ont donné le mois extraordinaire et en faveur de monsieur de Laubespine luy ont aussi baillé un autre mois durant le temps quil a esté absent ». Le 20 janvier 1560, « monsieur Dumayne au nom de vicaire de monseigneur le tresorier a decclaré a messieurs qu’il proteste de nullité la reception et installation de messire Jehan Le Nayn a l’office de chappelain faicte par messieurs messire Simon Gaillard, Claude Martin, François Burgat et Jaques Mothey, d’aultant qui ne lont d'une peu faire, proteste davantaige audit nom de se pourveoir en temps et lieu contre les susdits en leur noms prinz de ce quilz ont entreprins sur l’auctorité de monsieur le tresorier ». Le 29 janvier 1560, « maistre Jehan Le Nayn est comparu en sa personne audit chapitre general lequel a presenté la requeste qui s’ensuict : a messieurs les tresorier et chanoines de la Sainte-chapelle supplie humblement… quil vous plaise prier monsieur Dumayne comme luy mesme l’en supplye de l’installer en la place de chappelain… A quoy monsieur Martin a dit repondant a ladite requeste quil ne pretend avoir riens fait contre monsieur le tresorier ; et quand a la reception que ledit Le Nayn demande estre faicte est d’advis d’actendre la campaygnye et quil baillera plus ample declaration a ladite requeste… Auquel monsieur Dumaine vicaire… a declaré que… veu le rapport ci davant faict par messire Jehan Crenequin… a receu et reçoit ledit Le Nayn audit office de chappelain que tenoit ledit feu Cotan. Lequel sieur Martin sen est allé et sorty hors dudit chapitre…  ». Le 15 avril 1561, le chapitre dont Claude Martin décide les réparations de la maison que tient de chapitre Jean de Ville, la muraille en la maison… [de] Michel Going, il sera alloué a monsieur Pallu son gangne de ce qui luy peult estre deub restant estant pourveu de curateur (Pilleboue PCR d’après F-AD 18, 8G 1527, f 83-83v, f. 105, f. 107v-108v).\nLe 19 avril 1561, Dumayne présente son rapport sur « Pierre Fauchon qui lui avoit remonstré quil n’estoit subject a examen actendu quil avoyt esté examiné lors quil avoit esté commis vicaire et trouvé et rapporté cappable. Crenequin prend l’avis des chanoines assistans assavoir Martin, Burgat, Mothey pour le costé droit et ledit Gaillartd et Du Mayne pour le costé gaulche qui ont esté et d’advis que ledit Fauchon debvoit estre institué et receu chapelain ». Le 14 juin 1561, « cappitulans et estans assemblez en chapitre pour decider des affaires messieurs Jehan Crenequin, Gilbert de Fougieres, Symon de Gaillard, Laurens Du Mayne, Claude Martin, Germain Viallard, François Burgat et Jaques Mothey tous chanoines de ladite eglise » en l’absence du trésorier, de son vicaire et du chantre décident de la suppression des distributions pour  toute absence non autorisée des chapelaine et vicaires. Le 29 juillet 1561, après lecture faicte du registre de la demission faicte par monsieur Lemarie au chapitre preceddant de l’office de chantre et que monsieur Crenequin, de Fougieres, Gaillard, Dumayne, Martin et Mothey ont declaré quilz ne veulloient accepter ladite charge et s’en despartoient prians monsieur Burgat de l’accepter, ledit sieur Burgat a accepté ledit office de chantre et accorder faire la charge dicellui office ». Le 9 septembre1561, « Symon Gaillard, procureur de maistre René de Merlier… presente messire François Dyvoy a la place et office de vicaire… a quoy par monsieur de Fougieres a esté remonstré que ja cy devant ledit Dumayne comme chanoine avoit presenté ledit Dyvoy a la place de vicaire marrelier… lequel Du Mayne a renvoyé ledit Dyvoy par devers monsieur Martin comme plus antien chanoine apres lesdits Crenequin et De Fougieres pour estre examiné… actendu que ledit Crenequin s’est excusé presentement de faire ledit examen et que ledit de Fougieres s’en seroit aussi excusé ». Le 20 septembre 1561, « monsieur Martin a declaré qu’il se deschargeoit de l’examen de François Dyvoy a luy renvoyé par le vicaire general veu ce que Dumayne a renvoyé ledit Dyvoy a monsieur François Burgat chanoine ». Le 11 novembre 1561, « sur ce que monsieur Crenequin a faict entendre a messieurs que monsieur le general vouloit faire saisir leur baronnye de graçay, messieurs ont commis ledit Crenequin et monsieur Martin pour communiquer audit sieur general les tiltres de leurdite baronnye ». Le 6 décembre 1561, monsieur Burgat a presenté les lettres de collation a lui faicte par madame la duchesse de Berry de l’office de chantre, les requerant le recevoir audit office. Il y a délibération. Les chanoines présents au chapitre, Crenequin, Gaillard, Martin, Dumayne sont partisans que l’on réunisse un chapitre complet. Dumayne remonstre que il est necessaire que celluy quil veult tenir l’office de chantre doibt estre capable et suffisant ; et luy semble quil ne doibt estre receu sans en avoir l’expresse demission de monsieur Le Marie chanoine de ceans qui en est porveu par Madame. Le 3 janvier 1562, « monsieur Martin a faict entendre a messieurs que monsieur de l’Aubespine luy avoit escript que le Roy avoit envoyé lectres a monsieur le general declaratives qu’il n’entendoit comprindre par ses lettres de la reunion de son domayne les terres et possessions detenues par les prelatz, gens d’eglise et en main morte ; et avoit une coppie de ladite lettre qu’il a exhibée a messieurs qui en ont fait faire lecture et ordonné qu’elle sera enregistrée au present registre… » (Pilleboue PCR d’après F-AD 18, 8G 1528, f. 5, 29, f. 55-55v, f. 56, f. 70-70v, 72v, 88v, 96v, 110).\nLe 26 octobre 1563, « sur la remonstrance faicte par monsieur Martin messieurs l’ont deschargé du coffre ou il souloyt serrer et mectre ses ornemens d’eglise ayant esté rompu par les troubles de la guerre ». Le 30 octobre 1563, « monsieur le chantre a rapporté a messieurs [dont Claude Martin] que suyvant le renvoy a luy faict par chapitre pour s’enquerir de la suffisance ou insuffisance de Mace Arrachepied… il a trouvé ledit Arrachepied cappable et suffisant pour tenir et exercer ledit office et vicariat ». Le 9 novembre 1563, messieurs ont « ordonné que le rolle de leur gaigne du quartier de Saint-Michel dernier sera corrigé, en ce que leur distributeur  n’avoit mis monsieur Martin en son entier gaigne dudit cartier quil y sera mis cinquante troys livres 17 sous 9 deniers ». Le 4 juillet 1564, « messieurs ont donné a monsieur Martin en faveur de monseigneur de l’Aubespine ses distributions pour le temps quil a esté emploié aux affaires dudit sire de l’Aubespine ». Le 20 février 1565, les chanoines dont Martin, les chapelains et vicaire reçoivent une deuxieme distribution de blé. Le 3 mars 1565, « monsieur Martin presente a messieurs une lettre de cachet du roy » qui dispense « de porter chappes et camardz… jusques a 3 ans prochainement » signée du 21 décembre 1564 Charles et plus bas de Laubespine . Le 8 mai 1565, « messieurs ont commis Crenequin et Martin pour dresser memoyres et trouver recompense de leur juridiction de la seizaine de may ; et on escripve a monseigneur de Laubespine au nom du chapitre ». Le 14 juillet 1565, « monsieur Dumerlyer demande la maison que tenoit monsieur Martin veu la declaration faicte par ledit Martin au chapitre precedent ». Le 14 août 1565, messieurs ont « commis messieurs Martin et Mothey pour visiter les reparations qui sont necessaires estre faictes en la maison du maistre des enffans de cueur ». Le 20 novembre 1565, « messieurs ont commis messieurs Martin et Demerlier pour visiter la maison de maistre des enffans de cueur de l’eglise que monsieur Mothey a dellaissee ». Le 24 novembre 1565, « messieurs après avoir veu les lettres que leur a escriptes monsieur de l’Aubespine ont donné a monsieur Martin en la loyauté et conscience dicelluy sa presence estant empesché pour les affaires dudit seigneur » (Pilleboue PCR d’après F-AD 18, 8G 1530, f. 67, f. 69-69v, f. 72, 107v, 8G 1531, f. 49, 131, 133 et autres, 8G 1532, f. 42v, 72, 74v et autres). \nLe 27 décembre 1568, sont présents au chapitre de Fougieres, Germain Vialard, Dumayne, Martin, Mothey, Dumerlier, Le Roy, Mareschal, Chevrier pour la réception de monsieur Viallart comme thesaurier de l’eglise de Sainte-Chapelle de ceans par la resignation que en avoit faicte messire Vincent Micheau et celle de Laurens David en place de Germain Viallart. Le 19 mars 1569 sont présents au chapitre pour se répartir les dépouilles de Simon de Gaillard, de Fougieres, Dumaine, Martin, Mothey, Le Roy, Chevrier, Aimerard, David, Guylhouet. Le 30 avril 1569, monsieur Guillaume Amerard chanoine a presenté a monsieur Dumayne vicaire general messire Anthoine Rancon, vicaire a l’office de chappelain a la place de feu Michel Going ». Il est renvoyé a monsieur Martin le plus ancien chanoine. Dans son rapport, Martin « avoit enquis et examiné ledit Rancon en la presence de plusieurs chantres… et l’a trouvé suffisant et capable ».\nLe 23 mai 1570, Dumerlier et Martin sont absents au chapitre, car malades. Le 5 août 1570, « monsieur Guillouet a remonstré a messieurs que contre les ordonnances de chapitre a son prejudice et d’aultres de messieurs qui ne sont pourveuz de maisons, monsieur Martin a baillé par adcense la maison quil tient de l’eglise a aultre, ce qui ne luy est permys ». Le 28 avril 1572, « le receveur a receu 150 livres tournois de messire Hugues Amignon comme executeur du testament de deffunct messire Claude Martin en son vivant chanoine donnees et leguees a la dite Sainte-Chapelle ». Le 29 juillet 1572, « messieurs ont commis monsieur Rivelle chanoine pour recevoir des heritiers de feu monsieur Claude Martin, chanoine 40 livres tournois quils doibvent pour les reparation de la maison canoniale dudit Martin » (Pilleboue PCR d’après F-AD 18, 8G 1533, f. 117-117v, f. 139 et autres, 8G 1534, f. 34v-35, f. 55v, 8G 1535-1536).\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"77050"},["text","Pilleboue PCR "]],["elementText",{"elementTextId":"77051"},["text"," Thaumas 1689"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Cazaux, 10 mars 2010\nAurais-tu dans ta base sur les musiciens du 16e siècle trace d'un certain Etienne Martin ? Ce musicien était maître de la psalette de ND de Châtellerault dans les années 1540 et il semble avoir eu des liens aussi avec Saint-Hilaire de Poitiers. Il est mort en 1550 et a laissé un testament assez intéressant dans lequel il y a un inventaire de ses livres de musique...\n\nLalanne 1859\nHistoire de Chatelleraud et du Chatelleraudais: Volume 1 - Page 283\nbooks.google.fr\nCharles-Claude Lalanne - 1859 - 613 pages - Afficher la publication en entier\nUn inventaire, fait en 1550 à la requête d'Etienne Martin , maître de la psalette de Notre-Dame , nous fait connaître quelques morceaux de musique alors f~ \"«?« dans cette collégiale : (1) Chapelte de t'ancienne prison et précédern\"\"' ..."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"37009"},["text","Martin, Étienne (…-1550). Musician"]]]]]]]],["item",{"itemId":"3221","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55231"},["text","CESR_person_04221"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55233"},["text","Martin "]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55234"},["text","François"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55235"},["text","François Martin "]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55236"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55237"},["text","Role_001 "]],["elementText",{"elementTextId":"55238"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55239"},["text","Musician "]],["elementText",{"elementTextId":"55240"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55241"},["text","1581"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55242"},["text","1581"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55243"},["text","Cities_Standardized_0537"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55244"},["text","Paris"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55245"},["text","Institution_0269"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55246"},["text","Sainte-Chapelle de Paris"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55247"},["text","Sainte-Chapelle de Paris, 1581. Maistre François Martin, chantre, est payé 40 solz tournois pour avoir servi à la Sainte-Chapelle huit jours durant (Brenet 1910 p. 132 d’après F-AN, LL 599, f. 11)"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55248"},["text","Brenet 1910"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"55232"},["text","Martin, François (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"3364","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58203"},["text","CESR_person_04364"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58205"},["text","Martin"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58206"},["text","Jacques"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58207"},["text","Jacques Martin"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58208"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58209"},["text","Role_006"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58210"},["text","Employee of a church (higher ecclesiastic, canon)"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58211"},["text","1483"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58212"},["text","circa"]],["elementText",{"elementTextId":"58213"},["text","1503"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58214"},["text","Cities_Standardized_0537"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58215"},["text","Paris"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58216"},["text","Institution_0269"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58217"},["text","Sainte-Chapelle de Paris"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58218"},["text","Sainte-Chapelle de Paris, 1483-1503 ?. Jacques Martin est reçu chanoine en 1483 et probablement remplacé en 1503 par François de Refuge (Stein 1912 p. 136).\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"58219"},["text","Stein 1912"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Il apparaît à la cour de Martin Ier d’Aragon en 1398, où il sert jusqu’en 1420. En 1404, il réclame de pouvoir ajouter un bénéfice de Barcelone à la prébende qu’il détient déjà à l’église Ste-Catherine de Valencia (ref: Angles “Gacian Reyneau”, p. 65-67 et “Musica en la corte del Rey Alfonso V el Magnanimo (1413-1420)”, p. 380\np. 59, n.24. Une supplique soumise à Rome en 1404 indique que ce chapelain de Philippe le Hardi depuis 1384 était du diocèse de Noyon."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Strohm 1993, p.504-505, suggère que Tirion est le futur compostieur Johannes Touront alors enfant de chœur.\n• RepGermanicum, ?"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"12000"},["text","Martin, Johannes (…-…)"]]]]]]]],["item",{"itemId":"4124","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Le 2 juillet 1558, messieurs « ont ordonné que le receveur baillera 20 sous pour un messager a une basse contre de La Rochelle ; et ordonné quil sera escript audit basse contre venir par deça au service de l’eglise ». le 19 juillet 1558, « messieurs ont receu au service de l’eglise tant qu’il leur plaira messire Michel Martin prebstre natif de la paroisse de Billy diocese de Nevers, aux gaiges de 80 livres tournois par an et 2 petits pains de chapitre chacun jour ; et sera paié par leur receveur de moys en moys ou de quartier en quartier ; et veu sa requeste par laquelle il a pryé messieurs luy donné congé pour ung moys pour aller retirer ses besongnes et hardes quil a a La Rochelle, luy ont octroié ledit congé ». Le 6 août 1558, « messieurs ont ordonné que Michel Martin gaigier de l’eglise sera paié de ses gaiges par leur receveur general a commancer du premier jour de juillet dernier passé ». Le 1er octobre 1558, « sur les requestes a eulx faictes par Michel Martin et Anthoine de Rancon bassecontres gaigiers de l’eglise par lesquelles ilz ont prié messieurs de les pourveoir chacun d’un office de vicaire en l’eglise de ceans, monsieur Mothey a presenté ledit Martin a monsieur Du Mayne au lieu et place de messire Ursin Brunet a present chappelain ; et messieurs ont presenté ledit de Rancon a la place vaccant de Ursin Arnault au lieu de messire Jehan Lallemand chanoine de ceans absent qui n’est pourveu aux Saintes ordres auquel en appartiendroit la presentation ». Ils sont renvoyés à Crenequin et Gaillard. Le 8 octobre 1558, le rapport sur Michel Martin et Anthoine Rancon les juge suffisans et capables. Le 22 octobre 1558, Michel Martin est reçu comme vicaire : « a la charge que ledit Martin sera tenu dedans 3 mois faire aparoir a messieurs de ses capacitez ; et a faulte de ce faire des a present… demoure la presente reception nulle comme pour non faicte et advenue ». Le 25 octobre 1558, « Michel Martin et Anthoine Rancon bassecontres… prient messieurs leur donner leur gaigne entier de ce present moys. [Messieurs] ont ordonné quilz seront couchez au roolle du jour quilz ont esté receuz vicaires et presté le serment ». Le 20 décembre 1558, monsieur de L’Aubespine intervient pour que monsieur Martin ait son gaigne. Le 11 février 1559, « messieurs sur la requeste de Jehan Lenain bassecontre lui faire distribution de blé de l’extraordinaire, ordonnent qui luy sera baillé 3 setiers mestou ; et a Anthoine de Rancon, Michel Martin et Estienne Guiant a chacun 3 setiers mestou ». (Pilleboue PCR d’après F-AD 18, 8G 1526, f. 45v, 56v et autres).\nLes 26 septembre 1559 et 5 mars 1560, Michel Martin obtient ses distributions pour 8 jours d’absence. Le 10 février 1560, le receveur advancera a Michel Martin son quartier. Le 26 mars 1560, « sur la requeste faicte par messire Michel Martin naguere vicaire de ceans laquelle il faict entendre a messieurs quil a trouvé party ailheurs partant se voloit retirer quil plaise a messieurs luy bailler le quartier entier qui escherra a la fin de ce present moys ; et aussy luy bailler permission de porter les draps pendant quil sera en ceste ville ; et la ou il seroit fait quelque distribution extraordinaire l’en faire participant et le comprandre en icelle. Messieurs considerans quil laisse le service de l’eglise ont ordonné quil sera payé de ce quil a servy seulement ». Le 30 mars 1560, messieurs « ont ordonné que leur distributeur arrestera le gangne qui peult estre deub a Michel Martin de ce present quartier et luy sera paié par leur receveur general » (Pilleboue PCR d’après F-AD 18, 8G 1527, f. 73v, 116v, 132v, 134 et autre).\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"74520"},["text","Pilleboue PCR"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"74493"},["text","Martin, Michel (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2059","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Cler; capp. Rome\nHabR 254.\n\nRegesta Leonis X, Joseph Hergenröther, 1884 - 1024 pages\nEN 1513-1514:\n(5484) Lamberto Martini cler. Trajecten. , qui oapellae suae cantor capellanus existit, indultum quoad beneficia ac facultates concedit. G. F. (Carrot. "]],["elementText",{"elementTextId":"28183"},["text"," (jlratis de mand, S. D. Cheminart. "]],["elementText",{"elementTextId":"28184"},["text"," Vega. CoII. P. de Roma) L. 1205 f. 768. \n(7686) Lamberto Martini capellae suae cantori capellano canonicatum et praeb. ecclesiae B. Mariae Montisregalis Eduen, dioec, obitu Petri Fayelle vac. confert. G. F. (Evang. I Grat. de mand. S. D. C. de Liazar. "]],["elementText",{"elementTextId":"28185"},["text"," Bernard. CoII. S, de Spol.) L, 1065 f. 243, b. \n(12803) Lamberto Martini cler. Trajecten. et in capella sua cantori capellano pensionem assignat ex eccl. Meten. Gf-. E. L. 1165 f. 134.\n(15 460) Lamberto Martini cantori capellano suo par. ecclesiara S. Crucis prope Ardemburgh Tornacen. dioec. eonfert. G. F. L. 1051 f. 43, b.\n 24. Sept. (VIII. Kal Oct)  1515. (17 767) Lamberto Martini cler. Trajecten. dioec, cantori capellano suo, benefic. in Monasterien. et Trajecten. civit. et dioec. consistentia reservat. G. F. L. 1132 f. 13. \n\nAJOUTER SHERR"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"28186"},["text","Haberl 1887"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"28171"},["text","Martini, Lamberto (…-…). 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RomeSP; FlorC; FlorSG; FlorAnn\nHabR 237. D'AccG 339-40. LockF 167."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"28200"},["text","D’Accone 1961 "]],["elementText",{"elementTextId":"28201"},["text"," Haberl 1887"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"28188"},["text","Martini, Piero (…-…). 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Composer.\nLockF 167.\n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"28203"},["text","Martini, Thomas (…-…). Musician"]]]]]]]],["item",{"itemId":"714","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10716"},["text","CESR_person_01713"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10718"},["text","Marville (de)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10719"},["text","Jacques"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10720"},["text","Jachet de Marville, de Marleville"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10721"},["text","Marieville (de)"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10722"},["text","Male"]]]],["element",{"elementId":"64"},["name","Date of death Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10723"},["text","before"]]]],["element",{"elementId":"65"},["name","Date of death Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10724"},["text","1503-3-7"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10725"},["text","1456"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10726"},["text","1501"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10727"},["text","Une des carrières de chanteur les plus longues et les mieux connues: Naples 1456-1466 (mais peut-être seulement 1458, car en 1466, il est au service de l’évêque de Rieti, légat de Bologne et cardinal Capranica et affirme avoir chanté, devant Lorenzo, avec la chapelle du pape sans toutefois figurer sur aucun document romain. Lettres à Lorenzo de’ Medici, 15.9.1466, et une autre non datée, probablement de 1469 (Becherini 1941, p.94-99). Cathédrale de Sienne en 1468. A SP de rome de 1469 à 1471. Ferrare en 1472-73. Milan en 1474. Ferrare 1476-1501 (lettres relatant une tentative d’être employé à Mantoue).\n\nCompte rendu dans le Journal des savants 1902 :\nC n N ! sronici INTERJVO ALL'UN!VERSITÀ D! FERRARA, r e d a t t i d a GJOVANNJ MARTINELLI; en tête de ]'Annuario della Libera. Uni- vcrsilà di Ferras-a, anno scolastico 1899-1 900, I-Lv)U. - Giu- SERPEPARDI,Prof. nd B. Liceo di Ferrant.nJIroLïDol-TOJIALI CONFEJUTI DALLO STUDIO DI FERRARA NE! SEC. XV E XV!. - - Lucca. Tipogralin Alberlo Marchi, 1 901 . iii-fol.\nEXTRAITDUJOURNALDESSAI'livrs.-FévrieretMars1902.\n\nLe chanteur Jean Brehis est cité en 11175. Le 18 février 1482 , Antoine Baneston, (le Cambrai, chantre du duc de Ferrare, Guillaume de Lamyn, du diocèse de Liège, et Corneille Lanrent, de Lille, chanteurs du duc de Florence, assistent à la soutenance d'Arthur Maider. Le I o avril i L 88, 't Mathias de Pansus , duels Ferrarie canton. et ('rater Johannes de Ramundis , (le Frantia , ordinis minorwri , prelibali di icis cantor i sont témoins (les promotions de deux docteurs en méde- cine. Le musicien Jacquet de Marville est présent à des tidises en t 484. i4inpnimeur André Beaufort est cité en i 482 et t ZiBA.\n\n8. BANEST0N (ANT01NE), de Cambrai, chantre du duc de Ferrare, témoin de la j,romolion d'Arthur Malder au grade (le doct. en 'médecine, 18 février 1487 (p. 7 5 ) . - Baneston est resté inconnu è F'étis; il ine figure pas dans la liste des musiciens de la eoni de Ferrare donnée par L. N. Cil tadel la dans ses iVotizie rclatire u Fer,vua , parte Il , 1864.\n\nRef \n172. MABVILLE:(JACQUESDE), KJaclietusU'rancigena, cintor dwi.alis ' ,esttémoin de la promotion de Cataldo Porisia , 2 . 1 r é . 1484 (p. 6j). il est témoin de la pro- motion de Peter Weingfirtner, 4 mars 1484 ( p . Il est appelé alors «inc. de Marvilla, clericus Trevereitsis diocesis, rectoi' ecclesie S. Jacobi in borgo Ferrarie et cantor nostri dacis «. Il est témoin de la promotion (le N.ikolaus Siegvart , de, l3aden, 24 janv. i (p. 8 3 ) . 11 cst appelé alors « lachetus de Marvila, ducalis cantor, R. cccl. S. ,laeobi ultra Paduru',\n\n174. MATIIIAS DE PARIS, n ducis Ferrarie cantor » , est, témoin des promotions d'Ulrich l'eher et de Niccolà Galeotto, in avril s488 (p. 83).— Le comte L. N. Gittadella (J\\T0jj(. »t/UIIVC II l'Cfl'UI'a, Il, 1864, in-L,', p . 717) cite, é la date de\n1494, « Mathias, conta clore in la chapel la delo illust i'issimo S' duclia «, mais il n'indique pas la patrie dc cet artiste.\n\n• D’accone1961, p.323- Merkley p.68-70, 76, 92, 101, 115, 243.\n• Lockwood 1984, p.166-67, 183, 187. Récapitule sa carrière et cite de la lettre de 1466 où Jachet affirme que, bien qu’ayant servi deux rois de Naples et le pape, il a tjrs voulu vivre à Florence car il pourrait y “avoir des nouvelles de son pays tous les jours”. Un ambassadeur milanais qui auditionne Jachet avant son recrutement écrit au duc qu’il veut alors venir à Milan autant que ‘la mouche va vers le fruit’ (‘al mele va la mosche’). Dans sa lettre de 1500 où il demande au marquis de Mantoue de l’employer, alors qu’il vient d’être licencié après 29 ans “sans avoir manqué un jour à son poste dans la chapelle (de Ferrare)”, il rappelle qu’en 1483, un projet d’organisation d’une chapelle à Mantoue sous sa responsabilité avait été interrompu par la mort de Federico Gonzaga, père de Francesco à qui il écrit.Dans le PS de cette lettre, il indique “Je n’ai perdu ni ma voix, ni mon chant, excepté le falsetto que je n’ai jamais eu; je suis un chanteur par nature et je chanterai jusqu’à ma mort”.\n• Reynolds 1995, p.48: Regarding Jachetto (known variously as di Rouen, di Marvilla, and di Lorraine), he may have sung at St. Peter's for as long  as three years, from early 1469 through 1471. This possibility stems from a letter Jachetto wrote to Lorenzo de' Medici (21  March 1469) in which Jachetto reported that he had arrived in Rome the previous January, ostensibly to find some good singers  for Lorenzo. Having located a tenor, three sopranos, and a contratenor (himself), he announced his readiness to lead them all to Florence.[46] Lorenzo apparently did not accept this offer; at any rate, when the St. Peter's records resume in March 1471 after a three-year  hiatus, a Jachettus who sang contratenor was present. Idem, p.117-118: When Ercole d'Este set about building up his cappella of musicians  in the early 1470s, St. Peter's provided several, all of them contras: Jachettus di Marvilla in 1472 / and 1473, and then probably also Johannes Marescalli and Rainaldus de Meis (if he is Rainaldetto Cambrai), who both arrived  at St. Peter's in the fall of 1472 and then apparently sang together at Ferrara from 1474 to 1476. Idem p. 120-122: Cardinal Angelo Capranica was for a time a patron of the singer Jachettus di Marvilla in  the years immediately before Jachettus came to St. Peter's in 1469. Jachettus's service with Capranica has been overlooked, eclipsed by his years with better-known Italian employers. The cities, courts, and churches on this journeyman's resume stretch up and down the Italian peninsula, covering the entire second half of the fifteenth  century. Roughly in order, he is known to have served in Naples beginning in about 1455, and then Siena (1468), Rome (1469-71),  Ferrara (1472-73), and Milan (1474), settling finally in Ferrara (1476-99) (Lockwood, p.166-67; Atlas, p. 37-38). But Jachet did not remain in Naples until his brief stop in Siena. There is more to glean from a letter he had written to Lorenzo  de' Medici seeking his patronage (15 September 1466). In this letter it is plain that Jachettus had already left Naples, since  he wrote from Bologna, where he said he served the bishop of Rieti, who was then Angelo Capranica. No mere bishop, Capranica  had become a cardinal in 1460. More important, in 1458 he was named papal legate of Bologna, the governatore di Bologna e della provincia . Since Jachettus claimed to have come to Bologna recently with Cardinal Capranica, and to have passed through Florence on  the way, he must have referred to the most recent of Capranica's periodic trips between Rome and Bologna, one that had begun  in Rome five months before in early May 1466. In this same letter of 1466, Jachettus further claims to have sung \"in the chapel of the Pope (so that seeing me your most  honoured Lordship would recognize me).\" (Frank D'Accone, \"The Singers of San Giovanni in Florence during the Fifteenth Century,\" 321). His assertion is revealing of the close relations between musicians of popes and the cardinals traveling with them. Papal  records, complete for this period, contain no reference to him; yet because Jachettus also implies that Lorenzo had seen him  in the papal chapel, and would therefore recognize him, some credence must be given to his account. Before 1466 there are  only two occasions when Lorenzo could have heard the papal singers: in 1459 when Pius II stayed in Florence from 25 April  to 5 May on his way to Mantua, and on his return trip in January 1460, when, however, the papal entourage paused only for  a night en route to Siena. On the former visit the elaborate entertainments included \"theatrical performances, combats of wild beasts, races and balls.\" It is possible that the papal choir was augmented for the journey, but if so, this probably occurred on an informal basis,  by drawing on singers who traveled with a cardinal. Among those cardinals making the trek to Mantua with Pius was Guillaume d'Estouteville, archbishop of Jachettus's native Rouen. But so too, at least for the return trip, was Capranica. Whether with Capranica, d'Estouteville, or some other church official, Jachettus's recollection of being in the \"chapel of the pope\" at a time when Lorenzo de' Medici would have seen him must refer to an incident from 1460 at the latest. Thus Jachettus  did not remain long in Naples, perhaps leaving as early as 1458, after the death (in June) of his first known patron Alfonso  I of Aragon. The following November in Rome, Plus II made Capranica the papal legate of Bologna."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"10728"},["text","Atlas 1985 "]],["elementText",{"elementTextId":"10729"},["text"," D’Accone 1961 "]],["elementText",{"elementTextId":"10730"},["text"," Lockwood 1972"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Le 9 mai 1484, Antoine Mas se présente pour être reçu comme chanoine en la prébende de Jean Chevalier, élu Chantre. Les chanoines refusent de le recevoir, attendu que la dignité de Chantre n'est pas incompatible avec la possession d'une prébende de chanoine, et que, par consequent J. Chevalier conserve la sienne (Brenet 1910 p. 39 d’après F-AN, LL 621, f. 123-123v).\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"55266"},["text","Brenet 1910"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"55250"},["text","Mas, Antoine (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2416","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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