52 50 4556 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03551 Surname Sittich Given Name Sebastian Given Name Surname Sebastian Sittich Variant name Sebastianus Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 46v (Nº 210), petitioning for a benefice at the Benedictine monastery of Hirsau (diocese of Constance). See Reichert 1954, p. 111. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sittich, Sebastian (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03552 Surname Smaltz Given Name Simon Given Name Surname Simon Smaltz (Schmalz) Variant name Symon Schmalz Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 92 (Nº 271), petitioning for a benefice at the cathedral of Laibach. See Reichert 1954, p. 111. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Smaltz, Simon (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03553 Surname Schmältzl Given Name Jonas Given Name Surname Jonas Schmältzl Gender Male Role_ID Role_018 Role_002 Role_001 Role_012 Role Choirboy Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1549 Period of activity (ending) Qualif 1549 Biography A choirboy in the Imperial chapel in Vienna, 1549. Reichert 1954, p. 111. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Schmältzl, Jonas (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03554 Surname Stahel Given Name Christian Given Name Surname Christian Stahel Variant name Christiannus Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 47v (Nº 427), petitioning for a benefice at the nunnery at Pfullingen, near Reutlingen (diocese of Konstanz). See Reichert 1954, p. 111. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stahel, Christian (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03555 Surname Sticker Given Name Ulrich Given Name Surname Ulrich Sticker Variant name Udalricus Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1500 Period of activity (ending) Qualif 1508 Biography Priest. Appears in the lists of Maximilian’s chapel for 1500 and 1501 as “her Ulrich Stickher Singer” and in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 151 (Nº 274), petitioning for a benefice at the Benedictine monastery of St Lambert (archdiocese of Salzburg). See Schweiger 1931, nº 19, 63, 105; Reichert 1954, p. 111. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sticker, Ulrich (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03556 Surname Stöckl Given Name Conrad Given Name Surname Conrad Stöckl Variant name Conradus Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 57v (Nº 220), petitioning for a benefice at the collegiate church of Isen (diocese of Freising. See Reichert 1954, p. 111. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stöckl, Conrad (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03557 Surname Tott Given Name Christian Given Name Surname Christian Tott Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 4v (Nº 229), petitioning for a benefice in the city of Kempten (diocese of Konstanz). See Reichert 1954, p. 112. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tott, Christian (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03558 Surname Trabswetter Given Name Martin Given Name Surname Martin Trabswetter Variant name Martinus Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 17 (Nº 233), petitioning for a benefice at the Augustinian nunnery at Klingental (diocese of Basel). See Reichert 1954, p. 112. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trabswetter, Martin (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03559 Surname Vischer Given Name Cunibert Given Name Surname Cunibertus Vischer Variant name Cunibertus Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 137 (Nº 531), petitioning for a benefice at the Benedictine monastery of Traunkirchen (diocese of Passau). See Reichert 1954, p. 112. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vischer, Cunibert (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03560 Surname Vogel Given Name Johannes Given Name Surname Johannes Vogel Variant name Vogl Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a member of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 3, petitioning for a benefice in the Benedictine monastery of Wessobrunn (diocese of Augsburg). Reichert 1954, p. 112. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vogel, Johannes (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03561 Surname Waldner Given Name Johannes Given Name Surname Johannes Waldner Gender Male Role_ID Role_002 Role_001 Role Employee of a court chapel (musician) Musician Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1519 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 26 (Nº 229), petitioning for a benefice in the Benedictine monastery of St Georg, near Schwaz (diocese of Brixen). A “Hanns Waldiner” appears in the 1519 “Hofstaatsverzeichnis” among the “Ainspennigen.” Perhaps a relative of the singer Wilhelm Waldner*, also in the Imperial chapel. Fellner and Kretschmayer 1907, p. 140; Reichert 1954, p. 112. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Waldner, Johannes (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03562 Surname Warischlachner Given Name Johannes Given Name Surname Johannes Warischlachner Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 152 (Nº 470), petitioning for a benefice in the city of Salzburg. See Reichert 1954, p. 113. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Warischlachner, Johannes (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03563 Surname Weichselberger Given Name Valentinus Given Name Surname Valentinus Weichselberger Variant name Valentin Gender Male Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a member of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 46v (Nº 336), petitioning for a benefice at the Premonstratensian monastery of Machtal (diocese of Konstanz). See Reichert 1954, p. 113. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weichselberger, Valentinus (…-…) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03564 Surname Weiss Given Name Johannes Given Name Surname Johannes Weiss Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 4v (Nº 33), petitioning for a benefice in the city of Augsburg. See Reichert 1954, p. 113. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weiss, Johannes (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03565 Surname Weyss Given Name Mathias Given Name Surname Mathias Weyss Variant name Weiss Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1508 Period of activity (ending) Qualif 1508 Biography Appears as a “clericus” of Maximilian’s chapel in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 188 (Nº 69), petitioning for a benefice in the cathedral of Breslau. See Reichert 1954, p. 113. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weyss, Mathias (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03566 Surname Rener Given Name Adam Given Name Surname Adam Rener Gender Male Role_ID Role_025 Role_002 Role_001 Role_012 Role Composer (no known polyphonic works preserved) Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1498 Period of activity (ending) Qualif 1520 Biography Originally from Liège. He appears as one of the “Mutanten-Knaben” (boys whose voices had changed) in the foundation document of Maximilian’s chapel at Vienna (20.7.1498). He went to “Burgundy” to study in 1500. He appears for the first time as court composer of Friedrich the Wise of Saxony in 1507. He appears as “clericus Leodensis diocesis” in the “Rotulus nominationum Maximiliani I” (c. 1508), fol. 82 (nº 298), but without the indication “capella” (he is not the only musician to lack this designation), petitioning for a benefice at the cathedral of Liège. He left the service of Friedrich in 1517, and died at Altenburg in 1520. Reichert 1954, 115; Gerken 1982, vii-viii. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rener, Adam (…-…). Composer; Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03567 Surname Le Conte Given Name Bartholomeus Given Name Surname Bartholomeus Le Conte Variant name Bartholomeo Comes Cont Conti Conte (del) El Conte Il Conte Gender Male Role_ID Role_024 Role_002 Role_013 Role_001 Role_012 Role_016 Role Composer Employee of a court chapel (musician) Known voice range Musician Singer Tenor Period of activity (beginning) Start 1547 Period of activity (ending) Qualif 1565 Biography Dictionnaire NG2 Le Conte [Comes, Cont, Conti, del Conte, El Conte, Il Conte], Bartholomeus [Bartolomeo] (fl 1547–65). French singer and composer, active in Italy. His home diocese was Limoges or Noyon. He first appears in the historical record with El Conte: Bartholomei Comitis gallici … motetta … suavissime sonantia for five voices (Venice, 1547). From November 1550 to January 1554 he was a tenor in the choir of Siena Cathedral. He proceeded to Rome, where he briefly sang in the Capella Giulia (21 March – 31 May 1554). He entered the choir of the papal chapel on 9 September 1555, and was among the papal singers deputed to the Council of Trent in February 1561. He received permission to go abroad on 24 September 1564, and wrote the following spring to say he had accepted employment from ‘a lord of his own country’; his resignation was accepted on 13 April 1565. In documents connected with a shake-up of the papal chapel later that year, Le Conte’s voice was disparaged and he was described as ‘a terrible heretic’ (hereticus pessimus); he was expelled from the chapel on 1 October. Besides Le Conte’s 20 five-voice motets of 1547, we have a four-voice madrigal, Di ciò, cor mio, ascribed to ‘Il Conte’ in Il vero terzo libro di madrigali … a note negre (154931; ed. in CMM, lxxiii/4, 1980), and a four-voice motet, Agnus Christus in cruce, printed without ascription in Susato’s second book of motets (15539). This was reprinted, along with five of the 1547 motets, under the name of ‘Comes’ in Berg & Neuber’s Evangelia (155511-12, 15568). There is also a five-voice madrigal, Mordi, mordi, ben mio, ascribed to ‘Bartolomeo Il Conte’ in the first book of madrigals of Francesco Usper (160420). Le Conte was a capable if conventional composer. He chose particularly weighty texts and was the first to set each of his madrigal poems. His vocal lines express the verbal rhythms fluently and the scoring is varied, though his harmonic range is limited and the pacing of the motets is rather uniform. BIBLIOGRAPHY VanderStraetenMPB, vi A. Ducrot: ‘Histoire de la Cappella Giulia au XVIe siècle depuis sa Fondation par Jules II (1513) jusqu’à sa restauration par Grégoire XIII (1578)’, Mélanges d’archéologie et d’histoire, lxxv (1963), 179–240, 467–559, esp. 217 R. Sherr: ‘Competence and Incompetence in the Papal Choir in the Age of Palestrina’, EMc, xxii (1994), 607–29 F.A. D’Accone: The Civic Muse: Music and Musicians in Siena during the Middle Ages and the Renaissance (Chicago, 1997), 318–29 JEFFREY DEAN SHERR Bartholomeus [Bartholomé] Le Conte {Paul IV-Pius IV} Tenor; France (Limoges [according to the motu proprio admitting him to the choir] Noyon [according to Document...]); formerly in the Cappella Giulia (March-May 1554); admitted 2 September 1555 by a two-thirds plus three vote at the same time as Francisco Talavera; mandati September 1555-April 1565; on 24 December 1564, he asked for a leave of absence [ DS ] and on 13 April 1565, it was reported to the singers that he had entered the service of the King of France. In spite of already having left it, Le Conte was expelled from the chapel on 31 August 1565 by the commission of cardinals; it was reported that he was: "fuor di Roma, ne so rendere conte di lui, ma si dice che ha molto bona voce" [Document...], but perhaps the real reason for his departure and his decision to remain in France is contained in the second remark about him, that he was: "hereticus pessimus" [Document...]. He may very well be the composer Bartholomeus Comes Gallicus (El Conte), whose book of motets for five voices was printed by Gardane in 1547 ( LEWIS , No. 107). DOCUMENTS DS 4 94r: entry dated 2 September 1555 [CASIMIRI (1937), p. 27] Non cantavimus missam quia examinavimus novos cantores in capella in palatio videlicet d. Bartholomeum Cont et d. Franciscum de Talavera et fuerunt inventi idonei quia facto escutrino ut moris est per fabas seu balotas unuquisque habuit duas partes et tria vota in suum favorem et ideo acetati fuerunt in nostro comertio. 94v: entry dated 9 September 1555 [CASIMIRI (1937), p. 28] Eodem die fuerunt admissi in novi cantores d Franciscus de Talavera et d. Bartholomeus Cont per R. p. d. episcopus Castrensis magistrum capelle, justa statuta collegii et motum prorpium pape. Deinde eodem die Bartholomeus Cont soluit ducatos duodecim pro jocundo introitu suo ut moris est. VatS 679, fol. 13r [transcribed in FREY , pp. 138-139]: Undated original motu proprio ordering the admission of Le Conte and Francisco Talavera . Paulus Papa IIII Motu proprio etc. dilectos filios Franciscum Talavera clericum Seguntine ac Bartolomeum Campte [sic] clericum Lemovicensisi diocesium, quos sonora voce et musices scientia preditos ac probe et honeste vite esse fidedigna relatione accepimus, specialis gratie favore prosequi volentes dilectis filiis magistro ac cantoribus cappellanis cappelle nostre, quatenus ipsos Franciscum et Bartolomeum, si eos previo examine iuxta dicte cappelle statuta et constitutiones ad hoc habiles et idoneos esse repererint in dicte cappelle cantores cappellanos ad vitam, ut moris est, recipiant et admittant ac eorum numero et consortio favorabiliter aggregent, committimus et mandamus ac eis desuper licentiam et facultatem concedimus, volentes ac motu simil eisdem Francisco et Bartolomeo concedentes ac etiam decernentes, quod, postquam, ut prefertur, recepti et admissi fuerint, omnibus et singulis privilegiis, immunitatibus, exemptionibus, favoribus gratiis et indultis, quibus alii eiusdem cappelle cantores cappellani de iure et consuetudine ac per privilegia et indulta illis et eidem cappelle pro tempore concessa utuntur, potiuntur et gaudent ac uti, potiri et gaudere poterunt quomodolibet in futurum, uti, potiri et gaudere ac salaria iura et emolumenta eisdem cantoribus competentia et eis dari solita consequi et habere possint et valeant sibique de salariis, iuribus et emolumentis predictis responderi debeant. Non obstantibus constitutionibus et ordinationibus apostolicis ac quibusvis presertim per feleicis recordationis Iulium papam 3.m predecessorem nostrum de non recipiendis aliquibus in dicta cappella cantoribus, donec illorum numerus ad vigintiquatuor dumtaxat reductus existeret, ac alias quomodolibet et cum quibuscunque etiam dereogatoriarum derogatoriis clausulis irritantibusque et aliis decretis etiam motu proprio etc. factis, inhibitionibus ac statutis, decretis et ordinationibus quibuscunq ue latissime extendentibus, etiam si de illis etc. tenores illorum etc. hac vice latissime derogamus, ceterisque contrariis quibuscunque, presentis motus proprii solam signatura sufficere et ubique fidem facere regula contraria non obstante decernentes. Placte D. N. pape Jo. Mi. Car.lis Saracenus 13v Die 9 Settembris 1555 retroscripti Bartolomeus et Franciscus prius per cantores examinati et approbati iuxta formam constitutionem fuerunt admissi et recepti in cantores cappellanos iuxta formam retroscripti motus proprii etc. iuarunt etc. presentibus ibidem omnibus cantoribus etc. Hieronimus Episcopus Castrensis Magister Cappelle DS 7 133v: entry dated 13 April 1565 Eadem die d, Antonius calasans decanus ostendit dominis cantoribus in capella congregatis quasque literas Bartholomei Conti in quibus illum faciebat versiorem se receptum fuisse in cantorum per dominum patrie sue et ita nullius servitio volle insistere et permanere idioque constaret collegio dominorum cantorum locum suum esse vacuum et ut talis per donari alio cantori, quibus intellectis habitas fuit per excluso a prefato collegio per omnes cantores. BIBLIOGRAPHY: VANDER STRAETEN , pp. 408-411; FREY,Die Diairen, pp. 138-141; ROSTIROLLA , p. 157; LEWIS , pp. 571-574, SHERR, "Competence and Incompetence." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Conte, Bartholomeus (…-…). Composer; Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03568 Surname Cambrai (de) Given Name Jean Given Name Surname Jean de Cambrai alias Cocu Variant name Cocu Gender Male Date of death Start 1535-11-8 Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1531 Period of activity (ending) Qualif 1535 Cities_Standardized_ID Cities_Standardized_0430 Workplace Cambrai Biography SHERR Johannes [Jean] de Cambrai [Cocu] {Clement VII-Paul III} Cambrai; in the Cathedral of Cambrai, 1531 ; earliest reference, special payment for March 1532 [ mandati 866, fol. 10r]; mandati : May 1532 -December 1535 ; died in Rome on 8 November 1535 and was buried in St. Peter's; a funeral Mass was celebrated in that church on 17 November 1535 and an obit on 13 January 1536. In special payments on March, April, and May 1532 , Cocu is called "cantor extraordinarius," although it is not clear what that means (see mandati 866, fol.10r, 863, fols. 7v, 18v). DOCUMENTS DS 1 [CASIMIRI entry dated 8 November 1535 Eodem die dominus Joannes de Cambrai alias Coccu diem clausit extremum, sepultus in ecclesia Sancti Petri cuius anima requiescat in pace. entry dated 17 November 1535 Cantavimus missam in ecclesia Sancti Petri pro anima Joannis de Cambrai alias Coccu. entry dated 13 January 1536 In ecclesia Sancti Spiritus Petri obitus pro anima domini Joannis Coccu defuncti cuius anima requiescat in pace. BIBLIOGRAPHY: Craig WRIGHT , " Musiciens à la Cathédrale de Cambrai 1475-1550," Revue de Musicologie 62 (1976): 204-228. p. 226 A Rome, Conseil fit fonction de procurateur de la cathedrale a la cour papale et jouit de tous les avantages de sa prebende & Cambrai 90. Il est de nouveau ' Cambrai au printemps de 1531, mais des le 22 novembre il se rend une nouvelle fois a Rome 91. En partant, il avait essay6 d'emmener avec lui un jeune chanteur de la cath6drale, mais le chapitre ne le lui permit pas 92. Il eut cependant pour compagnon le compositeur Jean de Cambray alias Cocu, petit vicaire de 1'6glise qui servit ensuite a la chapelle papale jusqu'au mois de novembre 1535 93 De meme Jean de Monte, petit vicaire h Cambrai de 1520 t 1538, entra dans la chapelle de Paul III en aofit 1539 et, en janvier 1546, 6tait parmi les chanteurs envoyds par le pape au Concile (227) de Trente… alias Bausseron (mort le 23 mai 1542) qui avait un canonicat h la cath6drale en 1530-31 et 1540-42 et qui r6sida a Cambrai pendant le printemps et l'6te de 1531 95; Jean Cornier (mort le 30 aofit 1532) qui partit pour Rome le 24 janvier 1530 et revint h Cambrai le 6 mai 1532 96 ; et Francois Castellain (mort le 9 septembre 1540) quCi, edttee Rrooumtee ,s ia rfrreivqau en"Ct ea emnbtrrea Ci lea m26b rda6i ecte mRbormee 1 5co3n3 s9t Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cambrai (de), Jean (…-8 Nov. 1535). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03569 Surname Chastelain Given Name François Given Name Surname François Chastelain Variant name Castelain Gender Male Date of death Start 1540-9-9 Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1529 Period of activity (ending) Qualif 1540 Cities_Standardized_ID Cities_Standardized_0430 Workplace Cambrai Biography SHERR Franciscus [François] Castellanus [Chastelain] {Clement VII} Cambrai; earliest reference, mandati list of May 1530 ; mandati : May 1530 -May 1534 ; returned to Cambrai on 26 December 1533 ; died in Cambrai on 9 September 1540 . BIBLIOGRAPHY: Craig WRIGHT , " Musiciens à la Cathédrale de Cambrai 1475-1550 ," Revue de Musicologie 62 (1976): 204-228. p. 226 A Rome, Conseil fit fonction de procurateur de la cathedrale a la cour papale et jouit de tous les avantages de sa prebende & Cambrai 90. Il est de nouveau ' Cambrai au printemps de 1531, mais des le 22 novembre il se rend une nouvelle fois a Rome 91. En partant, il avait essay6 d'emmener avec lui un jeune chanteur de la cath6drale, mais le chapitre ne le lui permit pas 92. Il eut cependant pour compagnon le compositeur Jean de Cambray alias Cocu, petit vicaire de 1'6glise qui servit ensuite a la chapelle papale jusqu'au mois de novembre 1535 93 De meme Jean de Monte, petit vicaire h Cambrai de 1520 t 1538, entra dans la chapelle de Paul III en aofit 1539 et, en janvier 1546, 6tait parmi les chanteurs envoyds par le pape au Concile (227) de Trente… alias Bausseron (mort le 23 mai 1542) qui avait un canonicat h la cath6drale en 1530-31 et 1540-42 et qui r6sida a Cambrai pendant le printemps et l'6te de 1531 95; Jean Cornier (mort le 30 aofit 1532) qui partit pour Rome le 24 janvier 1530 et revint h Cambrai le 6 mai 1532 96 ; et Francois Castellain (mort le 9 septembre 1540) quCi, edttee Rrooumtee ,s ia rfrreivqau en"Ct ea emnbtrrea Ci lea m26b rda6i ecte mRbormee 1 5co3n3 s9t VOIR F-AD 59, compte de la fabrique 4 G 4725*. — Idem. — 1538-1539. Rendu comme le suivant par Henri Sauvage, chanoine. La couverture parchemin est la publication par Jean-Baptiste, évêque de Caserte, de bulles de Clément VII pourvoyant Jean Cornière, chapelain et chantre de la chapelle papale, d'une prébende de St-Géry de Cambrai vacante par le décès de Jean Becka (Rome, Château St-Ange, 1527, 5 décembre). 4 G 4737*. — Idem. — 1549-1550. La couverture parchemin est la publication par Pierre Flores, évêque de Castellamare et correcteur des archives de la curie, de bulles de Clément VII pourvoyant François Castelain, chapelain et chantre de la chapelle papale, de la prébende du chapitre de Cambrai vacante par le décès de Jean Cornier, qui était titulaire des mêmes offices (Bologne, 1533, 5 mars). LA FONS-MELICOCQ, Alexandre de, “La collégiale de St.-Amé à Douai aux XIVe, XVe et XVIe siècles”, Archives historiques et littéraire du Nord de la France, et de Midi de la Belgique, 3e série, tome 5 (1855), p. 161-195. Parmi les habiles calligraphes qui, au xvi« siècle, enrichirent la bibliothèque de Saint-Amé , nous trouvons François Castelain (1529), qui reçoit XIII1. VIII'. pour ung livre de chant en papier lombard, en chose faute, où sont escript XXIIII magnificat, en ce non compris XII'. pour une main de papier réglé, Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chastelain, François (…-9 Sep. 1540). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03570 Surname Lambert Given Name Pierre Given Name Surname Pierre Lambert (2) Gender Male Date of birth Qualif circa Date of birth Qualif Start 1492 Role_ID Role_017 Role_002 Role_013 Role_001 Role_012 Role Basse contre Bassus Employee of a court chapel (musician) Known voice range Musician Singer Period of activity (beginning) Start 1528 Period of activity (ending) Qualif 1563 Cities_Standardized_ID Cities_Standardized_0535 Cities_Standardized_1591 Workplace Noyon Roma Institution_ID Institution_0032 Institution Capella pontificalis Biography LAMBERT, Pierre. DF En l’église Sant’Agostino de Rome se trouve une épitaphe de ce chanteur qui indique qu’il était originaire de Noyon, servit le pape et mourut à Rome en 1563 à l’âge de 70 ans (Celani 1907, p. 94). Il est un des six chanteurs (dont deux de Noyon) engagés par la chapelle pontificale le 24 décembre 1528 suite à une mission de recrutement du compositeur Jean Conseil en France (Haberl 1887, p. 73). SHERR Petrus [Pierre] Lambert {Clement VII-Pius IV} Bass; Noyon; born 1492 or 93; admitted 24 December 1528 along with Yves Barry and Jean Le Conte [according to the list in DS 2, fol. 94v]; special payment on 10 January 1529; mandati : July-September 1529 , April 1530 -August 1563 ; unblished beneficial documents : RV 1452, fols. 180r-183v: bull dated 20 February 1528 , RV 1448, fols. 95r-96v: bull dated 23 February 1529 , RV 1448, fols. 274r-277v: bull dated 1 January 1530 ; died in Rome on 15 August 1563 at the age of 80 and was buried in Sant'Agostino; abbas in 1538 ; punctator in 1544 , 1553 . Lambert was one of six new singers recruited by Conseil in France in 1528 . CELANI gives his epitaph: PETRO LAMBERT BELG./NERVIO NOVIODUNENSI/SUMMO PONTIF. SYMPHONIACO/GRAVI VIR INNOCENTIA/ET ERGA INOPES ADMIRABILI MIA NICOLAUS POLCETIUS CLIENS ET TESTAMENTI EXECUTOR/MUNICIPI ET PATRONO/DE SE BENEMERENTI/P./VIXIT ANNOS LXX/OBIIT I KAL. SEPT. [Sic?]/ANN. SAL. MDLXIII. DOCUMENTS DS 7 61v: entry dated 15 August 1563 BIBLIOGRAPHY: CELANI, p. 94; HABERL, p. 73; FREY, Die Diarien, pp. 129-130. Fétis LAMBERT (Pierre), musicien français, né à Noyon, en 1493, fut attaché à la chapelle pontificale, ainsi qu'on le voit par son épitaphe, qui est dans l'église Sain-Augustin à Rome. Cette même épitaphe fait voir qu'il mourut à Rome, le I" des calendes de septembre 1563, à l'âge de soixante-dix ans, et que Nicolas Polietius, son élève, fut son exécuteur testamentaire. Enfin, le même document nous apprend que, Lambert était né à Noyon. Voici celte épitaphe : Petro. Lambcrto Belg. ncrvlo Noviodunensi Summor. Pontif. Symphoniaco GraTl vlro Inocentia Et erga Inopes admlriiblli rata Nlcolaun Pollettus Cllcm et tcstamcntl executor Munlclpl et patrono de se bi ncmercnll P. Vlxlt annos I.XX Obilt 1 lai. sept. un. Sal. MDLXIII. Il est vraisemblable que c'est le même artiste (fui est désigné par plusieurs écrivains italiens du seizième siècle sous les noms de Lambcrto il caldarino (Lambert le petit chaudron ) et de Lumberto il caldarajo ( Lambert le chaudronnier), peut-être parce qu'il avait exercé d'abord cette profession. Quelques madrigaux de Lambert ont été imprimés avec ceux d'Antoine Barré, dans la collection qui a pour litre : Primo libro délie Musc a quattro voci, Mudrigali ariosi di Antonio Barré, et altri di■versi autori; Rome, Ant. Barré, 1555, in-4". VAN DER STRAETEN Lambert (pierre), attaché à la musique pontificale, décéda le 1" septembre 1563, à l'âge de soixante-dix ans. Nicolas polletius, son élève, fut aussi son exécuteur testamentaire. Son épitaphe, qui se voit dans l'église de Saint-Augustin, est de la teneur suivante : pETRO LAMBERTO Belg. Nervio NOVIODCNENSI SU.MOR. pONTIF. SYMpIIONIACO GRAVI VIRO INOCENTIA ET ERGA INOpES ADMIRABILI MIA NICOLAUS pOLLET1US CLIENS ET TESTAMENT! EXECUTOR MUNICIpI ET pATRONO DE SE BENEMERENTI P. Y1X1T ANNOS LXX. OnilT 1 KL. SEpT. ANN. SU.. MDLXttl (t). Les mots symphoniacus, symphonarius, symphonista, nous paraissent identiques. Ils s'appliquent à tous les musiciens concertants, soit chantres soit instrumentistes. Ducange cite, à ce sujet, divers exemples curieux et instructifs. Leur chef était nommé archisymphoniacus. Bibliography Celani 1907 Haberl 1887 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lambert, Pierre (circa 1492-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03571 Surname Corniere Given Name Jean Given Name Surname Jean Corniere alias Jacquinot Variant name Jacquinot Cornier Gender Male Date of death Start 1532 Period of activity (beginning) Start 1525 Period of activity (ending) Qualif 1532  Cities_Standardized_ID Cities_Standardized_0391 Workplace Amiens Biography Johannes [Jean] Corniere [Jacquinot] {Clement VII} Amiens; earliest reference, supplication list of [1525 - 1526]; receipt lists of [1525 - 1526] and December 1526 ; mandati : July-September 1529 , April 1530 -July 1532 ; unpublished beneficial documents : RAS, Camerale I, 1089, bull dated 30 September 1525 , RAS Camerale I, 1109, fols. 324r-325v: bull dated 31 August 1526 , RL 1503, fols. 125v-127v: bull dated 28 April 1528 ; in the Cathedral of Cambrai as of 6 May 1532 ; died in Cambrai on 30 August 1532 BIBLIOGRAPHY: CELANI, p. 93; WRIGHT, Craig. " Musiciens à la Cathédrale de Cambrai 1475-1550." Revue de Musicologie 62 (1976): 204-228. VOIR F-AD 59, compte de la fabrique 4 G 4725*. — Idem. — 1538-1539. Rendu comme le suivant par Henri Sauvage, chanoine. La couverture parchemin est la publication par Jean-Baptiste, évêque de Caserte, de bulles de Clément VH pourvoyant Jean Cornière, chapelain et chantre de la chapelle papale, d'une prébende de St-Géry de Cambrai vacante par le décès de Jean Becka (Rome, Château St-Ange, 1527, 5 décembre). CERTAINEMENT LE MÊME : 4 G 4737*. — Idem. — 1549-1550. La couverture parchemin est la publication par Pierre Flores, évêque de Castellamare et correcteur des archives de la curie, de bulles de Clément VII pourvoyant François Castelain, chapelain et chantre de la chapelle papale, de la prébende du chapitre de Cambrai vacante par le décès de Jean Cornier, qui était titulaire des mêmes offices (Bologne, 1533, 5 mars). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Corniere, Jean (…-1532) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03572 Surname Doulcet Given Name Robert Given Name Surname Robert Doulcet Gender Male Role_ID Role_002 Role_001 Role Employee of a court chapel (musician) Musician Period of activity (beginning) Start 1519 Period of activity (ending) Qualif 1519 Cities_Standardized_ID Cities_Standardized_0391 Cities_Standardized_1591 Workplace Amiens Roma Institution_ID Institution_0032 Institution Capella pontificalis Biography SHERR Robertus [Robert] Doulcet [Dulcet] {Leo X} Amiens; earliest reference, beneficial document of 1 October 1519 ; unpublished beneficial documents : LR 21, fol. 89r: entry dated 1 October 1519 , LR 21, fol.: entry dated 24 December 1519 . Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Doulcet, Robert (…-…). Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03573 Surname Le Conte Given Name Jean Given Name Surname Jean Le Conte Gender Male Role_ID Role_002 Role_013 Role_001 Role_012 Role_014 Role Dessus Employee of a court chapel (musician) Known voice range Musician Singer Soprano Superius Period of activity (beginning) Start 1528 Period of activity (ending) Qualif 1548 Cities_Standardized_ID Cities_Standardized_0397 Cities_Standardized_1591 Workplace Arras Roma Institution_ID Institution_0032 Institution Capella pontificalis Biography SHERR Johannes [Jean] le Conte {Clement VII-Paul III} Soprano; Arras; admitted 24 December 1528 along with Pierre Lambert and Yves Barry [according to the list in DS 2, fol. 94v]; mandati: July-September 1529, April 1530- June 1549; punctator in 1536 . It seems likely that Le Conte was one of the singers recruited for the chapel by Jean Conseil in 1528. Although Le Conte�s name does not appear among the six singers in the special payment of 10 January 1529 that seems to refer to this recruiting trip, the date of his entry into the chapel given in the list in DS 2 is the same as that of Lambert and Barry, two of the singers in the 1529 list. In 1546, Le Conte was sent to the Council of Trent and followed the Council to Bologna in 1547. DOCUMENTS DS 3 3r: entry dated 21 January 1546 [CASIMIRI (1933), p. 335] See Barry. 38r: entry dated 9 January 1548 [CASIMIRI (1934), p. 310] See Barry. BIBLIOGRAPHY: CELANI, p. 95; HABERL, pp. 72-73; VANDER STRAETEN, Edmond. La Musique aux Pays Bas , vol. VI (Brussells, 1882), pp. 410-418. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Conte, Jean (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03574 Surname Longinque Given Name Lucas Given Name Surname Lucas Longinque Variant name Longinquis Gender Male Role_ID Role_015 Role_002 Role_013 Role_001 Role_012 Role Altus Employee of a court chapel (musician) Known voice range Musician Singer Period of activity (beginning) Start 1546 Period of activity (ending) Qualif 1570  Cities_Standardized_ID Cities_Standardized_0391 Workplace Amiens Biography SHERR Luca [Luc] Longinquis [Longinque]{Pius IV-Pius V} Alto; Amiens; formerly in the Cappella Giulia (October 1546-February 1550); admitted 10 February 1561 by a vote of 23-3; mandati : March 1561-April 1570; died in Rome on 26 March 1570, was buried in Santa Cecilia in Monte Giordano on 27 March, and a funeral Mass was celebrated on 6 April. DOCUMENTS DS 6 8v: entry dated 10 February 1561 [FREY, p. 106] Fuit congregatio coram magistro capelle super amisionem d. Luce et obtinuit vota 23 in favorem et tres contra. DS 9 60v: entry dated 27 March 1570 Die dominica 26 martii 1570 proxima elapsa obiit d. Lucas de Longinquis hora 17a et fuit sepultus in ecclesia Sancte Cecelie apud montem Jordanum, requiescat in pace; die lune 27a ut supra fuit sepultus dico. 61v: entry dated 6 April 1570 Fuerunt exequie quondam dni Luce in ecclesia Sancte Ceclia in monte Jordano; fuit cantata missa cum libera me domine ut moris est omnes presentes 21. BIBLIOGRAPHY: CELANI, 754; FREY, Die Diarien. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Longinque, Lucas (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03575 Surname Monceau Given Name Jean Given Name Surname Jean Monceau Gender Male Period of activity (beginning) Start 1538 Period of activity (ending) Qualif 1539 Biography SHERR Johannes [Jean] Monceau {Paul III} Admitted by unanimous vote on 15 November 1538 ; mandati : November 1538 -July 1539 . Monceau seems to have suddenly disappeared in May 1539, and in June, he was removed from the chapel lists. DOCUMENTS DS 1 81r: entry dated 15 November 1538 [CASIMIRI (1926), p. 176] Eodem Joannes Moncheau fuit admissus de voto et consensu omnium et juravit in forma. 81v: entry dated 16 November 1538 [CASIMIRI (1926), p. 176] Eodem die Jo. Moncheau soluit scuta duodecim pro regalibus suis in forma. 102v: entry dated 30 June 1539 [CASIMIRI (1926), p. 191] Hoc mense preterito cassatur Joannes Monceau, eoquod abiit invitis cantoribus et vivus non reperitur nec de morte constat. BIBLIOGRAPHY: CELANI, p. 100; CASIMIRI Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Monceau, Jean (…-…) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03576 Surname Souman Given Name Antoine Given Name Surname Antoine Souman Gender Male Period of activity (beginning) Start 1529 Period of activity (ending) Qualif 1529 Biography SHERR Antonius [Antoine] Souman Special payment on 10 January 1529 [ HABERL , p. 73]. Souman was one of six new singers recruited by Conseil in France in 1528 . Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Souman, Antoine (…-…) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03577 Surname Touppe Given Name Michel Given Name Surname Michel Touppe Gender Male Date of death Qualif before Date of death Start 1511-11-16 Role_ID Role_001 Role Musician Period of activity (beginning) Start 1492 Period of activity (ending) Qualif 1511 Cities_Standardized_ID Cities_Standardized_0441 Workplace Chartres Biography Papal chapel, 1504-1510. Touppe, a cleric of the diocese of Chartres may be the “Michael Toppe” who requested a benefice in the diocese of Chartres in 1492 (RS 964, fol. 127r: supplication dated 14 November 1492). In 1504, he is identified as a member of the papal chapel in a supplication requesting a canonry and prebend in the cathedral of Chartres (RS 1191, fols. 103r-103v: supplication dated 4 October 1504) and in a supplication requesting another benefice in the diocese of Chartres in 1505 (RS 1216, fols. 67v-68r: supplication dated 16 October 1505). He appears in all the extant chapel lists from 1506-1509 (there are many gaps in these lists, but beneficial documents testify to his membership in the chapel during those years) and was still a member of the chapel in 1510. He had died outside of Rome by 16 November 1511 (the earliest date of a supplication requesting benefices vacant because of his death - RS 1381, fols. 21r-21v). Touppe was also a member of the household of Cardinal Giovanni de’ Medici (the future Leo X) as were the papal singers Jean Pocquetoy* and Lambertus Martini de Rummersvallis*. In common with his colleagues, he used the Indult of Innocent VIII to claim benefices made vacant by the deaths of papal singers and former papal singers (see Sherr 1998 on the Indult): in 1505, he claimed a canonry and prebend in the church of St Pierre in Lille, vacant on the death of former singer Valentin de Bersée*, a member of the chapel from 1474-1479 (Haberl 1888; RS 1197, fol. 22v: supplication dated 18 February 1505); in 1507, he claimed benefices in Avignon, vacant on the recent death of Bertrand Vaqueras (before 21 April 1507; RS 1256, fols.26v-27r: supplication dated 4 June 1507); in 1510, he claimed the church of Ste Hélène in Froberville, vacant on the recent death of Jean Pocquetoy (before 10 September 1510; RS 1356, fol. 69r: supplication dated 10 September 1510). At the time of his own death, Touppe was in litigation about a canonry and prebend in the church of St Omer in Saint-Omer, vacant on the death of the former singer Guillaume Caut, a member of the chapel from 1461-1476 (Starr 1987; RS 1381, fols. 21r-21v: supplication dated 16 November 1511). He seems also to have been interested in benefices in the cathedral of Metz, which he claimed by virtue of an expectative (many supplications, the first of which is dated 10 July 1508- RS 1297, fols. 114r-114v), and even tried to get a benefice in Arezzo (Annate 50, fol. 137r: entry dated 2 July 1506). There is, however, no confirmation that he actually took possession of any of the benefices he pursued. Bibliographie: Haberl 1888; Sherr 1975; Starr 1987; Sherr 1998; Sherr à paraitre. HABERL, Franz Xaver, Die römische “Schola Cantorum” und die päpstlichen Kapellsänger bis zur Mitte des 16. Jahrhunderts, Bausteine für Musikgeschichte, 3 (Leipzig, 1888). SHERR, Richard, The Papal Chapel ca. 1492–1513 and its Polyphonic Sources, Ph.D. diss., Princeton University, 1975. SHERR, Richard, “A Curious Incident in the History of the Papal Choir,” in Papal Music and Musicians in Late Medieval and Renaissance Rome, ed. Richard Sherr (Oxford, 1998), 187–212. SHERR, Richard, The Papal Choir during the Pontificates of Julius II to Sixtus V (1503-1590): An institutional History and Biographical Dictionary (à paraitre). STARR, Pamela, Music and Music Patronage at the Papal Court, 1447-1464, unpublished Ph.D. thesis (Yale University, 1987). Richard Sherr Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Touppe, Michel (…-before 16 Nov. 1511). Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03578 Surname Capella (de) Given Name — Given Name Surname de Capella [attr.] = Hugues de La Chapelle Gender Male Role_ID Role_024 Role_001 Role Composer Musician Period of activity (beginning) Start 1549 Period of activity (ending) Qualif 1550 Biography Freedman Du CHemin Decapella 7. [fl. Ca 1550] About a dozen chansons are credited to him in prints of Du Chemin and Attaingnant from around the year 1550. He might tentatively be identified with the the Hugo de Lachapelle, composer of a pair of motets published in Lyons. Frank Dobbins, “Decapella,” New Grove 2, VII, 119. h Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Capella (de), — (…-…). Composer; Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03579 Surname La Chapelle (de) Given Name Hugues Given Name Surname Hugues de La Chapelle Variant name Capella (de) Gender Male Role_ID Role_024 Role_001 Role Composer Musician Period of activity (beginning) Start 1539 Period of activity (ending) Qualif 1543 Cities_Standardized_ID Cities_Standardized_0416 Workplace Besançon Institution_ID Institution_0081 Institution Cathédrale Saint-Jean de Besançon Biography F-AD 25, G inventaire t. I. G. 193. Délibérations capitulaires 1526-1540. 622 ff. 1539 : Hugues de La Chapelle, prêtre et musicien, nommé recleur des choriaux de Sainl~Élienne, 1cr septembre; On lui confie les livres de musique de Guillaume Belot : nventaire sommaire des Archives départementales anérieures à ...Archives départementales du Doubs, Jules Gauthier, Catholic Church. Archdiocese of Besançon (France) - 1900 - Extraits ... 7 février; — inhumation des restes de Ferry Carondelet, 10 tévrier; — on remetà Hugues de La Chapelle, recteur des choriaux de Saint-Jean, les livres de musique d* feu Guillaume Belot, 28 février; — L'Enseignement à Besançon jusqu'à la fin du XVIe siècle Ulysse Robert - 1900 - 107 pages - Extraits ... Hugues de la Chapelle, 3 janvier 1543 ; — Richard Rennoisy, 11 mars 1545. Ecolâtres : Charles Bercin, 1515 ; — Antoine Berein, docteur es droits, curé de Saint-Maurice de Besancon, de 1526 à 1537 au moins ; — François de Poitiers, ... books.google.fr - Autres éditions - Ajouter à Ma bibliothèque▼ 2 motets publiés sous son nom en 1539 et 1542 à Lyon par J. Moderne (cf. Dobbins 1992, p. 227 + Pogue pour les titres) 1539: Tribularer si nescirem / Hugo de la Chapelle (Motteti del fiore: tertius liber cum quatuor vocibus (Lyon: Moderne, 1539). 1542: Ave regina caelorum ; Gaude gloriosa / Hugo de la Chapelle Five- and more-voice motets from the Motteti del fiore series, Part II, and Motets from the Harmonidos Ariston. Tricolon, Ogdoameron / edited by Richard Sherr. Moderne motet anthologies, Sixteenth-century motet, New York : Garland, 2000 [i.e. 1999] Haraszti 1929, p. 175, indique qu'Hugo de Capella jouait du luth et que ses motets sont connus par les codex de Vienne et Munich (renvoi à Eitner) Handy 2008, p. 136 : harpiste et violiste de la chambre du roi, Jacques Anthoine de la Chappelle [Cappelle], 80 écus de gages annuels et 1584. Précise, p. 174, Jacques Anthoine dict la Chappelle, p. 358, "joueur de harpe ou violle". Brooks 2000, p. 485-486, le signale entre 1580 et 1587 (date à laquelle il demande à se rendre à Vienne pour recevoir un héritage - refusé) Decapella 7. [fl. Ca 1550] About a dozen chansons are credited to him in prints of Du Chemin and Attaingnant from around the year 1550. He might tentatively be identified with the the Hugo de Lachapelle, composer of a pair of motets published in Lyons. Frank Dobbins, “Decapella,” New Grove 2, VII, 119. HOMONYMIE. RIEN A VOIR AVEC CE PRÉLAT † 1538 Recherches historiques sur la ville de Renaix - Page 134 books.google.frG.L.B. - 1856 - Afficher la publication entière (Hugues de la Chapelle) chanoine et Trésorier de la collégiale de S. Hermès, devint évéque de Calcédoine, suffrayant de Robert de Croy. Nous lisons dans l'histoire ecclésiastique du diocèse de Cambrai (1) (ij MA Le Glay. ... Revue bénédictine: Volume 21 books.google.frAbbaye de Maredsous - 1904 - Extraits Il fut enterré dans l'église de son ordre, devant le maître-autel (')• HUGUES DE LA CHAPELLE, év. de Chalcédoine. 1535-1538. Hugues de la Chapelle était chanoine et trésorier de la cathédrale de Cambrai (2). ... Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Chapelle (de), Hugues (…-…). Composer; Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03580 Surname Vassadel Given Name Bertrand Given Name Surname Bertrand Vassadel alias (de) Vaqueras Variant name Vaqueras (de) Gender Male Role_ID Role_024 Role_002 Role_001 Role_012 Role Composer Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1481 Period of activity (ending) Qualif 1507  Biography Rome, Basilique de Saint Pierre: chapelle Pape, cour du (curie ; Rome, Vatican) : chapelle pontificale / papale (Sixte IV à Jules II) • Onomastic. Although his name in Vatican documents and music sources is generally given as “Bertrandus de Vaqueras” or “Vaqueras”, several supplications also refer to him as “de Vaquerassio alias Vassadelli”, “Vassadelli alias de Vacqueyras”, or “de Vacqueras alias de Bassea”, and his autograph signature recording his entry, along with the other papal singers, into the Confraternità of the Ospedale di Santo Spirto in Sassia on 14 June 1484 reads: “Ego Bertrandus de Bassea alias Vaqueras” (Rome, Biblioteca Lancisiana, MS m328, fol. 98r; Egidi 1914),. This means that his real name was Bertrand Vassadel and that he was a member of the family that had been lords of the town of Vacqueyras in the comtat Venaissin near Orange since the 14th century (“de Bassea” must be a Latin rendering of Vassadel and not a place name as earlier scholars have thought). However, he must have moved away from Vacqueyras, which is in the diocese of Orange, at a young age, since he consistently identifies himself as a cleric of the diocese of Cavaillon in supplications. • Chapelle d’église, 1481–1483. A “Bertrandus de Bassea” is listed as a contra in the chapel of St. Peter’s from December 1481-April 1483 (Reynolds 1982). • Chapelle pontificale, 1483- 1507. Vaqueras joined the papal chapel in November 1483 as one of nine new members and remained in the chapel until his death: he is in all extant chapel lists until April 1507, and beneficial documents attest to his membership during the period when there are no lists. As might be expected, he concentrated his quest for benefices in dioceses neighboring Cavaillon, particularly Vaison, Arles, and Avignon, but he also was able to retain benefices in the cathedral of Liège and in the collegiate church of Notre Dame de Tongres (Tongeren) in the diocese of Liège. These had become vacant in 1494 on the death of Petrus Holy, a former papal singer (1483-1484) who had then moved to the chapel of the Duke of Milan, and had been provided to the Bishop of Segorbe, the magister capelle, by virtue of the Indult of Innocent VIII (on the Indult, see Sherr 1998), but the bishop resigned them in favor of Vaqueras on 28 August 1494 (RS 996, fols. 83r-83v). Vaqueras held these benefices at the time of his death, this being one of the rare occasions when a papal singer was actually able to take possession of a benefice far from his home diocese. Vaqueras also requested other benefices in the dioceses of Liège and Tournai but it is not known if these were successful. At the time of his death, his accumulated benefices brought in an estimated annual income of 192 gold cameral ducats, twice his chapel salary of 96 ducats a year. In 1498, he purchased a vineyard from the chapter of St. Peter’s in an area behind the basilica, curously called “Egitto” (Reynolds 1982). Décès, avril 1507: 21 April 1507 is the date of the first of a number of supplications requesting benefices made vacant by the death of Vaqueras in Rome. The supplicants included the papal singers Tomasso de Fazanis (RS 1257, fol. 205r: supplication dated 21 April 1507), Filippo de Primis (RS 1254, fol. 277r: supplication dated 21 Apriol 1507), Remi de Mastaing (RS 1254, fol. 8v: supplication dated 10 May 1507), Jan Gruter (RS 1254, fols. 57v-58v: supplication dated 10 May 1507), Jakob Walpot (RS 1254, fols. 182r-182v: supplication dated 10 May 1507), and Michel Touppe (RS 1256, fols.26v-27r: supplication dated 4 June 1507) who activated the Indult of Innocent VIII, as well as Vaqueras’s nephew, Jean Vassadel alias Vaqueyras, who describes himself as a cleric of the diocese of Orange and was a member of the papal household (the magister capelle specifically waived the Indult in this case because of the familial connection- RS 1259, fols. 202r-202v: supplication dated 2 July 1507). At the time of his death, Vaqueras was in possession of an archdeaconry and priory of Sanbelet in the cathedral of Vaison, a chaplaincy in the cathedral of Arles, two other chaplaincies in churches in the diocese of Avignon, the parish church of St Genèse the diocese of Avignon; the canonries and prebends in the cathedral of Liège and the collegiate church of Notre Dame de Tongres, the parish churches of Ste Eulalie and Dempuelon [?] in the diocese of Lausanne (another non-French diocese, but not as far away as Liège) and, most curiously a benefice described as the “chapel of St Pierre in the ruined chateau of Montmurat” in either the unlikely diocese of Bayonne (“Baionensis” in one document: RS 1167, fol.78r: supplication dated 26 June 1503) or the even more unlikely Bayeux (“Baiocensis” in another document: RS 1259, fols. 202r-202v). Oeuvres: Vaqueras is the composer of a small number of sacred works (two masses, three motets, two Credos) all preserved in Vatican sources, and one secular work is attributed to him (NG2, art. Vaqueras). The manuscript Vatican City, Biblioteca Apostolica Vaticana, Vat. Lat, 2836, fols. 94Ar-103v contains several poems in humanistic Latin with corrections that indicate that they are autographs that are ascribed to “Bertrandus de Vaqueirassio” (Reynolds 1982; one of the poems, addressed to Antonio Flaminio, is transcribed in Vatasso 1900). This would seem to show that Vaqueras was also a Humanist and member of the circle of Flaminio and the University of Rome. The only problem is that the handwriting in Vat. Lat. 2836 is manifestly different from the handwriting of the autograph signature in the book of the Confraternità di Santo Spirto in Sassia. It is true that the poems can be dated about 10 years after the signature, and it might be possible that Vaqueras radically changed his handwriting in the interim. Whether this is more unlikely than the presence of two people named Bertrandus de Vaqueras in Rome at the same time is an open question. Bibliographie : Haberl 1888; Egidi 1914; Sherr 1975; Reynolds 1982; Reynolds 1995; Sherr 1995; Sherr 1998; Sherr à paraitre EGIDI, Pietro, Necrologi e lib. Affini della provincia romana II (Rome, 1914), p. 162. HABERL, Franz Xaver, Die römische “Schola Cantorum” und die päpstlichen Kapellsänger bis zur Mitte des 16. Jahrhunderts, Bausteine für Musikgeschichte, 3 (Leipzig, 1888), p. 54. SHERR, Richard, The Papal Chapel ca. 1492–1513 and its Polyphonic Sources, Ph.D. diss., Princeton University, 1975. SHERR, Richard, “Notes on the Biography of Music of Bertrandus Vaqueras (ca. 1450-1507),” in Annegrit Laubenthal, ed., Studien zur Musikgeschichte: Eine Festschrift für Ludwig Finscher (Kassel, 1995), pp. 111-122. SHERR, Richard, “A Curious Incident in the History of the Papal Choir,” in Papal Music and Musicians in Late Medieval and Renaissance Rome, ed. Richard Sherr (Oxford, 1998), 187–212. SHERR, Richard, The Papal Choir during the Pontificates of Julius II to Sixtus V (1503-1590): An institutional History and Biographical Dictionary (à paraitre). REYNOLDS, Christopher A. , The Music Chapel at San Pietro in Vaticano in the Later Fifteenth Century, Ph.D. dissertation, Princeton University 1982, pp. 138-142. REYNOLDS, Christopher A., Papal Patronage and the Music of St. Peter’s 1380–1513 (Berkeley, 1995). VATASSO, Marco, Antonio Flaminio e le principali poesie dell’autografo Vaticano 2870, Studi e Testi 1 (Rome, 1900), pp. 60-64. Bibliography Haberl 1887 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vassadel, Bertrand (…-…). Composer; Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03581 Surname Beaulieu (de) Given Name Eustorg Given Name Surname Eustorg de Beaulieu Gender Male Date of birth Qualif Start 1495 Cities_Standardized_ID Birth Cities_Standardized_2464 Place of birth Beaulieu-sur-Ménoire Date of death Start 1552 Role_ID Role_024 Role_001 Role_019 Role Composer Musician Organist Period of activity (beginning) Start 1522 Period of activity (ending) Qualif 1552  Cities_Standardized_ID Cities_Standardized_1948 Cities_Standardized_2583 Cities_Standardized_0503   Cities_Standardized_0598 Workplace Genève Lectoure Lyon Tulle Institution_ID Institution_0056 Institution Cathédrale de Lectoure Biography Voir Dictionnaire Bibliography NG2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beaulieu (de), Eustorg (1495-1552). Composer; Musician; Organist Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03582 Surname Beaulieu (de) Given Name Girard Given Name Surname Girard de Beaulieu Gender Male Cities_Standardized_ID Birth Cities_Standardized_2465 Place of birth Beaulieu Role_ID Role_025 Role_001 Role_019 Role_012 Role Composer (no known polyphonic works preserved) Musician Organist Singer Period of activity (beginning) Start 1572 Period of activity (ending) Qualif 1590 Institution_ID Institution_0115 Institution Chapelle royale de France Biography Voir Dictionnaire Brooks 2000, p. 423-426 réunit toute la documentation sur sa carrière : Chantre de la chambre, joueur de lyre, au service de la reine ou du roi. Bibliography BrooksJ 2000 NG2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beaulieu (de), Girard (…-…). Composer; Musician; Organist; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03583 Surname Beaulieu (de) Given Name Lambert Given Name Surname Lambert de Beaulieu Gender Male Cities_Standardized_ID Birth Cities_Standardized_2465 Place of birth Beaulieu Role_ID Role_025 Role_001 Role_019 Role_012 Role Composer (no known polyphonic works preserved) Musician Organist Singer Period of activity (beginning) Start 1559 Period of activity (ending) Qualif 1590 Cities_Standardized_ID Cities_Standardized_1948 Cities_Standardized_2583 Cities_Standardized_0503   Cities_Standardized_0598 Workplace Genève Lectoure Lyon Tulle Institution_ID Institution_0056 Institution Cathédrale de Lectoure Biography Voir Dictionnaire COMPLETER BROOKS HANDY… Bibliography NG2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beaulieu (de), Lambert (…-…). Composer; Musician; Organist; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03584 Surname — Given Name Bon Given Name Surname Sire Bon — [Noyon et Béthune] Gender Male Role_ID Role_037 Role_001 Role_012 Role Master of choirboys Musician Singer Period of activity (beginning) Start 1506 Period of activity (ending) Qualif 1506 Cities_Standardized_ID Cities_Standardized_2315 Workplace Béthune Institution_ID Institution_0132 Institution Collégiale Saint-Barthélémy de Béthune Biography Collégiale Saint-Barthélémy de Béthune, 1506. “Sire Bon, chantre, venuz de Noyon” reçoit 4 l. en 1506 “pour estre reçu maistre de chant”. (La Fons Mélicocq 1855, p. 180). Il n’est pas impossible que ce chanteur au patronyme inconnu soit le chanteur de la chapelle pontificale Bon Raoul*, qui demanda une autorisation d’absence de la chapelle en mars 1506. Bibliography La Fons-Mélicocq 1855 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource —, Bon (…-…). Musician; Singer (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03585 Surname Turbelin Given Name Jacques Given Name Surname Jacques Turbelin Gender Male Role_ID Role_037 Role_001 Role Master of choirboys Musician Period of activity (beginning) Start 1462 Period of activity (ending) Qualif 1496  Cities_Standardized_ID Cities_Standardized_0461 Workplace Douai Institution_ID Institution_0129 Institution Collégiale Saint-Amé de Douai Biography Collégiale Saint-Amé de Douai, 1473-1496. En 1476, Jacques Turbelin reçoit 22 s. “comme courtoisie aux vicaires et compaignons, qui l'aidèrent à chanter le jour des innocens”. Il avait déjà reçu 33 s. en 1473 “pour faire faire le ju des innocens”. Au sujet de ces festivités, on sait qu'en 1479 y “estaient la plupart de messieurs”, et que, l'année précédente, 12 s. avaient été accordés “pour le louage des chevaulx des compaignons qui chantèrent avec les enffans, le jour des innocens” (La Fons-Mélicocq 1855, p. 174). Un “Turbelin” (sans prénom) figure en effet parmi les vicaires dans les quatre comptes des vicaires de Saint-Amé conservés entre 1462 et 1479 (Bouckaert PCR, d'après F-AD 59, 1G 2223 à 1 G 2226, comptes des années 1462-1463, 1466-1467, 1468-1469 et 1478-1479). Il devint chanoine de l'église, et son testament en date du 21 juillet 1496, indique qu'il donna à l'église “pour mettre au coer, ung livre nomé Rationale divinorum officiorum” et à “Mathieu Turbelin, son frère, ung livre en franchois sur les Propriétés des choses” (Deshaisnes 1866, p. 47). Un inventaire des livres de l'église dressé en 1496 confirme qu'elle était bien en possession d'“Ung livre maulé [imprimé] nomé rationale divinorum oficiorum, enchaîné que donna Jaquin Turbelin, chanoine” (Id., p. 44). • Maître de Jacques Lefèvre d'Étaples ? Le mathématicien et théologien humaniste Jacques Lefèvre d’Étaples insère une épître dédicatoire à “Jacques Labin et Jacques Turbelin, musiciens, ses chers précepteurs” (“Jacobo Labinio et Jacobo Turbelino musicis, suis charissimis praeceptoribus”) au début de son traité de théorie musicale intitulé Musica libris quatuor demonstrata, publié à Paris en 1496 avec son traité d’arithmétique. Bibliography Deshaines 1866 La Fons-Mélicocq 1855 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Turbelin, Jacques (…-…). Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03586 Surname Labin Given Name Jacques Given Name Surname Jacques Labin (Labinius) Variant name Labinius Gender Male Role_ID Role_001 Role Musician Period of activity (beginning) Start 1496 Period of activity (ending) Qualif 1496 Biography Maître de Jacques Lefèvre d'Étaples, avant 1496. Le mathématicien et théologien humaniste Jacques Lefèvre d’Étaples insère une épître dédicatoire à “Jacques Labin et Jacques Turbelin, musiciens, ses chers précepteurs” (“Jacobo Labinio et Jacobo Turbelino musicis, suis charissimis praeceptoribus”) au début de son traité de théorie musicale intitulé Musica libris quatuor demonstrata, publié à Paris en 1496 avec son traité d’arithmétique. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Labin, Jacques (…-…). Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03587 Surname Lesculier Given Name Simon Given Name Surname Simon Lesculier Gender Male Period of activity (beginning) Start 1473 Period of activity (ending) Qualif 1473  Cities_Standardized_ID Cities_Standardized_0461 Workplace Douai Institution_ID Institution_0129 Institution Collégiale Saint-Amé de Douai Biography Collégiale Saint-Amé de Douai, 1473. L'inventaire des biens de ce doyen est conservé (Deshaines 1866, p. 45-46). On y trouve plusieurs livres de musique et de théorie musicale, En 1473, maistre Simon Lesculier, doyen du chapitte de Saint-Amè, donne à Jehan Laloux, un de ses bréviaires, et à Jehan Carie, un journet et unes synodales. Dans le curieux inventaire des biens de ce doyen du chapitre, nous trouverons les indications suivantes : Libraries. Pluiseurs livres en papier, en ung commenchant pœniteas VI s. Ung demy temps d'y ver, couvert de bos. . XX s. Ung rommant en wallecq (wallon?) commenchant le prologhe du rommant de le rose, couvert de bos XXXII s. Ung aultre, livre en parchemin, nommé l'apocalipse ymagiée, convert en bos de blancq. XXXII s. Ung rommant en franchois nommé Gutite Dorenges, couvert de bos et cuir XXXIII s. Ung aultre rommant en parchemin couvert de bos commenchant qui bien seet dire le doibt. Ung aultre livre en papier contenant l'art de musique, couvert de cuir vermeile III s. Une viese glose de dyalecticha XII d. Ung livret en parchemin commenchant : Capitulum noviomense Ils. Ung Flores grammatice en papier. ... VI s. Ung livret en parchemin commenchant Trop longuement me sui tenu. Ung aultre livret en parchemin, de musique. Ung aultre livret en parchemin, nommé Guido, inventor musice XII d. Ung aultre livret en parchemin, nommé Ysidonts, de musica XII d. Ung aultre livret de parchemin, commenchant : Incipit micrologue de musica XII d. 1 livret commenchant : Passio de N. S. J. C. secundum nichodemvm X s. Ung rommand de Marguerite, contesse de Flandre • II s. Ung petit livret commenchant De virtutibus et viciis et pluribus aliis XII d. Ung petit livre en parchemin, nommé summula de summa XII d. Ung bréviaire a l'usaige Saint-Amé. . . VIII 1. Ung rommand en papier de Mandeville . . X s. Bibliography Deshaines 1866 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lesculier, Simon (…-…) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03588 Surname Planchon Given Name Jean Given Name Surname Jean Planchon Gender Male Period of activity (beginning) Start 1510 Period of activity (ending) Qualif 1510  Cities_Standardized_ID Cities_Standardized_0461 Workplace Douai Institution_ID Institution_0129 Institution Collégiale Saint-Amé de Douai Biography Collégiale Saint-Amé de Douai, 1473. L'inventaire des biens de ce doyen est conservé (Deshaines 1866, p. 47). On y trouve plusieurs livres de musique et de théorie musicale, et un volume commençant peut-être par le Lay de Bonne Esperance (Longuement me sui tenus) En 1510. Maistre Jehan Planchon, prestres chanone de Saint-Amé, quitrespassale 8 juillet 1510, alaissé : Une heure en papier à lusage de Saint-Amé. III s. Ung psaultier IV s. Ung demy temps, escript à la main à lusage de Tournay V s. Trois aultres demy temps, id. id. Ung livre noiné : manipulus curatorum. . X s. Ung livre de canchons VI d. Une heure à dévotion, a braye de chamois. X s. Une légende dorée en latin, escripteàlamain. IIIs. Uneaultre, id. id. Bibliography Deshaines 1866 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Planchon, Jean (…-…) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03589 Surname Goulin Given Name Pierre Given Name Surname Pierre Goulin Gender Male Role_ID Role_037 Role_001 Role Master of choirboys Musician Period of activity (beginning) Start 1412 Period of activity (ending) Qualif 1412 Cities_Standardized_ID Cities_Standardized_0569 Workplace Saint-Quentin Institution_ID Institution_0153 Institution Collégiale Saint-Quentin de Saint-Quentin Biography Collégiale de Saint-Quentin, 1412. Par une charte du chapitre de Saint-Quentin en date du 16.2.1412, maître Pierre Goulin, choriste ou maître des enfants de chœur de l’église, obtient l’autorisation d’être inhumé en la chapelle “de saint Pierre et de saint Paul, la plus rapprochée du portail, près de la maison des Enflés” (extrait de l'histoire de l'église rédigée par Quentin de La Fons vers 1640, qui discute ici la localisation de l’Hôpital des Enflés, bâtiment qui avait déjà disparu à son époque ; éd. Gomart 1856, t. I, p. 302). Bibliography Gomart 1856 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Goulin, Pierre (…-…). Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03590 Surname Fouquet Given Name Nicolas Given Name Surname Nicolas Fouquet Variant name Foucquet Gender Male Date of birth Qualif Start 1573 Date of death Start 1617-5-8 Role_ID Role_018 Role_001 Role_012 Role Choirboy Musician Singer Period of activity (beginning) Qualif circa Period of activity (beginning) Start 1580 Period of activity (ending) Qualif 1617  Cities_Standardized_ID Cities_Standardized_0537   Cities_Standardized_0569 Workplace Paris Saint-Quentin Institution_ID Institution_0153 Institution_0269 Institution Collégiale Saint-Quentin de Saint-Quentin Sainte-Chapelle de Paris Biography Collégiale de Saint-Quentin, vers 1580-1617. Son épitaphe indique qu'il mourut en 1617 à l'âge de 44 ans, après avoir été ancien enfant de chœur, prêtre, chapelain et maître de musique (“symphonistae” ?) de l'église ; il semble donc y avoir fait toute sa carrière (épitaphe publiée par Gomart 1856, I, p. 123 : “Magistri Nicolai Fouquet, dum vixit pueri chorialis, Presbyteri, Capellani hujus Ecclesie ac symphonitae epitaphium. Quos Augusta dedit cineres, haec terra recondit. Qui locus enutriit corpus, hic ossa tenet. Harmoniae bis dux veni, totidemque vocatus, Post obii; precibus, lector, adesto mini. Obiit 8 maii anno reparais salutis 1617, aetatis 44”) Paris : Sainte-Chapelle. 1605-1607 : Clerc, prêtre du diocèse de Noyon, reçu le 1 octobre 1605 et cité comme chapelain le 27 janvier 1607, pour une attribution de chambre (Brenet 1910 p. 152, 153 d’après Arch. Nat. LL 601, fol. 14 r° et 31 v°). Bibliography Brenet 1910 Gomart 1856 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fouquet, Nicolas (1573-8 May 1617). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03591 Surname Le Bouc Given Name Israël Given Name Surname Israël Le Bouc Gender Male Role_ID Role_002 Role_001 Role_012 Role Employee of a court chapel (musician) Musician Singer Period of activity (beginning) Start 1586 Period of activity (ending) Qualif 1599 Cities_Standardized_ID Cities_Standardized_0569 Workplace Saint-Quentin Institution_ID Institution_0115 Institution_0153 Institution Chapelle royale de France Collégiale Saint-Quentin de Saint-Quentin Biography Chapelle royale, c. 1586. Il figure sur une liste des chantres de la chapelle d'Henri III dressée vers 1586 (BrooksJ 2000, p. 490). • Collégiale de Saint-Quentin, 1587-1599. Son monument funéraire et épitaphe, décrits par l'historien Quentin de La Fons montrent qu'il était chanoine de cette église, où il fit en 1599 une fondation d'oraisons à chanter en polyphonie le jour de Pâques, inlcuant le legs d'un grand tableau représentant la Passion, la Résurrection et l'Ascension : “De là [5e pilier du côté droit] tirant à gauche, contre le gros pilier de la croisée devant le Crucifix, se trouve l'épitaphe de Me Israël Le Boucq , Chanoine, en un grand tableau où est peinte l'histoire de la passion de N.-S., de sa résurrection et ascension, avec cette inscription : In honorem Dei suaeque domûs dilectionem, venerabilis et discretus vir, Magisler Israël Le Boucq, hujus Ecclesiae Canonicus, Regiusque Capellanus, imaginem crucifixi et adjunctas depingendas atque historiam hâc tabellâ expressam hic statuendam curavit, necnon preces pietatis plenas sub dies Paschae, horam sextam vespertinam, hâc in Ecclesià decantandas instituit et fundavit, anno Domini 1599. Requiescat in pace.” (éd. Gomart 1856, I, p. 116). Il avait également contribué à la décoration du chœur : “Le Crucifix élevé au milieu de l'Eglise est très-bien fait avec les figures de la Vierge et de saint Jean, qui sont posées sur une grande poutre revêtue de part et d'autre d'une belle menuiserie de trois pieds de hauteur. En la face qui regarde la nef, il y a 25 figures en bosse , au milieu desquelles sont les pieds de la croix et la figure de saint Quentin, qui a, à son côté droit, les douze Apôtres, et à gauche les douze Prophètes. De l'autre face, qui regarde le chœur, sont dépeints, en plate peinture encore les douze Apôtres d'un côté, et saint Quentin avec tous ses compagnons de l'autre, et tout au milieu , sous le pied de la croix, est dépeint à genoux Me Israël Le Boucq, Chanoine de cette Eglise, qui a fait peindre et dorer toute la croix, le Crucifix et toutes les images, de côté et d'autre, l'an 1587” (id., p. 75). Bibliography BrooksJ 2000 Gomart 1856 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Le Bouc, Israël (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03592 Surname Wavrechin (de) Given Name Nicaise Given Name Surname Nicaise de Wavrechin Gender Male Period of activity (beginning) Start 1317 Period of activity (ending) Qualif 1349 Biography Wavrechin, v Wavrechain. / Vavrecinum, Wavrechain. Wavrin, Francia. Soit Wavrechain-sous-Denain, soit Wavrechin-sous-Faulx, ts deux dans l’arrondissement de Valenciennes. Lettres de Jean XXII (1316-1334): textes et analyses: Volume 2 (sur arch.org). Index, p. 618 et 698 (renvois à) p. 751. p. 173, n° 462: 21.12.1317, chapelain de la comtesse Béatrice de Luxembourg, expect St-Bart de Liège, déjà curé de Harchie (Hachy/Herzi, Belg. prov Lux), dioc Treves, et de Blaravila (Blairville), dioc Arras. p. 594, n° 1619, 20.7.1325 : expectative pour St-Servais de Maastricht, sachant qu’il est déjà chanoine de StBart de Liège. Lettres de Jean XXII (1316-1334): textes et analyses: Volume 3. n°3210 et 3374 p. 567, 3210, 17 avr 1332 : Nic de W, cap Joh regis Boe confertur canonicatus eccl cameracen sub expectatione prebende, non obstante quod in SQ et SM de Condeto et Sbart Leodiensisw… Du meme genre p. 646-7, n° 3374, 4 jan 1333 Arnold R. Fayen - 1909 - Reg. Av. 41, f. 573 : Vat. 103, n. «27. 3210. 1332. l7 avril. Nicasio de Wavrechin ... prebende ас dignitatis eidem Nicasio provisum est ; que ultima gratia ... Lettres de Clément VI (1342-1352).: Textes et analyses, Philippe Van Isacker, Ursmer Berlière - 1924 - Extraits t.I, p. 87, n° 253, 1 juill 1342: Nicasio de Wavrechin, capellano Johannis, Boemie regis, confertur canonicatus sub expectatione prebende in ecclesia Cameracensi, consideratione dicti regis, non obstante quod in S. Bartholomei Leodiensi, Sancti Quintini in Viromandia, S. Quintini Meldobensis et B. Marie de Condeto ecclesiis, Noviomensis et Cameracensis diocesum, canonicatus et prebendas obtinet… Aussi p. 324 et 804 (index) Suppliques de Clément VI: (1342-1352), p. 92 Ursmer Berlière - 1906 - 952 pages - Extraits Nicasius de Maing. Nicasius de Preusies. Nicasius de Stapulis. Nicasius de Wavrechain. Nicasius Machart. ... Nicasius. Nicholaus, v. Nicolaus. ... Apparemment cité dans : Les comptes du receveur de Hainaut pour 1359-1360, édition ... Nicolas Choin - 2007 - 424 pages Familia Archiepiscopi: Studien zu den geistlichen Funktionsträgern Erzbischof Balduins von Luxemburg (1307-1354) Nikasius v. Wavrechain 226-228, 267, 350, 376. > 226 et suiv. “Une demi-douzaine de sources sur ce chapelain de l’archevêque, qui permettent de très bein reconstituer le parcours de ce clerc. En 1317, expectative au titre de chapelain de Béatrice de Lux (Fayen AVB, p. 173 n° 462, 21 XII 1317). Indication intéressante, car la cette comtesse Béatrice d’Avesnes-Beaumont n’est autre que la mère de l’archevêque Baudouin. Elle avait précisément des possession dans le valenciennois. Bénéfices concentrés dans le Nord de la France, puis au comté de Luxembourg. SBart de Liège, (avec cures d’HAchy près d’Arlon, et Blairville, dioc Arras). Le 20 VII 1325, St-Servais de Maastricht (Fayen, AVB 2, p. 594, n° 1619). Les suppliques du début des trente années pendant lesquelles il sera qualifié de chapelain de Jean de Bohême signalent des bénéfices à SQ, Condé, SB Liège et SV Maastricht, et un canonicat de la cathédrale de Cambrai (Fayen, AVB 3, p. 567, n° 3210, 17 IV 1332 et p. 646 et suiv., n° 3374, 4 I 1333). L’expectative, aussi d’avril 1332, pour le canonicat et dignité de Trêves, est annulée en janvier 1333, et il ne mit pas les pieds à Trêves et il n’est plus question de ce béénfice ensuite. Mentionné comme chapelain de l’archevêque Bauduin en 1343, bénéfice à l’abbaye du Bec, dioc Rouen (Berlière, AVB 1, p. 92 et suiv.). Autres chartes de JdB pour Nicaise: Van Isacker, AVB 6, p. 87 n°253, et Klicman Acta p. 24 n° 42, 1 VII 1342). Puis SQ de Maubeuge. Quand entra-t-il en contact avec Baudouin ? D’un acte du 16 VI 1334, on apprend que Nicaise appartenait, au moins temporairement, à l’administration financière (Finanzverwaltung) de JdB (Vannerus, ChartesLux, 180 et suiv., n° 63) . Mort avant le 8 XI 1349 (Berlière, AVB 1, 479, n° 1844 et suiv., puis 533. Dernière mention en vie, 16 XII 1343 (Van Isacker AVB 6, p. 324 et suiv., n° 929). Sans doute passé au service de l’archev par connexion dynastique.” >267 (table des chapelains, RAS) >350 (mention en passant Cmabria) > 376 Dico prosopo Pas de notice. RAS. Autre chanoine de SQ mentionné: Jean de Bruay, haut dignitaire de l’archev, chan SQ 1308 puis doyen de la cath de Trier. I canonici al servizio dello Stato in Europa secoli XIII-XVI. Hélène Millet, Elizabeth Mornet, Istituto di studi rinascimentali (Ferrara, Italy) - 1992 - 290 pages - Extraits. p. 141 : Bei Nicasius von Wavrechin, Kaplan Johanns und ... Article: “Kanoniker im Dienste von Herrschaft. Beobachtungen am Beispiel des Trierer Domkapitels” Holbach, Rudolf. • p. 119-148 I canonici al servizio dello stato in Europa, secoli XIII - XVI = Les chanoines au service de l'état en Europe du XIIIe au XVIe siècle, recueil d'études sous la direction Millet, Hélène [Publ.]. - Modena (1992) Suppliques d'Innocent VI (1352-1362): textes et analyses Ursmer Berlière - 1911 - 993 pages - Extraits ... Wavrechain. - Monasteria OSB , Anchin , Béthune, Denain, ... Johannes Tonnelle, Nicasius Lamant, ... 655; — ejus cler., Nicasius Lamant. ... Exekutoren: Die außerordentliche Kollatur von Benefizien im ... - Page 627. Kerstin Hitzbleck - 2009 - 653 pages - Aperçu ... Archidiakon von Reims 383, 458 Nevers Dekan 474 - Saint-Martin, Kloster Abt 474 Nicasius de Wavrechin, Kaplan des Königs Johann von Böhmen, verschiedene Stellen in Utrecht, Lüttich, Trier, Kanoniker in Cambrai 403 f. ... Mort signalée Berlière 1906 (AnaVatBelg I), p. 479, n° 1844, 8 nov. 1349 et p. 533, n° 2018, 17 aout 1350, Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wavrechin (de), Nicaise (…-…) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03593 Surname Outreau (d’) Given Name Guillaume Given Name Surname Guillaume d’Outreau [de Ultraaquam] Variant name Ultra Aquam Ultraaquam (de) Gender Male Place of birth Norwich ? Role_ID Role_001 Role Musician Period of activity (beginning) Start 1382 Period of activity (ending) Qualif 1409 Cities_Standardized_ID Cities_Standardized_0404    Cities_Standardized_1591  Cities_Standardized_0569 Workplace Avignon Roma Saint-Quentin Institution_ID Institution_0101 Institution_0032 Institution_0153 Institution Chapelle ducale d'Anjou Capella pontificalis Collégiale Saint-Quentin de Saint-Quentin Biography chapelle pontif Documents relatifs au grand schisme: textes et analyses: Volume 13 Clement VII (Antipope), Benedict XIII (Antipope), Karl Hanquet - 1976 - Extraits Guillelmo de Ultra Aquam pape famil., ... p. 764, n° 2348 14 mai 1393 Guillelmo de Ultra Aquam, pape famil, providetur de can et praeb eccl cameracensis vac per ob extr romanam curiam Mathei de Longariga, pape famil et capell Günther 1964: Aux côtés de Denis de Couleurs et Evrard de Conti, respectivement aumônier et médecin du roi, Hémeré cite en outre parmi les chanoines illustres des années 1380 un certain Guillaume d’Outreau (« Willel. de Ultraaquam »), qu’il qualifie de chapelain du pape et chanoine de Villeneuve-lès-Avignon (Hémeré 1643, p. 298). Ce chanteur figure effectivement dans les listes de la chapelle pontificale d’Avignon conservées pour ces années, sous le pape Clément VII, en octobre et décembre 1382 et en novembre 1393 (Günther 1964, p. 180 et 185) ; il ne figure cependant plus dans la liste suivante, celle des chanteurs retenus par Benoît XIII, dressée le 5 octobre 1394 (Haberl Bst.,/ Il ne figure pas ds la liste suivante, du 5.10.1394: Liste de la chap. pontificale Avignon, Benoît XIII des 14 noms “isti fuerunt recepti et juraverunt 5. mensis Oct. 1394 et sunt recepti cum stipendiis consuetis” (Haberl Bst. III, p. 25, n. 2) Nadas 2003 p. vII Lenfant was documented as a singer by Ursula Gunther; Lenfant and Ultraaquam together presented a supplication in the early years of the schism, and the Duke of Anjou was the authority who settled a permutation of benefices for ... qui servit ensuite la curie du pape d’obédience pisane Alexandre V, élu en 1409 (Nadas 2007, p. 264) Bibliography Günther 1964 Héméré 1643 Nadas 2003 Nadas 2007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Outreau (d’), Guillaume (…-…). Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03594 Surname Plattelet Given Name Jean Given Name Surname Jean Plattelet Gender Male Role_ID Role_002 Role_013 Role_001 Role_012 Role_016 Role Employee of a court chapel (musician) Known voice range Musician Singer Tenor Ténoriste Period of activity (beginning) Start 1407 Period of activity (ending) Qualif 1407 Institution_ID Institution_0106 ? Institution Chapelle ducale de Brabant ? Biography Chapelle du duc de Brabant. Qualifié de “ténoriste du duc de Brabant“, il reçoit une petite prébende de la collégiale Sainte-Gudule de Bruxelles en février 1407, vacante par la mort de Theodore de Os (Huybens 1971, p. 40 : “1407 fev. 19. Petite prebente a Johanni Plattelet tenoriste domini ducis Brab.”, d'après B-AGR, A.E.SG. - reg. 772, f. 6). Bibliography Huybens 1971 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plattelet, Jean (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03595 Surname Des François Given Name Florent Given Name Surname Florent Des François Gender Male Role_ID Role_025 Role_035 Role_001 Role Composer (no known polyphonic works preserved) Master of Music Musician Period of activity (beginning) Start 1633 Period of activity (ending) Qualif 1633 Cities_Standardized_ID Cities_Standardized_0535 Workplace Noyon Institution_ID Institution_0062 Institution Cathédrale de Noyon Biography Cathédrale de Noyon, 1633. En 1633, l’imprimeur Pierre Ballard publie quatre messes à quatre voix, dont aucun exemplaire de subsiste, de ce compositeur qualifié de maître de musique de la cathédrale de Noyon (« authore M. Florentio Des François, insignis ecclesiae cathedralis Noviodunensis simphonaeta simphoniarca » ; Guillo 2003, notices 1633-B à 1633-D et Guillo 2005, p. 207). Bibliography Guillo 2003 Guillo 2005 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Des François, Florent (…-…). Compose; Master of Music; Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03596 Surname — Given Name Guichard Given Name Surname Guichard — [Noyon] Gender Male Role_ID Role_037 Role_001 Role_012 Role Master of choirboys Musician Singer Period of activity (beginning) Start 1506 Period of activity (ending) Qualif 1506 Cities_Standardized_ID Cities_Standardized_0535 Workplace Noyon Institution_ID Institution_0062 Institution Cathédrale de Noyon Biography Cathédrale de Noyon, 1506. François Lesure affirme qu’un certain Guichard aurait été maître des enfants de la cathédrale en 1506, mais aucune source ne permet de corroborer cette information, citée sans référence (Lesure 1999, art. « Noyon », p. 237). Bibliography Lesure 1999 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource —, Guichard (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03597 Surname Herlevin Given Name Jean Given Name Surname Jean Herlevin Variant name Herlevin Helling Harlemin Valentin Helbin Helluwin Gender Male Role_ID Role_001 Role_012 Role Musician Singer Period of activity (beginning) Start 1444 Period of activity (ending) Qualif 1445 Cities_Standardized_ID Cities_Standardized_0430 Workplace Cambrai Institution_ID Institution_0049 Institution Cathédrale de Cambrai Biography Cambrai cathedral, 1444-1445. Jean Herlevin was a small vicar from 19 June 1444 to late May 1445 [F-AD 59, 4G 7443, f. 7 ; F-BM-Cambrai, ms. 1058, f. 5]. His name is the most mangled among those of the small vicars: he is referred to as Herlevin, Helling, Harlemin, Valentin, Helbin, and Helluwin. His departure is exceptionally not recorded in the wine account, but is noted in the acts, when he is referred to as “recently let go” on 02 June 1445 (see above) and in an undated entry in the aumosne [F-AD 59, 4G 7762, fascicle of 1444-45, f. 12]. His connection with Cambrai was apparently limited to his small vicariate. Bibliography Planchart PCR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Herlevin, Jean (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03598 Surname Spina (de) Given Name Philippe Given Name Surname Philippe de Spina Gender Male Role_ID Role_030 Role_001 Role Music copyist Musician Period of activity (beginning) Start 1544 Period of activity (ending) Qualif 1544 Cities_Standardized_ID Cities_Standardized_1652 Workplace ‘s-Hertogenbosch Institution_ID Institution_0252 Institution Lieve Vrouwe Broederschap in ‘s-Hertogenbosch Biography Copiste de la confrérie. Copia probablement ‘s-Hert 73 en 1544. Il est aussi le copiste de ‘s-Hert 75. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spina (de), Philippe (…-…). Music copyist; Musician Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03599 Surname Boursier Given Name Jean Given Name Surname Jean Boursier Gender Male Role_ID Role_018 Role_001 Role_012 Role Choirboy Musician Singer Period of activity (beginning) Start 1428 Period of activity (ending) Qualif 1428 Cities_Standardized_ID Cities_Standardized_0535 Workplace Noyon Institution_ID Institution_0062 Institution Cathédrale de Noyon Biography Cathédrale de Noyon, 1428. Un des deux enfants de cœur de la cathédrale de Noyon payés en 1428 par la confrérie des Joies Notre-Dame pour avoir aidé à célébrer quatre messes annuelles (F-AD-60, G 1610). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boursier, Jean (…-…). Musician; Singer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Person PersonChantres CESR_person_ID CESR_person_03600 Surname Gourdet Given Name Mathurin Given Name Surname Mathurin Gourdet Variant name Mathelin Gender Male Role_ID Role_037 Role_001 Role Master of choirboys Musician Period of activity (beginning) Start 1481 Period of activity (ending) Qualif 1487 Cities_Standardized_ID Cities_Standardized_0548 Workplace Rennes Institution_ID Institution_0086 Institution Cathédrale Saint-Pierre de Rennes Biography Cathédrale Saint-Pierre de Rennes, 1481-1486. Engagé comme maître de la psalette de la cathédrale le 4.6.1481, il s’absente apparemment longuement en 1483 et son successeur (G. Guillard*) est engagé le 1.3.1484. Gourdet est cependant réengagé le 3.9.1486, mais comme il ne respecte pas le contrat passé avec le chapitre, il est cette fois remplacé par Pierre Macéot le 4.9.1488. Un administrateur avait été nommé en novembre 1487, ce qui doit indiquer qu’il était alors déjà parti (Raison 1937, p. 21 et 56-57). Bibliography Raison 1937 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gourdet, Mathurin (…-…). Musician